The Power of Rust: Creating An Old Control Panel
Monday, August 25th, 2008 running time 24:27
Bert shows us how to create a rusted control panel using the noise filter and various layer styles.
Bert creates an old control panel this week using various Photoshop filters and layer styles.
First, Bert adds texture to the background with noise, crystalize, blur and facet filters. He then create metal borders (vertical and horizontal) to begin the shape of the panel. Bert draws a line with the line tool and then adds a bevel/emboss layer style. Bert creates rust to add to the panel by first taking a splatter brush tool, and then adjusting the brush with the brush engine (increases the spacing, adjusts the shape dynamics and adds color dynamics). Bert then adds the rust brush throughout the image, especially near the metal borders.
Bert then adds screws to the image with the circle tool, radio gradient, drop shadow and bevel/emboss layer style. He then creates a large button with the circle tool, noise filter, and layer styles. For the big control in the center, Bert uses the rounded corner tool, noise filter, layer style and reflective gradient.
To create the wires, Bert makes a new brush stroke with a square shape as the basis. He then draws a path from the control panel and adjusts the brush in the brush engine (adjusting spacing, shape dynamics). Then he strokes the path with the brush and adds texture to the shape with the dodge and burn tool.
Don't forget to design and e-mail Bert a background for our green screen! Please send a jpg design with size 1280x720 pixels.
Highlights
back to school
(
24:09, 24:09
)
operating system
(
22:51, 22:58, 23:10, 22:51, 22:58, 23:10
)
Blu-ray
(
1:29, 1:29
)
Big Brother
(
6:24, 6:24
)
back to school
(
24:09, 24:09
)
operating system
(
22:51, 22:58, 23:10, 22:51, 22:58, 23:10
)
Blu-ray
(
1:29, 1:29
)
Big Brother
(
6:24, 6:24
)
Automatically Generated Transcript(may not be 100% accurate) ( more )
" War. This episode of pixel perfect is brought to you by Netflix and godaddy.com. Hello and welcome to pixel perfect meal poster Conroy. First I want to thank cells survive for of this background in look at this thing. Mexico wants us to relax -- in fact you know what let's -- judge has been taken. Down occasionally get. We're gonna do something for you today -- fact we're gonna go to -- opposite of that I'm going to some grungy futuristic. Dank basement and create little control panel debated to some secret room way to. The head of the end is being stored that we need to save the world all I can always right. But before we start I want to thank our sponsors press -- it thank Netflix. And with Netflix you can rent over 90000. Titles online including lots of Blu-ray titles with free shipping both ways to your home. They now have over forty shipping centers so that guarantees almost all of -- is happening just one business day. The Netflix plans to start from as low as four dollars and 99 cents and as a new member you're getting no risk two week free trial membership. Check out at www. Netflix dot com forward slash pixel perfect and yes you do have to enter that WWW. When using this code. Now also want to thank godaddy.com. Where you can get reliable secure web hosting without the long term contracts. That one all the that. Kodak is hosting plans are bigger and better than ever with 99%. Up time. Free 247 support and no annual commitment. Go check them out and godaddy.com. So now. Let's go into away from this wonderful relaxing seen. And get into it is dirty did you go to get a tetanus shots because the -- kinds of rust. So over the blank screen and gradient background -- go ahead random background and create a texture. So let's go here and not give us some noise. Loud noise can donated say it was not -- it I would eternal monochromatic they get all these weird little colors and there. To get this kind of a textured hair like that. -- and let's go man just may be crystallizes a little bit. Going to really messed this up. Little crystals. Something like."
