How to give someone bruises using Photoshop's cloning tool and liquify filter.
Monday, April 21st, 2008 running time 16:55
This week, Bert promotes physical violence...through Photoshop. A once pleasant headshot is tragically retouched with bruises, discoloration and swellings, by utilizing the clone stamp tool and liquify filter.
Bert severely beats up his headshot with several Photoshop elements. First, he removes his glasses with the clone stamp tool and creates a black eye with the liquify filter and blow tool. Next, using the dodge and burn tools, Bert swells up his forehead with a giant bump. And what's violence without blood? Bert uses LAYER EFFECTS (inner shadow, bevel/emboss), the TEXTURIZE FILTER, and PEN TOOL to place a bloody gash on his cheek and a band-aid. Finally, Bert wipes the smile off his face with the WARP effect.
Highlights
side effect
(
10:10, 10:10
)
embossed
(
13:44, 13:44
)
gash
(
10:37, 10:37
)
fizzle
(
11:00, 11:00
)
side effect
(
10:10, 10:10
)
embossed
(
13:44, 13:44
)
gash
(
10:37, 10:37
)
fizzle
(
11:00, 11:00
)
Automatically Generated Transcript(may not be 100% accurate) ( more )
" Hi and welcome to another episode. It's appropriate would be -- monitor to show where all kind of things happen. Quote get started it's pays the bills without sponsors. Quote daddy dot com you website visitors prospects and customers aware of the web sites and online businesses. That aren't what they claim today. And what we did their personal and financial information might fall into the wrong hands turn your visitors concerns into competitive edge with the and -- detection of -- godaddy.com. Secure certificate. Plus if you and to cope pixel five when you check out the -- right there on the screen. You'll save an additional ten dollars off -- order reported dollars and more. Some restrictions apply see sector details get a piece of the Internet at code daddy dot com. Did you want to check out other Photoshop tips and tutorials. Go to our website division three dot com slash pixel perfect and there you'll see all the past episodes can see them many times you want. -- let's get started now we touching. Let's talk about retention today but kind of in reverse and fact that it's not talked about a -- it's kind of been reverse threaded and giving them good I think that things -- bad. Right so it's either going near and kick out of -- but it's hard but temple and that's a kind of stuff that I like to do in fact when amusing hired to do that kind of thing that's from behind to to do not think the picture look good but tonight the picture look bad. So I'm gonna do is I'm going to beat somebody up I don't know really beat him up now what better person to beat up the myself. So right there are -- screen I have a portrait with economic good friend Jack Huey very well known photographer based in Chicago. And up I'm just gonna he has to such a good job that's. You gotta understand this it's not really into -- and look he just use Photoshop that look a little better. Now I'm gonna do is I'm gonna beat myself up. Now I was brought up saying that you can't hit somebody -- glances sort of first thing to do is I'm gonna technical asses off. So here's a case where it is really important to be able to see what you're doing. So -- let -- go in here and open up a second window for this new window for Europe before my cat. And I'll put that right here and aside just like to see what happens -- areas -- I'm gonna be work. Just second see exactly what's going on. On the actual size because here I'm going to zoom in and zoom into this right here and get a little closer. So now I'm gonna get rid of the classes and to do don't use my clone tool. There's all different kinds of pieces here that I need to constantly going to smaller brush and I got a soft brush and one thing to keep in mind when your -- touching. Since -- pours in different textures that are his skin here having a hard this -- zero isn't really good okay because. The edges of going to started ghosting is gonna create these weird little artifacts in there making it. To heart is also not good -- going to have very hard lines where the -- began. And then when they changed -- usually bring my capacity down or read my hardest until somewhere between 75 and 85%. Enough now they've got that set up a -- and here and up. When do a lot of this called -- option key it to determine -- cloned from. So all that down you see the person changes and I clicked right there dynamic goatee now you -- see me do that'll Locke has not gonna keep. From the same area I'm gonna keep picking from different areas each time so here ago I got. I didn't yeah I'm just gonna go and -- and a cloning -- here over that part of the class and go from down here. Hello if you would those -- and they're like that kind of get a smaller brush does is push it -- there we got that done. They'll let it go from right here and -- that into that area there. So each time I'm thinking you'll see that person changes -- I'm about to change where I'm -- from now I've got all these weird colors that are happening here. Right because a different shades so another thing that I can do that I could bring -- Pasadena down for the tool I'll bring it down to about a 50%. Right about here."
