Feel at Peace with a Pastoral Scene
Monday, September 1st, 2008 running time 22:15
This week, Bert, the Bob Ross of the Digital Age, creates a soothing pastoral scene using Photoshop.
Bert first creates a body of water by filling a layer with blue, using the Render>Fibers filter to create waves and then adjusts the size with Transform>Distort. Bert then adds a gradient on top in a new layer, clips it, and then adjusts the opacity.
To create the banks on the side, Bert simply uses a brush and adds texture with the Texture>Texturizer filter and dodge/burn tool.
To make the leaves on the tree, Bert creates a unique brush stroke (define brush/brush engine). He then adds texture to the tree with the bevel/emboss layer style and texture>craquelure filter. Bert adds dimension to the tree by using different colors for the leaves.
For the reflection in the water, Bert simply merges the layers of the tree and merges the layers of the bank, copies, rotates, adds a motion blur filter and adjusts the opacity in the water.
Bert adds mountains in the background by first creating the shape with the pen tool and filling it in with a gradient. Bert also creates the sky using the gradient tool.
Don't forget to design and e-mail Bert a background for our green screen! Please send a jpg design with size 1280x720 pixels
Highlights
back to school
(
21:57, 21:57
)
operating system
(
20:38, 20:46, 20:57, 20:38, 20:46, 20:57
)
Bob Ross
(
2:25, 2:27, 2:25, 2:27
)
Linden
(
20:52, 20:52
)
back to school
(
21:57, 21:57
)
operating system
(
20:38, 20:46, 20:57, 20:38, 20:46, 20:57
)
Bob Ross
(
2:25, 2:27, 2:25, 2:27
)
Linden
(
20:52, 20:52
)
Automatically Generated Transcript(may not be 100% accurate) ( more )
" Wow. This episode of pixel perfect is brought -- you by Netflix and godaddy.com. Hello and welcome the pixel perfect would be Burton on right. First I want to thank Scott -- put this incredible background but that thing. All kinds -- swirls happening there. And today show going to go to the opposite and that we gonna go and create this really. Soft pastoral scene like this up like this a long time ago effectively except there at a speed up and deal -- Scott without. Leo interrupt -- time but here we're gonna take that time just in this nice soft little scene and kind of relax. But before we start to thank our sponsors -- want to thank code daddy dot com. Where you can keep your personal information away from spammers hackers and your enemies. Private domain registration go to dot com protects your privacy by keeping your address phone number and more. Out of the public database. Or so Netflix. With Netflix you can -- over 90000. Titles online including lots of Blu-ray titles. With free shipping both ways to your home. They now have over forty shipping centers so almost all of deliveries happening just one business day. The Netflix plans start from four dollars and 99 cents and as a new member you can get a no this two week free trial membership. Check out that www. Netflix dot com forward slash pixel perfect and remember. Do have to type that WWW. When using this code. All right so now a national past -- he. So this is sub. Of the few seconds ago and directors came by and they they register me as the Bob Ross of the digital age Bob Ross is one of my. Favorite day you're gonna be the guy with the Afro paste that into trees. It's been dead wrong time he's still on TV every -- week doing and happy new trees produce some that they had to retrieve the mountain Cindy -- Makes them pond in front real peaceful kind of see that children to create here."
" So now. Starting off with this group -- my favorite of sorrow without love. Fibers and this new layer right of the back. And out of system colors. These colors of the before our water you know little pond so -- get a kind of a nice light colored blue like that. And that sort of background -- much deeper view. They about sites that for now those two colors -- so that there would that blue and give it the fibers so -- layer so I'm going that into my -- state. Fighters and I start playing around with the various here until I get something that gives me nice. Bunch of little effects like that that's good great deal like that click okay. That's good that's good start now let it go ahead and rotate my campus. And I'm gonna say rotate the canvas. For now it's -- horizontal. And doesn't it's pulled back a little bit so that I can. You might work area. Active pull back a little more. Like that and that run dual data layer is not gonna go in here and I'm going to do a little of the stored on. Pulled this part down. I like that pulled aside out. And besides out. So what's happening here is them start making waves towards us a little bigger and it kind of get tighter and smaller as the get further away -- and to say that. Hoping will happen there. So there now we have this seen happening here -- higher and then the big in front then -- on top of this. Let's get a it's reversed easily -- move deeper. And a little gradient thing here. Until gradient right on top of this guy right here. And article from foreground to transparent. Mistake here connect. Throw gradient right in here right down here and this is that reflected gradient and -- I just noticed I was doing one -- integrated. Right here going down like that. Okay now I'm gonna put that with the actual water it only happens down there and kind of bring many past and move it. -- say this is a matter what is getting doctors -- through the back continue to send them to. I think that's that's working pretty well let's go ahead and -- that -- becomes. -- body of war and now."