" Yes there's gonna start getting nastier but I assume that -- and let's -- little facet on top of that. Actually desperate for us who have Gaza -- just a little guys -- about it but -- too that's good and we'll give a little -- on top of that. Going -- safe fast. Such as kind of rough is it up. Now not ever got all this mess going on a -- wanted to bring down the saturation a bit just so we have just a subtle kind of don't have darkened. American about -- that third edges weird -- here so now going to start make it look like some kind of futuristic dirty metal. -- layer on top but it's as CO work every little bit I'm gonna get my line tool. And they -- it almost black. And this really dark gray here and I get my line tool right there is my line -- it's right now set to one let's make it three pixels. And a draw lines straight across here like that. Download draw one let's -- right across the top here like that. Those two lines and I would give them a layer style to give -- a metal edges a little. Dimension is that with a battle of the boss. Which I'm going to say powder bevel and out of levels too busy out of bevel I think too hard. Hard edge but it will smallest thing about the thing with freeze movement that's good. And an increased at that they're really strong light and -- just saying that maybe a light will come from. Somewhere about there. All right so now. Keep in mind that. Bizarre mobilize we have the light coming from below could see out of that was on top there. Sources -- from above. But I'm getting that affect the victim of like the light coming from below cause of the -- commute highlight on that is click OK now we got that happening. All right so now that start aging this metal bit subtle layer on top of this we're gonna start any some some textures I got -- Brown here which -- going to make a little deeper. -- And for this caller on to pick a nice orange color but I bet they got those two colors happening there. And get my papers to good old spatter brush that it was like to use and in my brush engine we're gonna make him look like. A nice rest so to do here is gonna increase the spacing. To say that. Going that I should dynamics front of my pen pressure but I rules change decides on percent difference Andy angle Hahn present different so instead of getting. Nice kind of -- matters like that and -- current dynamics between foreground and background. And these these guys at zero but just one between those two colors I don't introduce in the other colors just you orange and brown. And I that I have that happening I go here and start. Drawing into this area now -- segregated. These boxes why because I want that to happen. Differently each corners they've done the right one continue his rest tonight going to and -- that led to start going a little rust along these edges. This little rust in certain areas during the war and so want to meet her -- really big now instead getting some bigger areas that here. So. Right now and -- get really Big Brother bring any capacity they've got about three. So I could just kind of draw into these areas where larger areas of rust. But they're not as strong as he. Other parts of mount an I don't hear and that's to decide. Create those election right here for his side and we'll do the same thing we'll get out paintbrush and which is don't know Reston there we go much smaller. And you gonna go and -- bring -- passing back up to about 80% and to struggle listen to this little corner right here whole bunch of us. And down here and maybe a little bit rate in this area there now gonna select this top portion here. And again I was just on -- arrest for all but the rest in that corner there and maybe some -- over here. That bigger brush. And there's still some rest area and finally this corner. He's -- being handled separately. So now let's get brushed nice and small animal -- a bunch arrest -- in that area now why am concentrating on these little corners in fact let's. The -- more restaurant here okay. An extra rest of those cause why because they've gone in there and and -- these screws quite often. What's who's gonna create some schools are right here in a new layer above this -- go here and select -- circle. -- here. And I hold down my option my option key drivers that are out and make shift key to get a perfect circle and there's this little circle. Right. And it's called who's who's -- was don't lose track of things here all the screws. All right so now. Let's get some cause for us who's look at this light gray here tonight that on and look at this thing is dark gray. Even darker. All right so let's all the radial gradient. We waited waded -- it looks great there like that light's coming from below so there it is -- copy this -- straight across. Like that copied straight down. And -- us. Now holding down my option command and shift key that's making copies and constrain them so this straight up and down so -- and I can be selected. I go to and give those screws. The drop shadow. Now I'm gonna tell Michael polite because I don't want to fact that double and have -- like come from below. Increase that capacity little bit and distance they have these nice shadows in there. And click OK so now this proves it -- rivets that's maker screws on the layer on top of this who get online tool. And that the great. -- drove box it from there line right there maybe one going this way one going. That and maybe one going. Product. Right so those three guys -- going to give them a layer style above -- boss. Increase of death that you really strong tones in there and then put them