Segments

" War."

" This episode of pixel perfect is brought to you by Netflix and godaddy.com. Yeah so it's superb -- would mean -- Monroe way to show where all kinds of things go on. -- We're going to create -- burns got a lot of requests for ferns and palm trees and we -- a little brush creek to create some parents. Before we start let's look at today's background this is sent to us by -- struck us hope I got that -- right. Look at this thing. I am -- from. This is gonna have shortages is probably gonna end up in that clunker program so if you're gonna get rid of it so let's look at it. But it's still around before it goes into junk pile for mere 4500 dollars but whoever -- an old Oldsmobile I got seven miles to a gallon that they -- it on. And I was hit a guardrail totally destroyed guardrail the karma fine. The old days -- who made up metal. But anyway. Before we start let's thank our sponsors you wanna make an impact online godaddy.com. Has -- Dot com names starved for as little bit dollar 99 plus world class hosting fast and easy web site builders and so much more. Plus it into a Coke it's -- four when you check out you'll save an additional 15% on any order of 75 dollars and more some restrictions do apply. See site for details. So go out and get your piece of the Internet at godaddy.com. Be sure to check out revision3.com. Force -- GoDaddy for all the pixel perfect godaddy deals because there's been a lot of -- two years. And then you just -- axis of legal codes and find -- right field perfect for you what bank Netflix for sponsoring pixel perfect. And would then the Netflix you can rent over 90000. Titles online. Including lots of Blu-ray titles with free shipping both ways to go home 90000 to stay home for the rest of yellow light and just watch movies. Netflix plans start from his -- four dollars and 99 cents. And as a new member you can get a no risk two week free trial membership check it out at www. Netflix.com. Forward slash pixel perfect. And yes you do have to type in net WWW. We used his coat. Now onto the show. Start up bunch of requests. Some people of a certain -- the foliage. Now and it create long days foliage but. When would it do applies to a lot of them right so. It's -- question of creating a brush. Now many shows pressures on -- that the about a brushes can save. A lot of things for you -- it can save time in and create certain effects that would take forever to do with filters song because you wanna Kleiman a certain spot. Specifically. Or so on and I thought about how Pat's guide those pressures which in the case of the -- can be very important. But here -- show you something. I'm ready is -- an existing brush."

" And actually it's a brush what -- my brushes to have a body brushes in the program. This when I hear the grass brush does is what I call my doom brush -- address first. And is going to go image is creates this cool little effect like that right so now. They're gonna do a little in here and just. Eliminate all these features for it. That's just straight on and it creates debt now watch when I create a path. I -- said that brush now I am gonna set up in in shape dynamics I'm -- it's going here and say. The -- should be direction. Right so that now when I go and and it's bring down the other guys so let's just take out they're going to cause the dynamics in the end. And a -- criticized jitters that is kind of kind of state -- and get really angle. I just that direction just gonna want to see what happens in brushes of falls the past when it romantic that pat and -- with a brush. You see that it's right there it's centered on that path. It's center."

" On the path. So things like. Maples. -- not maples but the palm trees and and learns which is wrong -- here. That basically along stand right and they have all these little naive coming out. On all on both sides in many cases they're pretty much the same on both sides as little nuances here and there. For had a ripple and song but basically is a whole bunch of coming up. Along the edges of that stem so that's what I'm going to create here I'm gonna go in here and and spirited and create a burn. So now. Go there and I'm gonna take up my paintbrush. And it's got a regular brush. Got going here and just get this little guy here I can do this with. A path if I wanted to but I only do with a paper should be kind of free and about it just kind of create this little shape like this. I basically I'm creating here this is one side about little firm. The fact that America."

" And -- could end so we had known little. Openings."

" There you go what is make little points and there. Just like that."

" Now remember how it was. Following it was centered on that path. So that's enough for my brush what I wanna do now is duplicate that on the other side so I'm going here and create another one a very similar to that one. That's gonna start getting small -- here. To go -- and fill those then. Again though that nice little. Texture those little shapes going on there this excel. And its crew of these guys -- that we get who variety happening in there. Okay now but getting close here is gonna be a close size and in the Centre part there in the center I might wanna go in there and just kind of closed that it because that's where that little -- is attached. Two. Perfection that's really clean these edges up again all these nice little swindles and such and make sure that this solid. And remember that we're creating a brush where it's solid black that -- will be completely repeat opaque. So there we have all these nice though -- going on there. Like that. And other I have that there's the brush that's gonna create might burn. So that -- And say define. Brush preset."

" Analytical different. Yeah literally donated more because we have basically created a little -- decent at this and I'm gonna go in there and get that brush."

