Quote:
Originally Posted by tsmith15
Don't you think it would be distracting switching between 24 and 48 within a movie? I know it's different but I hate when a movie cuts between IMAX and regular aspect ratio because of the damn black bars that magically appear and disappear. It takes me so out of the movie.
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Wouldn't it be more like a film switching between film and digital based on the drama/action of the scene, or set and CGI, etc? Having not seen 48 (and not having a film eye), I can't say either way, but I could see a good director using things like that at times to add emphasis. My question would be if that were a possibility...I imagine you'd need either 2 projectors or double up the 24fps part, or you'd have a section that got weird as the speed changed.