" Right that'll allow me to go in there and click quite a few times and it's slowly starts building up the color until I have the exact -- that I want. So now see how would start in here -- suddenly becomes like tonight because it's dark area and it is very likely start clicking see how it slowly building it up. Some are paving over this whole area and I feel that the scene. Angle and I'm getting rid of that whole section pull from up here. Put on there. From here there now. This shadow. There's a shadow of the glasses and the skin tone and the feel we hear that it's -- disappear and pick up from the light tone or maybe the skin tone right here and start. Drawing -- now taking many times because I'm building up that 50%. -- there and get rid of that. That's -- ultralight -- let's pick up some his dark in here and we slowly start to build up. Getting rid of all this science classes now remembered that we're going to really messes up so if it doesn't quite look right first time it's okay because I'm -- really. Damage to spacesuit. So I was gonna go pick -- more of the sights sounds and withdrawing an American astronaut Mike -- pressure there ago I want to keep that size consistent that I have yet. Analytical. And nutritious dairy -- Now the elliptical silhouettes color and so thrown some -- that in there that's good feminists and you pick up the nose. Threw that into that area. And you'll pick up from here. And that's it -- like tones in that area right in there there ago and we -- was happening in the picture back here. The dollar start picking from right around here and start getting rid of this it does start tones start throwing those in there. And which is getting rid of that whole section of the glasses. It'll here in that area right here and I was seated addresses are gone on this side it's just kinda even this out a little bit. Of soft error. There you go out now. Dark tones and there there ago. And as continue moving the glasses. Keep paying that area come down here pick up at like town and start anyway. That is very lightly. Throwing youths in tones and they're getting rid of -- is on the way to do this pink and I'm just going there and concluded that. -- here given that shadow. And read here notified of skin tone that's a load it right in here someone. Home from there into that area now from here and I and get the slight tone through that great in there won't pick up that. Part of the lit. There you go to the lights on and we throw it right in that area. Little hair and then it and there's some skin. And I hear this whole -- here it is that white patches here it's called that in. -- from down here. And we've pretty much eliminated. The glasses you -- so we've got the glass is gone so now. Let's start beating it out. I gotta come enough kind of close here they're the C that I okay what I want to do is get myself a big black guy. So. I'm gonna take this area right here. So let us. That I and going to see it happen over here I'm going to liquefy. And liquefied -- zoom in on hasn't been released who is gonna happen here. And get my little tool that this -- here. And I got a fairly big precious little smaller and going to kind of dead these areas here to start kind of bloating and say. There is closing in in my -- into the bottom here to blow it up. Get a bigger. Bigger brushed. Really blow this up."
" Okay. All that stuff happening in there so now I click OK. And I got this. Big -- there son does this toned down some of these homes and it that would picked up now what I want to do this is I'm gonna go to here and start polarizing and a -- got a blue like this and it at night paintbrush. An incentive to color mode. Bait and commonly the virtual bigger and bring many -- to about a thirty it is very lightly tenants has they had some blues into this area here. In any capacity to about 10% and to do my keyboard to get that and we start getting these kind of blue tones and there and it's make it really pop out you -- dodge and burn tool. Make it much smaller. Answers total darkness into this area red in there. It. And then there and maybe a little lightning on the other side. Of the lake and decides and I start to have this big bulging blue line. Now my forehead. Married in here. Give it a big bump."
" They immediately without now all right so I'm gonna do is I'm gonna take my way up burn tool. And again you'll see it happen on this side and I just Google and -- start to darken this area right here. It just darken this that they like that."