" Who they are about what is now an accord that banks. You're gonna be little banks along the sides of our water area here so without brush I would get my brown color. In a brown about like that makes deep brown and Netscape regular brush. And so brushed a dissident is gonna go here if they're drawing though the shape to say though. So that'll and -- that -- it fills. Kind of rough and it felt a little more like that. Good -- that now another one inside here. New bank. There what is the fact. That the banks. I'm on the edge now going to get they have much smaller brush I just got a -- draw a couple little. The pieces. The edge there so it just kind of thought that up a little more. Cup of over the appease those Little Rock sticking out and so on there. -- not a good little texture. Gonna go to my filters and -- give that. -- Because NASA does fans I'm open to scaling weighed down and push -- that we need to says to have -- kind of feel free I bet. Click OK for now we get this. -- texture happy there so now I'm going to do it might. Burn tool and since kind of add some additional kind of areas. Right to it community of the war. Of the sense of these -- not even -- ground that might make you go into my dodge tool with a little dodge tool and just cutting -- a couple of highlights here and there. Just to kind of soften that area up. Like. I -- that's looking good so now. They appear regularly get. I'm gonna have created true. I'm happy nutri Brady and this is left bank of our. Hello waterways here so it just draw I don't know tree right in here let's get our of brush. -- paintbrush and we've got nice small brush here and I created little tree. So and I got my. Put pressure sensitivity. That working here so they get lighter it's gonna create generalize you to see is happening in there. And in these little roots sticking out. I felt. Appeared -- this then. And a good just good little thinner than gets further out. Now this doesn't have to be perfect paper cut like -- Tim Burton looking kind of a -- right now but that's okay -- we want to do is see certain branches. We don't want to see the whole thing to certain branches are get a much smaller brush here it is kind of draw but the little guys. All these little branches right through here. Happy new branches that is going to be holding I'll leave in place okay that's good so now. Switch to black and right here on the create a -- get really small brush and -- shape right here. That that's who believe. Tonight could select that and say define brush."
" Reportedly."
" The president of Israel. -- country again let's go live to actually give us and texture we'll give it a little. To reload button boss. And -- the light coming from this side here. That's increased the size of a little bit and that white very good let's go to -- kind of a warmer tone. -- about like that looks good increased that that little. And soften that up to sort of get this nice edges to Eritrea we're gonna focus to digital crack -- Europe is gonna get a nice texture kind of like a tree. Mark that was just and its effects facing down a bit. That means that. It down click okay and it is got a -- and textures to now. They -- on top of that we gonna go here and get out paint brush. We've picked that little question creative definitely -- right now it -- does that kind of thing. Let's undo that and that's excellent means we'll pick a nice. Like green light that one and we'll pick a darker green. That meant that there that's good nice variation idea and and I brush engine. Now Russia and don't go in there and give this little spacing. And -- going to shape dynamics and eternal. The pen pressure but we are gonna push besides all the way up on the percent. Commit a minimum diameter don't get too small and -- the -- that a 100%. -- how the rounds of this is some of them get flat. That means you don't get too flat they're -- scattered them. Going to scatter and -- both sexes scattered on the little bit increased account to get quite a few from happening. And no going to code and I would say between foreground and background push from the hue saturation by the -- a little bit. Through more variations has just goes to -- it's so that we have -- stuff happening. Has been the virtual smaller and what I -- want to -- my open closed bracket keys so I've made it much more there. And they had update okay so here are gonna crazies. You don't hear -- CD's. Asset to draw."