" I just created and it basically creates that out you noticed that. That's a little soldiers updated their very even on day they're very even so what I'm going to do. If I wanna create a second one right next to. I just did attack credited to drag it right and reason for that second one is with little closer and add more variety. Not enough variety in that first one so let's go back to a little tiny brush."

" And changes some more let's get these that they don't look the same anymore so that the two of them will be completely different from each other. -- go there and kind of extend this like that maybe give this 12 one there. So adding a little more variety. Same thing down here we don't want these two to look like they look too much like themselves. Right here so we're just gonna -- more variety just like that and that's to switch and maybe. Cut into some of these guys a little here and this and this -- there so now they've we have told them. And it looks very different from each other. That's what we need is we need that varieties that they don't look like it's a step it would be doesn't look like a pattern. And that -- pointing and this guy who appointee up there. Point you're down here."

" As soda and how we have told them that pretty much look totally different from each other okay pretty good so now I'm gonna make it a brush. This sort of first -- they all looked as saying they'll have that same look it's gonna really look like that you want -- has enough variety. Maybe wanna do a third but since he's at the beginning smaller it was a tip. You don't wanna get too many big clumps that is suddenly getting smaller -- the -- to and I say define brush. And we'll close confirmed. Final."

" Hey there it's an -- the -- Groups. There -- right there yeah. Pull back and I get my brush I don't pick up that little guy right there which now. He's calling it now -- that to look a little different. So I do now is I'm gonna go and and it and reason is so different colors because it probably has the colored dynamics something going on there -- but anyway I would go in here and start to mess around with his brush and go in there and in my. Bush -- undated. The spacing. Enough space things I have. To. She date straight this -- to -- Whose shapes are being created. A site that that just about touch around Baghdad there ago. I'm gonna go on to my shape dynamics where only pen pressure. And -- the angle just a little just a -- touch positive 3%. Just enough. And maybe a little bit of the -- did they get a little some smaller some a little larger and so. Okay now. I will give it a little up -- dynamics as well. But I'm gonna go between a background just a little bit not a lot -- bring them my hue and saturation in any punch saturation up a little bit. And brightness just a little. But I wanna -- just between those two colors and I basically got my -- boundaries is going. That the thin that is gonna have pen pressure on. So now that I have all that stuff going on and it makes it we have direction set for our angle opus that deceptive direction. This follow maestro stay there we go. I have all the parameter sets a little here I'm gonna pick a green let's get a a nice kind of deep green like this kind of soft -- ago. -- that the program and for the background color or pick a darker green something slightly darker not too much darker just enough. Said it now I go in here and I think the bush just a little smaller and go in here and start to. Draw all my little. Ferns. And I'm just gonna go in just start going all these little friends that are just in there thanks so. And we see that we haven't -- Then there. No budget. I can now."

" It takes only a little time I don't know --"

" Messing but if you -- go to these guys that are right out here. And you just -- passed right through did you have a guy right through there where these guys have been separated right in there. Great someone going to analysts and -- this path -- get it right through there and may we will do two. That's see that's good this guy up here because he's pretty pretty obvious who just go and which is Sulu. Tone like that and maybe one right in here. Which is got to follow that new space friend anywhere from these are right and they would boot to this one too. Right through there and down in there like that and then these guys -- communities to. But it pretty objectionable and pretty obvious that they have -- space and there."

" It's like that. That's and we have all those paths in separate layer here because it was like do things and separate layers and I'm going there and it's getting slightly lighter green. And we have. Okay and we'll get up paint brush with a little tiny brush. Tiny round rush. Maybe a little bit 55 looks good and I'm gonna go there and take that. -- And stroke it and then and there stroke which create all the little stems in between which are gonna go in there and give those a little later. So little -- them boss. And down that bit. And and size click okay and we have Kosovo a little branches in between there through if you that we have a lot of little. Burns is going all over the place. Not a case of a palm tree a palm -- well the actual these would be slightly different bet there would be more like. That's coherent giver of all the stuff. -- minutes."

" What I would do indicate that a paltry. But based on -- this I would create a long shape."

