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Graffiti Archaeology

Monday, September 8th, 2008 – running time 04:07
Patrick talks with the creator of the Graffiti Archaeology website about his street art monitoring project.

Watch the rest of this episode from Systm here.

Highlights
New York City ( 0:11, 0:11 ) Los Angeles ( 0:11, 0:11 ) cream color ( 2:19, 2:19 ) stitching ( 1:43, 1:47, 1:43, 1:47 ) New York City ( 0:11, 0:11 ) Los Angeles ( 0:11, 0:11 ) cream color ( 2:19, 2:19 ) stitching ( 1:43, 1:47, 1:43, 1:47 )

Automatically Generated Transcript(may not be 100% accurate) ( more )

" War. Today's -- is great and extraordinary -- recording the life graffiti on the walls New York City Los Angeles. -- on San Francisco and he should give us a behind the scenes look at how he pulled it altogether well -- you Cassidy. Are already are relieving your last name out of this is just like your secret identity don't know. Just check and admit that it. So you actually. You you have a graffiti archaeology project yes. This is like the least maybe not the least of probably on the list of permanent marks the enemy which it has an animal stuff for the -- like a bunch of food in a box -- it sold the -- people I mean this time it comes goes and a lot of people really just exactly how extraordinary group."

" He can be what happens here is interesting. People come up going to start tagging you know and you know these are just little little tags and some of them. I -- suburban killer. I don't know what that is but you know not not anybody's -- Expert. And people start putting -- is up you know these little outlines of film. Simple fast easy to do you and eventually. And more elaborate study started starts out showing up and you know people get a sense that. You know my PC to -- here it has been painted over a mile in northern pages known to place -- familiar with it doesn't really elaborate stuff like this this is taken hours for somebody to ask the I have many hours --"

" But I can show you what I dvds yoga -- the other photos that's a little different from try to turn you know Photoshop like this in the something that looks like you've shot at all for a night so. Yeah one of the problems with. Automatic stitching is that it doesn't really understand none of them automatic stitching tools out there understand what Wallace supposed to look like. Can help. -- serial numbers blacks -- was like spot there with a touch screen and get this kind of -- things and colleagues and if you will yeah exactly there's color correction needs to happen here. He during this are you thinking of like what you song versus what the camera saw. Yeah on the mobile computing it's."

" And I'm thinking of what coloring noble -- to actually be right you know I'm noticing that the highlights here look kind of bluish. And I know that they were really light you know I know that this law is actually kind of a cream color it's not a great. So I'm just -- correct for all that and so just you know put a little yellow in there put a little red in there -- starting to warm up -- more natural. Can read into the highlights -- The highlights. You know and now we're starting to roughly get into the zone of how it actually looks just like okay that was silver paint you know -- and orange and blue ended exactly on orange. So now we've got back and I know I can either take the entire picture. And just grab the whole thing that things can grab a segment ever hear I want to make a label that he's here so let's just grab this part the interesting part. Because I happen to know that this hyper throw who is actually only thing that's new. So and its program that. Itself. And -- And here comes the fun part. Zooming here. A little bit. -- paste. Obama got a huge. So let's just first. Take a little transparent. And in this is the part where it actually gets. Interest and we'll do it controlled heat transformed. Apple T whatever you call them back. And -- you can hold down shift and keep the proportions correct. And all. Exactly."

" War. Today's -- is great and extraordinary -- recording the life graffiti on the walls New York City Los Angeles. -- on San Francisco and he should give us a behind the scenes look at how he pulled it altogether well -- you Cassidy. Are already are relieving your last name out of this is just like your secret identity don't know. Just check and admit that it. So you actually. You you have a graffiti archaeology project yes. This is like the least maybe not the least of probably on the list of permanent marks the enemy which it has an animal stuff for the -- like a bunch of food in a box -- it sold the -- people I mean this time it comes goes and a lot of people really just exactly how extraordinary group."

" He can be what happens here is interesting. People come up going to start tagging you know and you know these are just little little tags and some of them. I -- suburban killer. I don't know what that is but you know not not anybody's -- Expert. And people start putting -- is up you know these little outlines of film. Simple fast easy to do you and eventually. And more elaborate study started starts out showing up and you know people get a sense that. You know my PC to -- here it has been painted over a mile in northern pages known to place -- familiar with it doesn't really elaborate stuff like this this is taken hours for somebody to ask the I have many hours --"

" But I can show you what I dvds yoga -- the other photos that's a little different from try to turn you know Photoshop like this in the something that looks like you've shot at all for a night so. Yeah one of the problems with. Automatic stitching is that it doesn't really understand none of them automatic stitching tools out there understand what Wallace supposed to look like. Can help. -- serial numbers blacks -- was like spot there with a touch screen and get this kind of -- things and colleagues and if you will yeah exactly there's color correction needs to happen here. He during this are you thinking of like what you song versus what the camera saw. Yeah on the mobile computing it's."

" And I'm thinking of what coloring noble -- to actually be right you know I'm noticing that the highlights here look kind of bluish. And I know that they were really light you know I know that this law is actually kind of a cream color it's not a great. So I'm just -- correct for all that and so just you know put a little yellow in there put a little red in there -- starting to warm up -- more natural. Can read into the highlights -- The highlights. You know and now we're starting to roughly get into the zone of how it actually looks just like okay that was silver paint you know -- and orange and blue ended exactly on orange. So now we've got back and I know I can either take the entire picture. And just grab the whole thing that things can grab a segment ever hear I want to make a label that he's here so let's just grab this part the interesting part. Because I happen to know that this hyper throw who is actually only thing that's new. So and its program that. Itself. And -- And here comes the fun part. Zooming here. A little bit. -- paste. Obama got a huge. So let's just first. Take a little transparent. And in this is the part where it actually gets. Interest and we'll do it controlled heat transformed. Apple T whatever you call them back. And -- you can hold down shift and keep the proportions correct. And all. Exactly."