" Darkened -- in the fact that with the -- tool. My dodge on this side effect the virtual smaller I'm just gonna kinda lighten this side a bit. For vows that I got his big bump on my they that it is big bump. That we see right there. Now in the process of creating such a big bump. They kinda broke skin there so let's create a new layer. And get a nice deep red. Deep red and this is making you squeamish edges of the time take a break go to bathroom there are about to put a gash in my head. I think a lasso here and radiant is gonna create this little gas he kind of thing. Is that that. Very loosely. Might that right now I'm gonna go ahead and do that. With that red. So now. There is gonna get got a little noise. It annoys fizzle kind of creepy stuff in there and so gives him its just a little bit it's about six this just a little bit of noise right. -- Inner shadow. It and make me a small distance of one and a size of about one. And it's I did was put from this sites is is a -- to see the light coming from this click that it has little shadow along there and we might want to give a little problem bourses well. So we're just gonna go in there and beacon out of double. So it's like that maybe not so deep within that down a little bit has been the size down a little bit and it's good down even more it's in the size down to about that say it's three. But like that but I think -- the shadow mode and bring that down a little bit and you know what I'm gonna do also going to. Select the color and -- a precursor into the image and what it is brown here I don't want that black I want that brownish tone and there. Click okay and the same thing for the highlight. I'm gonna go here pick this lighter skin tones a bare back at this makes the skin -- happening there. Click okay and we've got that gas happening is go back what more do we need. I will get myself a band -- All that's not happening with the medical pinned it on my face so right here we have some little problems without -- touching we don't really see it in here and I'm gonna create a little love. With my pencil and it'll -- just a little bandit the only thing they -- loses all the little branding thing here -- create little shape here. Take this and come across. And close it off and here's his little bending. Which -- put another layer. And it ended -- I would take that let's get a band they kind of a color. Let's just say you write about that's and more under orange side but I that. And we'll go ahead and fill that with that color okay now we get this a little bit of a texture. --"
" And that's sandstone will bring the feeling down from doing these freedom is just a little bit of the texture. Which -- gonna go in there and -- just a little bit. Just a little bit on the site visits in the shadows say its in the shattering through there. All right. And the last piece of it going here and select the little circle part is that little heading it's in the mandate. Go there and select that. Appear and around. And there and and another layer. Another layer on top of that and take that path can go ahead and took. Took -- my path that particular. Later. I'm gonna go in there and turn off the capacity to disappears into the little belt and embossed with him going to bring down the depth. That's not so strong bring down the capacity. This has that little pad right there on top so now now that I look like that. I got to wipe that smile off my face I wouldn't be smarting after that so I'm gonna do the final thing here is I'm going here and select the face. -- the -- and I'm going to select this whole piece of my mouth right there. Right there and send it to a new layer. The account. And in that you there are gonna go into my war. And -- my perspective. I clicked on the rule again. Is what you welcome to -- going there and just kind of bring that up a little bit. And slides down. To the kind of make me. Kind of Fed. Kind of upset. They've been beaten to poke here the care of during the escape down a little more. All right so. And that is kind of let's look on benefits. -- pushed these guys up ever so slightly. And in Paris. Do that and I would give that a layer mask. And then layer mask go to go ahead and -- out the parts that I don't want with black artist paint this all out here so that it starts to and has been you've passage back up. That helps. And is -- gold and -- that's the blends in with my original -- and there and you see that now I've got this. Frowned and I've been beat up. With a lot of steps in there."
" you can do to see your friends now manager mom. Only digital. Only digitally don't do things like that in real life it's not good it is a good way to get your frustrations out. What's his picture monsters or whatever it is that you want to create and make them look really message you want you can put little blood dripping off that cut. Whatever you wanna do that's the beauty of Photoshop that's. Your imagination is the only limitation. -- have a comment. -- want to learn more Photoshop tips and tricks send me an email. Coming what you want to see senator -- at -- And revision3.com. Or you composed of feedback and comments -- forums he go to revision3.com. Slash forum and -- say anything you want. Next week we'll show you how to create a three dimensional people. Thanks for watching pixel perfect. I'm very Monroe and I'll see you next week for another exciting Photoshop tutorial."