with a -- us. Man. Option alt click between those two denouncing those lines right inside of this -- themselves in little rust. I don't want to repeated offenses duplicate that layer of the rest put it on top -- who's. Right there -- that and -- it. With the screws. Bring down capacity -- that they -- to spend a little hint of rust on top of the -- there that's looking good so now. Down here to start dealing without controls. So right over here I'm gonna create this circle. -- here the big circle. They on top of this whole thing here is go ahead and fill that with with a greater we have here is is great. Now regular analysts. Illinois add noise just a little bit monochromatic in just a little bit. -- to those tiny bits is the digital texture peso now to do select that. And would go to my latest -- Going to give it a double the books. -- And the light comes from below. The site that. Through the and give it to drop shadow. Light from below. And he could said distance a little -- it's really nice deep shadow happening there. Click OK that's looking good in this senator that I want to draw another circle right here in the center of it. There's going to be this. Like quizzes like you have no idea that the light and maybe make own lights so go here I've got nice bright yellow. Like that. And I'm gonna get a deep red. That that's looking good. And in their new us election I would throw in a radial gradient inside there review gradient tool and a book created great inside there. Like that. All right so now I'm going to lend itself to that later. And we'll give it a -- little double the boss. -- can create that light from below. Increase the size on it. Softened up a little. And that black hats -- is a -- right so let's go there and give this a nice kind of a reddish tone is a -- nice reddish tone softened up the more. There you go and we're gonna give this a a little drop shadow as well. Which we come from below. Increase the distance on that but again. Can't be black. That's going to the red tones he says it's creating the shadow but the show's been bit by the light -- its total -- to Google -- which going to do. -- complex. Command here that's even name he's gonna do. That's good inverted so we get that kind of an effective and not black not black Cisco with a nice kind of reddish -- like that. Increased decides a little bit -- to do that. That looks good. All right so that's looking good you know what to do -- stroke to move stroke not that -- go go with the black. So -- have this little edge to it click OK so now there's our little life. Down there now we need to control this so what I'm doing I'm gonna get my. My little rounded corner. Rectangle guy here and create a shape. -- in new layer. And you get an entry to shape. -- here and that's. Not what I want -- go this greatest that the same grade it we have here. Okay and we want to rounded corner rounded corners is gonna create new rounded edge just like that that's good. -- and give that a little. Noise. This that we did before. They attended -- going to go into my idea players styles. Given that same -- Limbaugh effect you know what -- that the exact same -- blue book we have before we have here. So that's just grab this one Obama alt -- to make a copy and drag it right over there for now this has the exact same layer style that that other one has. But you know what we aren't going to modify -- drop shadow. By increasing distance to make that box look like it is in fact a little. Bigger than the other. So now. Instead here I'm gonna select. Along rectangle right through here to say. And wanted to do that they of them went to the back space to the iMac. Cut a hole right through it state. And you know what it's the little that little bit so we don't get it happening in the outside part. There you know now we have this whole. And then a layer on top of it I wanna fill that hole within a communities town. And -- muted green like say. Writes it is as little panel. Great so now. We could deflect that and and layer on top but this whole thing we're gonna draw a little circle. Within a circle right here Obama's shift -- to make it. Perfect circle and fill that with black. -- I'm -- duplicated across. And crusts. And one more. That is that the whole bunch of them and duplicate it down. That. And that. There. So let's move up just a little bit fenfluramine there gonna go and then give them a little bevel on books. Bella boss which the right to make it small. And stuff about it to increase -- And make it a -- hard kind of -- thing. And put Columbia. Make it really tight and light got to come from the bottom and you get this little edge and you should come from the top because he's gonna be a little. Effect in the air from Canada one just -- so we have a little tiny -- making those guys appear like they are. Cut into the thing this keep the inner bevel and good and he said that. If that doesn't isn't little holes that we have did you speak through right so now we're going to add a little button that is thing. So I hear another layer will add little button here. Okay which we will love going there. -- to transparency and I'm let's give it some tones and say we want a deep career like that and later great. About like that. And you know I would do human activity. Reflective screen right here. That's like that he says that kind of an effect there we'll go ahead and give that eight bevel and the boss. Just adds that extra dimension to it and of course a little tiny drop shadow. That's raised from the surface now we can prototype and there we want. If you wanted to say."