" All minorities now you see what's happening with the branches -- covering a lot of it. So we have to worry that we can do to complete grange we want to cover most of which is want to have parts of them exposed so that actually has is nice light through it. And create -- these -- these people through here. Bunch of happy movies for a happy tree and it just get an -- for full. -- coming down here like that."
" Candidates looking good now don't you get this darker green. And a layer behind a tree behind it trees and hold down my command -- that great new layer behind that tree and -- a bit of qualities. So make -- smaller and we'll throw some -- behind the branches is that we have some branches back there they can actually look fuller. And is that is that even more dimension to have I have some further leads in the back. Hit there -- so now. Along the banks here we're gonna put some bush is. So let's get that delighted me again who. Like me like that and of the book below Bush's -- on the shoreline here. I'm happy that bush is that are just living. With a tree here affair here that if move pushes along the banks. I no longer bush is back in here all these little happy bush is all along the little bank tomorrow water here. We can would do some on this site because these guys -- been happening. All of these abortions. Okay. And and realism to this you know we'll do is that they could. And putting -- who have but who the growth of -- there some elective one time to hang out -- that the figure but that it is apparently got the stuff happening. I would go here and let's take it -- That's just look at the tree by itself. Is the tree. All the parts of the tree and create another layer. Analysts say option alt bridge visible which is gonna merge all those things into a single layer. Now why aren't doing that because reflections we need reflections in the water saving now with the land and when I don't -- and look at the land. By itself -- the land and the -- that go with it is the -- And I take those really unprofitable and -- option fault visible. So there we have that so now. -- it doesn't bring them down here in front of the water down here and elegant and everybody else. Price an avalanche. Hit that little build a glance and I think that I'm just gonna move it down into this area -- about there. Case in both places. Now. Doesn't matter that it doesn't match up the fact if you want to match it up we can do that to us. Could be. Cool which is gonna go in here and say that's you decide to -- matches up with that little piece of land there it make it happen -- not crucial. As you'll see in America's going to -- thing. -- with I would -- do that Rupert but it's not necessary vista's. -- I hit it straight up and down have a little more just a little click okay there we had these nice little effects on these aside -- so now. I want to bring many Apache -- that a little bit. And I want the water to show through some going to the -- and in the -- most analysts say don't hide these little light tones on that there. Here they come and -- titles really dark tones on there. Options but those sliders that we get this nice little gradations happening. And it was hidden knife of affection that you us being caught up in there and then we'll do think bigotry and pick a tree the tree I will do a flip. -- do -- foot vertical line. It -- bring it way down into this area right down here. I'm gonna give it that same motion blur. Date and I'm gonna go into that -- and say. Don't hide those -- like tones in there and going I don't really dark tones split those sliders. For the get a nice those soft transition they had this little kind of reflection and a -- pass through bit. -- just a little reflection of the trees and the of the banks into this area for now finally. Back here to create some mountains. So take my lap so to Alicia has no feather. -- to other ones goofs off dead and a very roughly create a blue mountain peak here comes down and another when it goes up. And down like that. Into this whole area that's behind the water so wanted to do now is I'm gonna get some colors for this these mountain peaks and we get this kind of light. -- like that. And then sort of background that kind of a muted version of that. -- And with O'Grady and they -- of integrating going to perform on the background. This practice. In there like that. Right so we could deflect that and now we believe that capacity -- that just a little faith and now behind us. And create layer behind it. And I draw another little mountain peak on his way. Same colors."
" But these are going to be even later."
" So I'm gonna bring the capacity weighed down on them because it further away that much further away -- in the background wouldn't create a sky. So get some nice blues like let's say that do right there. Going to and even later do. That. And which is still gradient. Respect their in the sky. Thanks so and we got this little pastoral scene here that. Makes you want to relax and what are you gonna do. I'm relaxed now so. A lot of things that went on in there you can now put things in a Waterloo guy fishing whatever it is you want to do put some birds we have -- They what one final touch here let's give -- some birds. K so I'm gonna do is and create little bird here. To create new patch. Here in layer. And fill with the white just because going to be fun. And then downloaded sort of little bird. Questions of him. The real -- black thing and that's a little bird that's gonna be our bird. And I say. Define brush. -- about it. So now. We've got that a -- happening down there is little -- is a brush that we just created so now I'm gonna go into my brush engine. And in my brush engine. That they dead bird. -- separation. Going to hear Booth sized theatre little touch of an angle did it just a little touch of the language that are I am -- to scatter them. I don't make that okay new color dynamics. Say goodbye we've got a black let's get a nice grade. And then in layer right above the sky here with the struggle flock of birds. Coming into here."