" Hi and welcome to another episode. It's appropriate would be -- monitor to show where all kind of things happen. Quote get started it's pays the bills without sponsors. Quote daddy dot com you website visitors prospects and customers aware of the web sites and online businesses. That aren't what they claim today. And what we did their personal and financial information might fall into the wrong hands turn your visitors concerns into competitive edge with the and -- detection of -- godaddy.com. Secure certificate. Plus if you and to cope pixel five when you check out the -- right there on the screen. You'll save an additional ten dollars off -- order reported dollars and more. Some restrictions apply see sector details get a piece of the Internet at code daddy dot com. Did you want to check out other Photoshop tips and tutorials. Go to our website division three dot com slash pixel perfect and there you'll see all the past episodes can see them many times you want. -- let's get started now we touching. Let's talk about retention today but kind of in reverse and fact that it's not talked about a -- it's kind of been reverse threaded and giving them good I think that things -- bad. Right so it's either going near and kick out of -- but it's hard but temple and that's a kind of stuff that I like to do in fact when amusing hired to do that kind of thing that's from behind to to do not think the picture look good but tonight the picture look bad. So I'm gonna do is I'm going to beat somebody up I don't know really beat him up now what better person to beat up the myself. So right there are -- screen I have a portrait with economic good friend Jack Huey very well known photographer based in Chicago. And up I'm just gonna he has to such a good job that's. You gotta understand this it's not really into -- and look he just use Photoshop that look a little better. Now I'm gonna do is I'm gonna beat myself up. Now I was brought up saying that you can't hit somebody -- glances sort of first thing to do is I'm gonna technical asses off. So here's a case where it is really important to be able to see what you're doing. So -- let -- go in here and open up a second window for this new window for Europe before my cat. And I'll put that right here and aside just like to see what happens -- areas -- I'm gonna be work. Just second see exactly what's going on. On the actual size because here I'm going to zoom in and zoom into this right here and get a little closer. So now I'm gonna get rid of the classes and to do don't use my clone tool. There's all different kinds of pieces here that I need to constantly going to smaller brush and I got a soft brush and one thing to keep in mind when your -- touching. Since -- pours in different textures that are his skin here having a hard this -- zero isn't really good okay because. The edges of going to started ghosting is gonna create these weird little artifacts in there making it. To heart is also not good -- going to have very hard lines where the -- began. And then when they changed -- usually bring my capacity down or read my hardest until somewhere between 75 and 85%. Enough now they've got that set up a -- and here and up. When do a lot of this called -- option key it to determine -- cloned from. So all that down you see the person changes and I clicked right there dynamic goatee now you -- see me do that'll Locke has not gonna keep. From the same area I'm gonna keep picking from different areas each time so here ago I got. I didn't yeah I'm just gonna go and -- and a cloning -- here over that part of the class and go from down here. Hello if you would those -- and they're like that kind of get a smaller brush does is push it -- there we got that done. They'll let it go from right here and -- that into that area there. So each time I'm thinking you'll see that person changes -- I'm about to change where I'm -- from now I've got all these weird colors that are happening here. Right because a different shades so another thing that I can do that I could bring -- Pasadena down for the tool I'll bring it down to about a 50%. Right about here."
" Right that'll allow me to go in there and click quite a few times and it's slowly starts building up the color until I have the exact -- that I want. So now see how would start in here -- suddenly becomes like tonight because it's dark area and it is very likely start clicking see how it slowly building it up. Some are paving over this whole area and I feel that the scene. Angle and I'm getting rid of that whole section pull from up here. Put on there. From here there now. This shadow. There's a shadow of the glasses and the skin tone and the feel we hear that it's -- disappear and pick up from the light tone or maybe the skin tone right here and start. Drawing -- now taking many times because I'm building up that 50%. -- there and get rid of that. That's -- ultralight -- let's pick up some his dark in here and we slowly start to build up. Getting rid of all this science classes now remembered that we're going to really messes up so if it doesn't quite look right first time it's okay because I'm -- really. Damage to spacesuit. So I was gonna go pick -- more of the sights sounds and withdrawing an American astronaut Mike -- pressure there ago I want to keep that size consistent that I have yet. Analytical. And nutritious dairy -- Now the elliptical silhouettes color and so thrown some -- that in there that's good feminists and you pick up the nose. Threw that into that area. And you'll pick up from here. And that's it -- like tones in that area right in there there ago and we -- was happening in the picture back here. The dollar start picking from right around here and start getting rid of this it does start tones start throwing those in there. And which is getting rid of that whole section of the glasses. It'll here in that area right here and I was seated addresses are gone on this side it's just kinda even this out a little bit. Of soft error. There you go out now. Dark tones and there there ago. And as continue moving the glasses. Keep paying that area come down here pick up at like town and start anyway. That is very lightly. Throwing youths in tones and they're getting rid of -- is on the way to do this pink and I'm just going there and concluded that. -- here given that shadow. And read here notified of skin tone that's a load it right in here someone. Home from there into that area now from here and I and get the slight tone through that great in there won't pick up that. Part of the lit. There you go to the lights on and we throw it right in that area. Little hair and then it and there's some skin. And I hear this whole -- here it is that white patches here it's called that in. -- from down here. And we've pretty much eliminated. The glasses you -- so we've got the glass is gone so now. Let's start beating it out. I gotta come enough kind of close here they're the C that I okay what I want to do is get myself a big black guy. So. I'm gonna take this area right here. So let us. That I and going to see it happen over here I'm going to liquefy. And liquefied -- zoom in on hasn't been released who is gonna happen here. And get my little tool that this -- here. And I got a fairly big precious little smaller and going to kind of dead these areas here to start kind of bloating and say. There is closing in in my -- into the bottom here to blow it up. Get a bigger. Bigger brushed. Really blow this up."