" I'm -- leave that to you get a component type I don't have the short end of type right so we'll leave that part out. Eisenhower want to do now is something bizarre unit. Put some wires that are gonna connect that control panel to the whole shebang so back here. Behind. A little panel and I don't schools -- like this. We get a little selection. Like that and fill that with black. And -- say define brush."
" To brush it through. I don't became a brush now why didn't make brushed his idea would draw a path. Maybe from here going right behind power -- control panel so now that's gonna color. He's gray like this this is going to be good this great right here there's going to be a color for our little. -- bright -- out and go to my brush engine get my brush them that their brush it just created right there. And immigration and we're gonna modify that bush. Going to give -- and spacing. I that that looks good it. A candidate going to my shape dynamics and it's off to make no sized that are no angle dinner but it will. Follow direction if it's following the direction of on the height. So announcing about it is there's that path -- a layer that we'll call this a wider. So we know we're doing and I get my brush. I get the path and I say go ahead and stroke that width that she -- I got this effective and you know what. The capacity was a 100% that's we do that thing. Ago and now -- the basis. So I'll go in here and -- want to kind of give us some -- go in here and to darken this side. And darken this -- like that argument more darken that to the little highlight down the middle. Little thing highlight. Right down the middle. I did like that kitten now want to give this. A drop ship. -- This thing that this -- this distance in just a little bit. About it too. That's good but what I'm going to do now -- to take that drop shadow away from the layer. Create there. That is my drop shadow because now and a layer behind its. You know they're behind. -- the draw another. Big long shaped like."
" Which and so with a great."
" I'm gonna trap that shadow inside that lets you select. Trop drop that shadow crop it right in there. -- and I was the only in that area so dollar take that area and give that a little. Little darkening on the edges which is darken that edge I can this edge. And they look at this wire coming down from that side and so we're going to do now if that's just take this. This has -- moderate that's. To see these layers these three layers and wanted to let them go ahead emerged goes together bridge visible into one. Okay. So now they did when at a couple more little -- a man who shape right here. Which are through with this this -- a deeper -- Impact in the -- here enough so that. And duplicate that across like that. We have told them. I'd -- get everybody back on. See everybody back on. And the other pieces. Everybody who -- ship everybody then. Okay and we're missing you know moment so now we're going to take those -- live -- guises but wired that we did it would give that a a little. W boss. Actually not available us when you drop shadow which were going to. -- different from the -- and more distances says those space. -- that that. And we click okay."
" And they would get this futuristic. Go control panel from I don't know what. But. You could make up your own stories and they had the basic elements and the concept behind different things that you could then do. To create a scene that's perfect for the story you're trying to illustrate. Now -- learn something small -- remember it's not the end result of how I got -- all different steps slight modification on the way. You make it look the way you wanted to be. Right so I hope you learned something there. And it did something that you've been struggling with them you can't figure out you might see me doing on the show sending an email at Bert -- revision3.com. -- go check out the pixel perfect forums and a revision3.com. Force that form where you can join discussions about the show and influence a future episode. Also your artwork -- use as our background. Send your designs to me -- Bert and revision3.com. And background should be 1280 by 720 pixels and a JPEG file. Number to play this is fun this is working is planning to get paid for it it's even better but still plain. Hope to see you next week."
" Always this."
" Business as usual with just. Catch viruses and I've misplaced today's lecture for the first class this semester."
" What you know that there you think get a Mac and none of this would be a problem and why is that well now let's have let -- advanced operating system. This is important is to. Be attacked last Lexus now let the Mac operating system at the back at helping keep track of stuff like that. It's super at this in an easy to use. That all sounds good but this."
" But let me you can afford to buy new computers in the news -- operating system comes around."
" Actually -- that's their Apple upgrades are free see your computer get better with age. Might that sounds kind of like me yeah."
" students carrying these back around cats it's."
" That's probably because Mac folks -- the never one notebook on college campuses especially with the added just did an academic discount it. This and this is 999. Dollars."