" And they have a nice that'll pastoral scene that you can do whatever you want when it. Remember it's not the end result is how I got it all the different steps you can manipulate and create your own at the scene. So hopefully learn something from this remembered this something that you like to see some -- struggling with -- can't figure on your own. Send me an email sent to bear and revision3.com. And I'll answer for you. I don't answer all the emails I do answer some of them it's okay is that is doing the show. You know the check out before of the pixel perfect form that revision3.com. Votes that form. Where you can join discussions about the show and possibly even influence the future episode. Also. Your artwork can be used as a background as well I have been accused me. That you receive these really cool things behind million designs to Bert and vision three dot com. And a background should be 1280 by 720 pixels and -- JPEG file. Organize them today remember to play best way to that is deceptive play. I hope to see you next week."
" everything yeah awaits this."
" Business as usual with -- it's catching viruses and I've misplaced -- let's just for the first class this semester."
" What you know profess -- you to get a matte black and none of -- to be a problem and why is that well now let's have -- the most advanced operating system. "
" Good point hasn't jumped --"
" Last Lexus now let's of the Mac operating system at the back at helping keep track of stuff like that it's super fits in an easy to use. Well that'll sounds Linden. "
" But let's you can afford to buy new computers every time. -- operating system comes around."
" Actually that's their Apple upgrades are free see your computer get better aids. Night and it sounds kind of like me you know."
" Some distance Kerry -- looks around campus."
" That's probably because -- and they never one notebook on iPods campuses especially with the -- an academic discount benefit this -- is 999. Dollars."
" Well I paid a lot more for this when he. Glad that it's time plus just about to begin. You I'd like to thank you for enlightening me today and I plan on returning the favor by delivering a stunning lecture on James Joyce just -- It'll find these blasted files. Deadlocked for -- and he gets hot topic."
" I forgot to mention that could also come with the magnetic power -- yeah."
" Keep that in mind can take -- yeah."
" Patti Goldman this is my vision three back to school instant survival guide breasts he died not done it -- a variety of colors like gold mine. It's lightweight and that's involved and helps me keep my hands I talked. It cannot preview for fasteners."
" Wow. This episode of pixel perfect is brought -- you by Netflix and godaddy.com. Hello and welcome the pixel perfect would be Burton on right. First I want to thank Scott -- put this incredible background but that thing. All kinds -- swirls happening there. And today show going to go to the opposite and that we gonna go and create this really. Soft pastoral scene like this up like this a long time ago effectively except there at a speed up and deal -- Scott without. Leo interrupt -- time but here we're gonna take that time just in this nice soft little scene and kind of relax. But before we start to thank our sponsors -- want to thank code daddy dot com. Where you can keep your personal information away from spammers hackers and your enemies. Private domain registration go to dot com protects your privacy by keeping your address phone number and more. Out of the public database. Or so Netflix. With Netflix you can -- over 90000. Titles online including lots of Blu-ray titles. With free shipping both ways to your home. They now have over forty shipping centers so almost all of deliveries happening just one business day. The Netflix plans start from four dollars and 99 cents and as a new member you can get a no this two week free trial membership. Check out that www. Netflix dot com forward slash pixel perfect and remember. Do have to type that WWW. When using this code. All right so now a national past -- he. So this is sub. Of the few seconds ago and directors came by and they they register me as the Bob Ross of the digital age Bob Ross is one of my. Favorite day you're gonna be the guy with the Afro paste that into trees. It's been dead wrong time he's still on TV every -- week doing and happy new trees produce some that they had to retrieve the mountain Cindy -- Makes them pond in front real peaceful kind of see that children to create here."