" Okay. All that stuff happening in there so now I click OK. And I got this. Big -- there son does this toned down some of these homes and it that would picked up now what I want to do this is I'm gonna go to here and start polarizing and a -- got a blue like this and it at night paintbrush. An incentive to color mode. Bait and commonly the virtual bigger and bring many -- to about a thirty it is very lightly tenants has they had some blues into this area here. In any capacity to about 10% and to do my keyboard to get that and we start getting these kind of blue tones and there and it's make it really pop out you -- dodge and burn tool. Make it much smaller. Answers total darkness into this area red in there. It. And then there and maybe a little lightning on the other side. Of the lake and decides and I start to have this big bulging blue line. Now my forehead. Married in here. Give it a big bump."
" They immediately without now all right so I'm gonna do is I'm gonna take my way up burn tool. And again you'll see it happen on this side and I just Google and -- start to darken this area right here. It just darken this that they like that."
" Darkened -- in the fact that with the -- tool. My dodge on this side effect the virtual smaller I'm just gonna kinda lighten this side a bit. For vows that I got his big bump on my they that it is big bump. That we see right there. Now in the process of creating such a big bump. They kinda broke skin there so let's create a new layer. And get a nice deep red. Deep red and this is making you squeamish edges of the time take a break go to bathroom there are about to put a gash in my head. I think a lasso here and radiant is gonna create this little gas he kind of thing. Is that that. Very loosely. Might that right now I'm gonna go ahead and do that. With that red. So now. There is gonna get got a little noise. It annoys fizzle kind of creepy stuff in there and so gives him its just a little bit it's about six this just a little bit of noise right. -- Inner shadow. It and make me a small distance of one and a size of about one. And it's I did was put from this sites is is a -- to see the light coming from this click that it has little shadow along there and we might want to give a little problem bourses well. So we're just gonna go in there and beacon out of double. So it's like that maybe not so deep within that down a little bit has been the size down a little bit and it's good down even more it's in the size down to about that say it's three. But like that but I think -- the shadow mode and bring that down a little bit and you know what I'm gonna do also going to. Select the color and -- a precursor into the image and what it is brown here I don't want that black I want that brownish tone and there. Click okay and the same thing for the highlight. I'm gonna go here pick this lighter skin tones a bare back at this makes the skin -- happening there. Click okay and we've got that gas happening is go back what more do we need. I will get myself a band -- All that's not happening with the medical pinned it on my face so right here we have some little problems without -- touching we don't really see it in here and I'm gonna create a little love. With my pencil and it'll -- just a little bandit the only thing they -- loses all the little branding thing here -- create little shape here. Take this and come across. And close it off and here's his little bending. Which -- put another layer. And it ended -- I would take that let's get a band they kind of a color. Let's just say you write about that's and more under orange side but I that. And we'll go ahead and fill that with that color okay now we get this a little bit of a texture. --"
" And that's sandstone will bring the feeling down from doing these freedom is just a little bit of the texture. Which -- gonna go in there and -- just a little bit. Just a little bit on the site visits in the shadows say its in the shattering through there. All right. And the last piece of it going here and select the little circle part is that little heading it's in the mandate. Go there and select that. Appear and around. And there and and another layer. Another layer on top of that and take that path can go ahead and took. Took -- my path that particular. Later. I'm gonna go in there and turn off the capacity to disappears into the little belt and embossed with him going to bring down the depth. That's not so strong bring down the capacity. This has that little pad right there on top so now now that I look like that. I got to wipe that smile off my face I wouldn't be smarting after that so I'm gonna do the final thing here is I'm going here and select the face. -- the -- and I'm going to select this whole piece of my mouth right there. Right there and send it to a new layer. The account. And in that you there are gonna go into my war. And -- my perspective. I clicked on the rule again. Is what you welcome to -- going there and just kind of bring that up a little bit. And slides down. To the kind of make me. Kind of Fed. Kind of upset. They've been beaten to poke here the care of during the escape down a little more. All right so. And that is kind of let's look on benefits. -- pushed these guys up ever so slightly. And in Paris. Do that and I would give that a layer mask. And then layer mask go to go ahead and -- out the parts that I don't want with black artist paint this all out here so that it starts to and has been you've passage back up. That helps. And is -- gold and -- that's the blends in with my original -- and there and you see that now I've got this. Frowned and I've been beat up. With a lot of steps in there."