" Well I did a lot more -- just when you don't. My little unpleasant just about to begin. You I'd like to thank you for enlightening you today and I plan on returning the favor by delivering a stunning lecture on James Joyce just yet. Yeah it'll find these blasted files. Good luck for fast and it gets hot -- to."
" Yeah I forgot to mention that could also come with the magnetic -- and a keep that in mind he's -- so yeah."
" Patti Goldman this is my -- thirty back to school instant survival guide breast you've got Java and it isn't a variety of color is just like gold mine. It's lightweight investors -- and helps me keep my hands free I taught. It cannot preview for -- as."
" War. This episode of pixel perfect is brought to you by Netflix and godaddy.com. Hello and welcome to pixel perfect meal poster Conroy. First I want to thank cells survive for of this background in look at this thing. Mexico wants us to relax -- in fact you know what let's -- judge has been taken. Down occasionally get. We're gonna do something for you today -- fact we're gonna go to -- opposite of that I'm going to some grungy futuristic. Dank basement and create little control panel debated to some secret room way to. The head of the end is being stored that we need to save the world all I can always right. But before we start I want to thank our sponsors press -- it thank Netflix. And with Netflix you can rent over 90000. Titles online including lots of Blu-ray titles with free shipping both ways to your home. They now have over forty shipping centers so that guarantees almost all of -- is happening just one business day. The Netflix plans to start from as low as four dollars and 99 cents and as a new member you're getting no risk two week free trial membership. Check out at www. Netflix dot com forward slash pixel perfect and yes you do have to enter that WWW. When using this code. Now also want to thank godaddy.com. Where you can get reliable secure web hosting without the long term contracts. That one all the that. Kodak is hosting plans are bigger and better than ever with 99%. Up time. Free 247 support and no annual commitment. Go check them out and godaddy.com. So now. Let's go into away from this wonderful relaxing seen. And get into it is dirty did you go to get a tetanus shots because the -- kinds of rust. So over the blank screen and gradient background -- go ahead random background and create a texture. So let's go here and not give us some noise. Loud noise can donated say it was not -- it I would eternal monochromatic they get all these weird little colors and there. To get this kind of a textured hair like that. -- and let's go man just may be crystallizes a little bit. Going to really messed this up. Little crystals. Something like."
" Yes there's gonna start getting nastier but I assume that -- and let's -- little facet on top of that. Actually desperate for us who have Gaza -- just a little guys -- about it but -- too that's good and we'll give a little -- on top of that. Going -- safe fast. Such as kind of rough is it up. Now not ever got all this mess going on a -- wanted to bring down the saturation a bit just so we have just a subtle kind of don't have darkened. American about -- that third edges weird -- here so now going to start make it look like some kind of futuristic dirty metal. -- layer on top but it's as CO work every little bit I'm gonna get my line tool. And they -- it almost black. And this really dark gray here and I get my line tool right there is my line -- it's right now set to one let's make it three pixels. And a draw lines straight across here like that. Download draw one let's -- right across the top here like that. Those two lines and I would give them a layer style to give -- a metal edges a little. Dimension is that with a battle of the boss. Which I'm going to say powder bevel and out of levels too busy out of bevel I think too hard. Hard edge but it will smallest thing about the thing with freeze movement that's good. And an increased at that they're really strong light and -- just saying that maybe a light will come from. Somewhere about there. All right so now. Keep in mind that. Bizarre mobilize we have the light coming from below could see out of that was on top there. Sources -- from above. But I'm getting that affect the victim of like the light coming from below cause of the -- commute highlight on that is click OK now we got that happening. All right so now that start aging this metal bit subtle layer on top of this we're gonna start any some some textures I got -- Brown here which -- going to make a little deeper. -- And for this caller on to pick a nice orange color but I bet they got those two colors happening there. And get my papers to good old spatter brush that it was like to use and in my brush engine we're gonna make him look like. A nice rest so to do here is gonna increase the spacing. To say that. Going that I should dynamics front of my pen pressure but I rules change decides on percent difference Andy angle Hahn present different so instead of getting. Nice kind of -- matters like that and -- current dynamics between foreground and background. And these these guys at zero but just one between those two colors I don't introduce in the other colors just you orange and brown. And I that I have that