" So now. Starting off with this group -- my favorite of sorrow without love. Fibers and this new layer right of the back. And out of system colors. These colors of the before our water you know little pond so -- get a kind of a nice light colored blue like that. And that sort of background -- much deeper view. They about sites that for now those two colors -- so that there would that blue and give it the fibers so -- layer so I'm going that into my -- state. Fighters and I start playing around with the various here until I get something that gives me nice. Bunch of little effects like that that's good great deal like that click okay. That's good that's good start now let it go ahead and rotate my campus. And I'm gonna say rotate the canvas. For now it's -- horizontal. And doesn't it's pulled back a little bit so that I can. You might work area. Active pull back a little more. Like that and that run dual data layer is not gonna go in here and I'm going to do a little of the stored on. Pulled this part down. I like that pulled aside out. And besides out. So what's happening here is them start making waves towards us a little bigger and it kind of get tighter and smaller as the get further away -- and to say that. Hoping will happen there. So there now we have this seen happening here -- higher and then the big in front then -- on top of this. Let's get a it's reversed easily -- move deeper. And a little gradient thing here. Until gradient right on top of this guy right here. And article from foreground to transparent. Mistake here connect. Throw gradient right in here right down here and this is that reflected gradient and -- I just noticed I was doing one -- integrated. Right here going down like that. Okay now I'm gonna put that with the actual water it only happens down there and kind of bring many past and move it. -- say this is a matter what is getting doctors -- through the back continue to send them to. I think that's that's working pretty well let's go ahead and -- that -- becomes. -- body of war and now."
" Who they are about what is now an accord that banks. You're gonna be little banks along the sides of our water area here so without brush I would get my brown color. In a brown about like that makes deep brown and Netscape regular brush. And so brushed a dissident is gonna go here if they're drawing though the shape to say though. So that'll and -- that -- it fills. Kind of rough and it felt a little more like that. Good -- that now another one inside here. New bank. There what is the fact. That the banks. I'm on the edge now going to get they have much smaller brush I just got a -- draw a couple little. The pieces. The edge there so it just kind of thought that up a little more. Cup of over the appease those Little Rock sticking out and so on there. -- not a good little texture. Gonna go to my filters and -- give that. -- Because NASA does fans I'm open to scaling weighed down and push -- that we need to says to have -- kind of feel free I bet. Click OK for now we get this. -- texture happy there so now I'm going to do it might. Burn tool and since kind of add some additional kind of areas. Right to it community of the war. Of the sense of these -- not even -- ground that might make you go into my dodge tool with a little dodge tool and just cutting -- a couple of highlights here and there. Just to kind of soften that area up. Like. I -- that's looking good so now. They appear regularly get. I'm gonna have created true. I'm happy nutri Brady and this is left bank of our. Hello waterways here so it just draw I don't know tree right in here let's get our of brush. -- paintbrush and we've got nice small brush here and I created little tree. So and I got my. Put pressure sensitivity. That working here so they get lighter it's gonna create generalize you to see is happening in there. And in these little roots sticking out. I felt. Appeared -- this then. And a good just good little thinner than gets further out. Now this doesn't have to be perfect paper cut like -- Tim Burton looking kind of a -- right now but that's okay -- we want to do is see certain branches. We don't want to see the whole thing to certain branches are get a much smaller brush here it is kind of draw but the little guys. All these little branches right through here. Happy new branches that is going to be holding I'll leave in place okay that's good so now. Switch to black and right here on the create a -- get really small brush and -- shape right here. That that's who believe. Tonight could select that and say define brush."
" Reportedly."
" The president of Israel. -- country again let's go live to actually give us and texture we'll give it a little. To reload button boss. And -- the light coming from this side here. That's increased the size of a little bit and that white very good let's go to -- kind of a warmer tone. -- about like that looks good increased that that little. And soften that up to sort of get this nice edges to Eritrea we're gonna focus to digital crack -- Europe is gonna get a nice texture kind of like a tree. Mark that was just and its effects facing down a bit. That means that. It down click okay and it is got a -- and textures to now. They -- on top of that we gonna go here and get out paint brush. We've picked that little question creative definitely -- right now it -- does that kind of thing. Let's undo that and that's excellent means we'll pick a nice. Like green light that one and we'll pick a darker green. That meant that there that's good nice variation idea and and I brush engine. Now Russia and don't go in there and give this little spacing. And -- going to shape dynamics and eternal. The pen pressure but we are gonna push besides all the way up on the percent. Commit a minimum diameter don't get too small and -- the -- that a 100%. -- how the rounds of this is some of them get flat. That means you don't get too flat they're -- scattered them. Going to scatter and -- both sexes scattered on the little bit increased account to get quite a few from happening. And no going to code and I would say between foreground and background push from the hue saturation by the -- a little bit. Through more variations has just goes to -- it's so that we have -- stuff happening. Has been the virtual smaller and what I -- want to -- my open closed bracket keys so I've made it much more there. And they had update okay so here are gonna crazies. You don't hear -- CD's. Asset to draw."