" you can do to see your friends now manager mom. Only digital. Only digitally don't do things like that in real life it's not good it is a good way to get your frustrations out. What's his picture monsters or whatever it is that you want to create and make them look really message you want you can put little blood dripping off that cut. Whatever you wanna do that's the beauty of Photoshop that's. Your imagination is the only limitation. -- have a comment. -- want to learn more Photoshop tips and tricks send me an email. Coming what you want to see senator -- at -- And revision3.com. Or you composed of feedback and comments -- forums he go to revision3.com. Slash forum and -- say anything you want. Next week we'll show you how to create a three dimensional people. Thanks for watching pixel perfect. I'm very Monroe and I'll see you next week for another exciting Photoshop tutorial."
tylerhowarth
Started discussion: April 21, 2008 @ 10:24am GMT
Episode 79 - How to give someone bruises [Discussion]
This week, Bert promotes physical violence...through Photoshop. A once pleasant headshot is tragically retouched with bruises, discoloration and swellings, by utilizing the clone stamp tool and liquify filter.
Watch And Download the Episode here
high6
about 1 year ago
Liked this episode.
Except anyone else get a terrible frame rate from the screencapture shots?
Except anyone else get a terrible frame rate from the screencapture shots?
Will_Stutler
about 1 year ago
In reply to high6:
Liked this episode.
Except anyone else get a terrible frame rate from the screencapture shots?
Except anyone else get a terrible frame rate from the screencapture shots?
i did as well but nothing to horribly bad
Bert you have out done your self yet again keep up the great work
you always seem to make it easy to use photoshop
Bani-Banan
about 1 year ago
In reply to Will_Stutler:
i did as well but nothing to horribly bad
Bert you have out done your self yet again keep up the great work
you always seem to make it easy to use photoshop
Bert you have out done your self yet again keep up the great work
you always seem to make it easy to use photoshop
Yeah. Bert is a true inspiration. He makes me want to learn photoshop.
Bert, In case you're reading this, I L U=)
Shinigami052
about 1 year ago
I miss Bert telling us to play and have fun. Put that back in please! heh
jivetrky
about 1 year ago
In reply to Bani-Banan:
Really nice episode. Though it didn't look real ;/
The beating up your mom joke at the end really cracked me up=D
The beating up your mom joke at the end really cracked me up=D
Well, I'm sure if he wasn't rushing to fit it in the time alloted, it would have looked authentic. Something tells me that if he didn't want you to be able to discern reality from photoshopping, he could :)
Bani-Banan
about 1 year ago
In reply to jivetrky:
Well, I'm sure if he wasn't rushing to fit it in the time alloted, it would have looked authentic. Something tells me that if he didn't want you to be able to discern reality from photoshopping, he could :)
I want to see realistic PS pics =)
jivetrky
about 1 year ago
Hmmm, I wonder if Bert has a site somewhere that shows off his work :shrug:












The beating up your mom joke at the end really cracked me up=D