happening I go here and start. Drawing into this area now -- segregated. These boxes why because I want that to happen. Differently each corners they've done the right one continue his rest tonight going to and -- that led to start going a little rust along these edges. This little rust in certain areas during the war and so want to meet her -- really big now instead getting some bigger areas that here. So. Right now and -- get really Big Brother bring any capacity they've got about three. So I could just kind of draw into these areas where larger areas of rust. But they're not as strong as he. Other parts of mount an I don't hear and that's to decide. Create those election right here for his side and we'll do the same thing we'll get out paintbrush and which is don't know Reston there we go much smaller. And you gonna go and -- bring -- passing back up to about 80% and to struggle listen to this little corner right here whole bunch of us. And down here and maybe a little bit rate in this area there now gonna select this top portion here. And again I was just on -- arrest for all but the rest in that corner there and maybe some -- over here. That bigger brush. And there's still some rest area and finally this corner. He's -- being handled separately. So now let's get brushed nice and small animal -- a bunch arrest -- in that area now why am concentrating on these little corners in fact let's. The -- more restaurant here okay. An extra rest of those cause why because they've gone in there and and -- these screws quite often. What's who's gonna create some schools are right here in a new layer above this -- go here and select -- circle. -- here. And I hold down my option my option key drivers that are out and make shift key to get a perfect circle and there's this little circle. Right. And it's called who's who's -- was don't lose track of things here all the screws. All right so now. Let's get some cause for us who's look at this light gray here tonight that on and look at this thing is dark gray. Even darker. All right so let's all the radial gradient. We waited waded -- it looks great there like that light's coming from below so there it is -- copy this -- straight across. Like that copied straight down. And -- us. Now holding down my option command and shift key that's making copies and constrain them so this straight up and down so -- and I can be selected. I go to and give those screws. The drop shadow. Now I'm gonna tell Michael polite because I don't want to fact that double and have -- like come from below. Increase that capacity little bit and distance they have these nice shadows in there. And click OK so now this proves it -- rivets that's maker screws on the layer on top of this who get online tool. And that the great. -- drove box it from there line right there maybe one going this way one going. That and maybe one going. Product. Right so those three guys -- going to give them a layer style above -- boss. Increase of death that you really strong tones in there and then put them with a -- us. Man. Option alt click between those two denouncing those lines right inside of this -- themselves in little rust. I don't want to repeated offenses duplicate that layer of the rest put it on top -- who's. Right there -- that and -- it. With the screws. Bring down capacity -- that they -- to spend a little hint of rust on top of the -- there that's looking good so now. Down here to start dealing without controls. So right over here I'm gonna create this circle. -- here the big circle. They on top of this whole thing here is go ahead and fill that with with a greater we have here is is great. Now regular analysts. Illinois add noise just a little bit monochromatic in just a little bit. -- to those tiny bits is the digital texture peso now to do select that. And would go to my latest -- Going to give it a double the books. -- And the light comes from below. The site that. Through the and give it to drop shadow. Light from below. And he could said distance a little -- it's really nice deep shadow happening there. Click OK that's looking good in this senator that I want to draw another circle right here in the center of it. There's going to be this. Like quizzes like you have no idea that the light and maybe make own lights so go here I've got nice bright yellow. Like that. And I'm gonna get a deep red. That that's looking good. And in their new us election I would throw in a radial gradient inside there review gradient tool and a book created great inside there. Like that. All right so now I'm going to lend itself to that later. And we'll give it a -- little double the boss. -- can create that light from below. Increase the size on it. Softened up a little. And that black hats -- is a -- right so let's go there and give this a nice kind of a reddish tone is a -- nice reddish tone softened up the more. There you go and we're gonna give this a a little drop shadow as well. Which we come from below. Increase the distance on that but again. Can't be black. That's going to the red tones he says it's creating the shadow but the show's been bit by the light -- its total -- to Google -- which going to do. -- complex. Command here that's even name he's gonna do. That's good inverted so we get that kind of an effective and not black not black Cisco