" All minorities now you see what's happening with the branches -- covering a lot of it. So we have to worry that we can do to complete grange we want to cover most of which is want to have parts of them exposed so that actually has is nice light through it. And create -- these -- these people through here. Bunch of happy movies for a happy tree and it just get an -- for full. -- coming down here like that."
" Candidates looking good now don't you get this darker green. And a layer behind a tree behind it trees and hold down my command -- that great new layer behind that tree and -- a bit of qualities. So make -- smaller and we'll throw some -- behind the branches is that we have some branches back there they can actually look fuller. And is that is that even more dimension to have I have some further leads in the back. Hit there -- so now. Along the banks here we're gonna put some bush is. So let's get that delighted me again who. Like me like that and of the book below Bush's -- on the shoreline here. I'm happy that bush is that are just living. With a tree here affair here that if move pushes along the banks. I no longer bush is back in here all these little happy bush is all along the little bank tomorrow water here. We can would do some on this site because these guys -- been happening. All of these abortions. Okay. And and realism to this you know we'll do is that they could. And putting -- who have but who the growth of -- there some elective one time to hang out -- that the figure but that it is apparently got the stuff happening. I would go here and let's take it -- That's just look at the tree by itself. Is the tree. All the parts of the tree and create another layer. Analysts say option alt bridge visible which is gonna merge all those things into a single layer. Now why aren't doing that because reflections we need reflections in the water saving now with the land and when I don't -- and look at the land. By itself -- the land and the -- that go with it is the -- And I take those really unprofitable and -- option fault visible. So there we have that so now. -- it doesn't bring them down here in front of the water down here and elegant and everybody else. Price an avalanche. Hit that little build a glance and I think that I'm just gonna move it down into this area -- about there. Case in both places. Now. Doesn't matter that it doesn't match up the fact if you want to match it up we can do that to us. Could be. Cool which is gonna go in here and say that's you decide to -- matches up with that little piece of land there it make it happen -- not crucial. As you'll see in America's going to -- thing. -- with I would -- do that Rupert but it's not necessary vista's. -- I hit it straight up and down have a little more just a little click okay there we had these nice little effects on these aside -- so now. I want to bring many Apache -- that a little bit. And I want the water to show through some going to the -- and in the -- most analysts say don't hide these little light tones on that there. Here they come and -- titles really dark tones on there. Options but those sliders that we get this nice little gradations happening. And it was hidden knife of affection that you us being caught up in there and then we'll do think bigotry and pick a tree the tree I will do a flip. -- do -- foot vertical line. It -- bring it way down into this area right down here. I'm gonna give it that same motion blur. Date and I'm gonna go into that -- and say. Don't hide those -- like tones in there and going I don't really dark tones split those sliders. For the get a nice those soft transition they had this little kind of reflection and a -- pass through bit. -- just a little reflection of the trees and the of the banks into this area for now finally. Back here to create some mountains. So take my lap so to Alicia has no feather. -- to other ones goofs off dead and a very roughly create a blue mountain peak here comes down and another when it goes up. And down like that. Into this whole area that's behind the water so wanted to do now is I'm gonna get some colors for this these mountain peaks and we get this kind of light. -- like that. And then sort of background that kind of a muted version of that. -- And with O'Grady and they -- of integrating going to perform on the background. This practice. In there like that. Right so we could deflect that and now we believe that capacity -- that just a little faith and now behind us. And create layer behind it. And I draw another little mountain peak on his way. Same colors."
" But these are going to be even later."