with a nice kind of reddish -- like that. Increased decides a little bit -- to do that. That looks good. All right so that's looking good you know what to do -- stroke to move stroke not that -- go go with the black. So -- have this little edge to it click OK so now there's our little life. Down there now we need to control this so what I'm doing I'm gonna get my. My little rounded corner. Rectangle guy here and create a shape. -- in new layer. And you get an entry to shape. -- here and that's. Not what I want -- go this greatest that the same grade it we have here. Okay and we want to rounded corner rounded corners is gonna create new rounded edge just like that that's good. -- and give that a little. Noise. This that we did before. They attended -- going to go into my idea players styles. Given that same -- Limbaugh effect you know what -- that the exact same -- blue book we have before we have here. So that's just grab this one Obama alt -- to make a copy and drag it right over there for now this has the exact same layer style that that other one has. But you know what we aren't going to modify -- drop shadow. By increasing distance to make that box look like it is in fact a little. Bigger than the other. So now. Instead here I'm gonna select. Along rectangle right through here to say. And wanted to do that they of them went to the back space to the iMac. Cut a hole right through it state. And you know what it's the little that little bit so we don't get it happening in the outside part. There you know now we have this whole. And then a layer on top of it I wanna fill that hole within a communities town. And -- muted green like say. Writes it is as little panel. Great so now. We could deflect that and and layer on top but this whole thing we're gonna draw a little circle. Within a circle right here Obama's shift -- to make it. Perfect circle and fill that with black. -- I'm -- duplicated across. And crusts. And one more. That is that the whole bunch of them and duplicate it down. That. And that. There. So let's move up just a little bit fenfluramine there gonna go and then give them a little bevel on books. Bella boss which the right to make it small. And stuff about it to increase -- And make it a -- hard kind of -- thing. And put Columbia. Make it really tight and light got to come from the bottom and you get this little edge and you should come from the top because he's gonna be a little. Effect in the air from Canada one just -- so we have a little tiny -- making those guys appear like they are. Cut into the thing this keep the inner bevel and good and he said that. If that doesn't isn't little holes that we have did you speak through right so now we're going to add a little button that is thing. So I hear another layer will add little button here. Okay which we will love going there. -- to transparency and I'm let's give it some tones and say we want a deep career like that and later great. About like that. And you know I would do human activity. Reflective screen right here. That's like that he says that kind of an effect there we'll go ahead and give that eight bevel and the boss. Just adds that extra dimension to it and of course a little tiny drop shadow. That's raised from the surface now we can prototype and there we want. If you wanted to say."
" I'm -- leave that to you get a component type I don't have the short end of type right so we'll leave that part out. Eisenhower want to do now is something bizarre unit. Put some wires that are gonna connect that control panel to the whole shebang so back here. Behind. A little panel and I don't schools -- like this. We get a little selection. Like that and fill that with black. And -- say define brush."
" To brush it through. I don't became a brush now why didn't make brushed his idea would draw a path. Maybe from here going right behind power -- control panel so now that's gonna color. He's gray like this this is going to be good this great right here there's going to be a color for our little. -- bright -- out and go to my brush engine get my brush them that their brush it just created right there. And immigration and we're gonna modify that bush. Going to give -- and spacing. I that that looks good it. A candidate going to my shape dynamics and it's off to make no sized that are no angle dinner but it will. Follow direction if it's following the direction of on the height. So announcing about it is there's that path -- a layer that we'll call this a wider. So we know we're doing and I get my brush. I get the path and I say go ahead and stroke that width that she -- I got this effective and you know what. The capacity was a 100% that's we do that thing. Ago and now -- the basis. So I'll go in here and -- want to kind of give us some -- go in here and to darken this side. And darken this -- like that argument more darken that to the little highlight down the middle. Little thing highlight. Right down the middle. I did like that kitten now want to give this. A drop ship. -- This thing that this -- this distance in just a little bit. About it too. That's good but what I'm going to do now -- to take that drop shadow away from the layer. Create there. That is my drop shadow because now and a layer behind its. You know they're behind. -- the draw another. Big long shaped like."
" Which and so with a great."
" I'm gonna trap that shadow inside that lets you select. Trop drop that shadow crop it right in there. -- and I was the only in that area so dollar take that area and give that a little. Little darkening on the edges which is darken that edge I can this edge. And they look at this wire coming down from that side and so we're going to do now if that's just take this. This has -- moderate that's. To see these layers these three layers and wanted to let them go ahead emerged goes together bridge visible into one. Okay. So now they did when at a couple more little -- a man who shape right here. Which are through with this this -- a deeper -- Impact in the -- here enough so that. And duplicate that across like that. We have told them. I'd -- get everybody back on. See everybody back on. And the other pieces. Everybody who -- ship everybody then. Okay and we're missing you know moment so now we're going to take those -- live -- guises but wired that we did it would give that a a little. W boss. Actually not available us when you drop shadow which were going to. -- different from the -- and more distances says those space. -- that that. And we click okay."
" And they would get this futuristic. Go control panel from I don't know what. But. You could make up your own stories and they had the basic elements and the concept behind different things that you could then do. To create a scene that's perfect for the story you're trying to illustrate. Now -- learn something small -- remember it's not the end result of how I got -- all different steps slight modification on the way. You make it look the way you wanted to be. Right so I hope you learned something there. And it did something that you've been struggling with them you can't figure out you might see me doing on the show sending an email at Bert -- revision3.com. -- go check out the pixel perfect forums and a revision3.com. Force that form where you can join discussions about the show and influence a future episode. Also your artwork -- use as our background. Send your designs to me -- Bert and revision3.com. And background should be 1280 by 720 pixels and a JPEG file. Number to play this is fun this is working is planning to get paid for it it's even better but still plain. Hope to see you next week."
" Always this."
" Business as usual with just. Catch viruses and I've misplaced today's lecture for the first class this semester."
" What you know that there you think get a Mac and none of this would be a problem and why is that well now let's have let -- advanced operating system. This is important is to. Be attacked last Lexus now let the Mac operating system at the back at helping keep track of stuff like that. It's super at this in an easy to use. That all sounds good but this."
" But let me you can afford to buy new computers in the news -- operating system comes around."
" Actually -- that's their Apple upgrades are free see your computer get better with age. Might that sounds kind of like me yeah."
" students carrying these back around cats it's."
" That's probably because Mac folks -- the never one notebook on college campuses especially with the added just did an academic discount it. This and this is 999. Dollars."
" Well I did a lot more -- just when you don't. My little unpleasant just about to begin. You I'd like to thank you for enlightening you today and I plan on returning the favor by delivering a stunning lecture on James Joyce just yet. Yeah it'll find these blasted files. Good luck for fast and it gets hot -- to."
" Yeah I forgot to mention that could also come with the magnetic -- and a keep that in mind he's -- so yeah."
" Patti Goldman this is my -- thirty back to school instant survival guide breast you've got Java and it isn't a variety of color is just like gold mine. It's lightweight investors -- and helps me keep my hands free I taught. It cannot preview for -- as."
tylerhowarth
Started discussion: August 25, 2008 @ 9:48am GMT
Episode 97 - The Power of Rust: Creating An Old Control Panel [Discussion]
Bert shows us how to create a rusted control panel using the noise filter and various layer styles.
Watch and Download the Entire Episode Here!












Lighting angle
Hey, Bert,Just wanted to mention that you could have used a global light coming from the bottom, and then changed the direction only for the outer bevel on the panels. Since the panels were the only layer that needed a different lighting direction, it would save time to only break these away from the global light.
Great show! Really enjoyed it.
-Greg Warner