" So I'm gonna bring the capacity weighed down on them because it further away that much further away -- in the background wouldn't create a sky. So get some nice blues like let's say that do right there. Going to and even later do. That. And which is still gradient. Respect their in the sky. Thanks so and we got this little pastoral scene here that. Makes you want to relax and what are you gonna do. I'm relaxed now so. A lot of things that went on in there you can now put things in a Waterloo guy fishing whatever it is you want to do put some birds we have -- They what one final touch here let's give -- some birds. K so I'm gonna do is and create little bird here. To create new patch. Here in layer. And fill with the white just because going to be fun. And then downloaded sort of little bird. Questions of him. The real -- black thing and that's a little bird that's gonna be our bird. And I say. Define brush. -- about it. So now. We've got that a -- happening down there is little -- is a brush that we just created so now I'm gonna go into my brush engine. And in my brush engine. That they dead bird. -- separation. Going to hear Booth sized theatre little touch of an angle did it just a little touch of the language that are I am -- to scatter them. I don't make that okay new color dynamics. Say goodbye we've got a black let's get a nice grade. And then in layer right above the sky here with the struggle flock of birds. Coming into here."
" And they have a nice that'll pastoral scene that you can do whatever you want when it. Remember it's not the end result is how I got it all the different steps you can manipulate and create your own at the scene. So hopefully learn something from this remembered this something that you like to see some -- struggling with -- can't figure on your own. Send me an email sent to bear and revision3.com. And I'll answer for you. I don't answer all the emails I do answer some of them it's okay is that is doing the show. You know the check out before of the pixel perfect form that revision3.com. Votes that form. Where you can join discussions about the show and possibly even influence the future episode. Also. Your artwork can be used as a background as well I have been accused me. That you receive these really cool things behind million designs to Bert and vision three dot com. And a background should be 1280 by 720 pixels and -- JPEG file. Organize them today remember to play best way to that is deceptive play. I hope to see you next week."
" everything yeah awaits this."
" Business as usual with -- it's catching viruses and I've misplaced -- let's just for the first class this semester."
" What you know profess -- you to get a matte black and none of -- to be a problem and why is that well now let's have -- the most advanced operating system. "
" Good point hasn't jumped --"
" Last Lexus now let's of the Mac operating system at the back at helping keep track of stuff like that it's super fits in an easy to use. Well that'll sounds Linden. "
" But let's you can afford to buy new computers every time. -- operating system comes around."
" Actually that's their Apple upgrades are free see your computer get better aids. Night and it sounds kind of like me you know."
" Some distance Kerry -- looks around campus."
" That's probably because -- and they never one notebook on iPods campuses especially with the -- an academic discount benefit this -- is 999. Dollars."
" Well I paid a lot more for this when he. Glad that it's time plus just about to begin. You I'd like to thank you for enlightening me today and I plan on returning the favor by delivering a stunning lecture on James Joyce just -- It'll find these blasted files. Deadlocked for -- and he gets hot topic."
" I forgot to mention that could also come with the magnetic power -- yeah."
" Keep that in mind can take -- yeah."
" Patti Goldman this is my vision three back to school instant survival guide breasts he died not done it -- a variety of colors like gold mine. It's lightweight and that's involved and helps me keep my hands I talked. It cannot preview for fasteners."
chuckles
Started discussion: September 1, 2008 @ 9:10am GMT
Episode 98 - Feel at Peace with a Pastoral Scene
This week, Bert, the Bob Ross of the Digital Age, creates a soothing pastoral scene using Photoshop.
Watch or download the episode.
otiose
about 1 year ago
Bert talking about happy little trees = win.
rwillustrator
about 1 year ago
Bob Ross is RIGHT!
I always knew Bert had a certain Bob Ross quality about him. Awesome job Bert!I was just waiting to hear "let's mix a little titanium white and add some trees who live over here... God Bless"
:) Mordy
Yvesken
about 1 year ago
Remark
I've always loved PixelPerfect .. But the last four episodes really didn't cut it for me. The techniques used are very very basic and didn't allow me to learn anything at all. I'd like to see some advanced techniques with realistic results. Not the toy look.Anyway, keep up the good work. I love rev3
Johnosullivan
about 1 year ago
Hold down the Alt/Option button, and hover the curser between two layers. You will get a funny shape instead of the curser. Then left click the mouse and it will clip nthe two layers. This means that whatever is on the layer on top will only show through where there is pixels on the bottom layer.