" It like that. Which would then come out on this site. -- Come out. And -- I was doing there I was. Get into the middle point and I was holding down my option key to change direction and do another one hear them clicking and dragging coming appeared clicking and dragging. Option alt click and drag to get a new handle has come down this way. Option alt click and drag to get an opponent way and come over there and we've turned it down there and I got these two shapes which I can modify a little further of I want. There's -- and more of a twist to this one and maybe that's when I wanted to be Chris this way. Okay so there we have the basics for our palm tree -- to isolate those. And Philip black. That I disliked it and make better brush. And I think that same brush and I pick up those that you brush there it is -- little fuzzy math because. What they squish it down for the sake of the thumb -- squeezing it down it's this kind of it accents the anti releasing make him look like it's -- But it's not -- is pretty sharp. So now they have that I go to my brush engine and -- an -- idea of the firm I'm gonna go and regular spacing. That's enough space and so that they have get this thing precious right in there like that. And I go to my shape dynamics red pen pressure. -- decides what it -- just a little bit. Have the angles that -- direction and maybe a bit of an -- shift just a tiny bit. The micro dynamics. Everybody thought the same again I'll pick some niceties as chemical with a knife pale light green light save that one. And they pale. Mean that those darker right there like that and that the virtual smaller. My palm trees that can go -- and two kinds of stuff so they can get a general idea of how these guys can."

" Where it is just creating a brush looking at the object you're trying to to replicate. Unlike -- say maple tree which I did in the so long time ago. To -- sports is similar leaves it paying at the end of the little stand there and so on but this. Is all these very similarly that is getting smaller. And in in the length of the of the -- there. So this is question of figuring out the two sides of that in a row. And creating the two shapes on either side. Making sure it a bit different so the trailer variety if you don't add that to override a little touch of new ones in there. Was gonna happen is all little by little marching soldiers -- don't want that you want things to look the same you wanna -- that right it's just a low little is enough. If a little is there. The I would think in the entire scene if it's not be I would automatically jump to the fact that there is a pattern in there and mess that the way it works in nature. To those of my wonderful little."

" Special pixel perfect. Blend of three which we'll talk about at some point. And not. Asked if there's anything that you'd like to see in the show. Email me your ideas sent to -- and revision3.com. You don't check out the forums at revision3.com. Forward slash form. They -- that talk about the show -- other people on farms and maybe even influence a future show up. Thanks again for me and -- drops for this incredible background. If you wanna go on cruise. Hope you enjoyed today's show you wanna put your stuff back there asset and -- thank you show your artwork is back as that it is green. Very good makes my skin you really -- is but good against -- I don't want your stuff back here. Send your images to -- at revision3.com and your background has to be 1280 by seven -- pixels and a JPEG file. Nothing. Other than that because what we're gonna get all kinds of things happening and I can see it Munich cropped it and have bars along it to fit those dimensions. I've created something that's that's vertical well -- it fix it -- did you get the main part of it visible on the screen. Remembered to play it's the best way to learn this stuff and if you wanna see them come into a town near you. For -- one day seminar are welcome to the birth to Leo what time is here to take my hands on class got my website Vermont or -- we get all information of where I'm going to be. And hopefully be in your whole -- soon. I'm gonna play that's way to -- See you next week."

" Yeah."

" War."

" This episode of pixel perfect is brought to you by Netflix and godaddy.com. Yeah so it's superb -- would mean -- Monroe way to show where all kinds of things go on. -- We're going to create -- burns got a lot of requests for ferns and palm trees and we -- a little brush creek to create some parents. Before we start let's look at today's background this is sent to us by -- struck us hope I got that -- right. Look at this thing. I am -- from. This is gonna have shortages is probably gonna end up in that clunker program so if you're gonna get rid of it so let's look at it. But it's still around before it goes into junk pile for mere 4500 dollars but whoever -- an old Oldsmobile I got seven miles to a gallon that they -- it on. And I was hit a guardrail totally destroyed guardrail the karma fine. The old days -- who made up metal. But anyway. Before we start let's thank our sponsors you wanna make an impact online godaddy.com. Has -- Dot com names starved for as little bit dollar 99 plus world class hosting fast and easy web site builders and so much more. Plus it into a Coke it's -- four when you check out you'll save an additional 15% on any order of 75 dollars and more some restrictions do apply. See site for details. So go out and get your piece of the Internet at godaddy.com. Be sure to check out revision3.com. Force -- GoDaddy for all the pixel perfect godaddy deals because there's been a lot of -- two years. And then you just -- axis of legal codes and find -- right field perfect for you what bank Netflix for sponsoring pixel perfect. And would then the Netflix you can rent over 90000. Titles online. Including lots of Blu-ray titles with free shipping both ways to go home 90000 to stay home for the rest of yellow light and just watch movies. Netflix plans start from his -- four dollars and 99 cents. And as a new member you can get a no risk two week free trial membership check it out at www. Netflix.com. Forward slash pixel perfect. And yes you do have to type in net WWW. We used his coat. Now onto the show. Start up bunch of requests. Some people of a certain -- the foliage. Now and it create long days foliage but. When would it do applies to a lot of them right so. It's -- question of creating a brush. Now many shows pressures on -- that the about a brushes can save. A lot of things for you -- it can save time in and create certain effects that would take forever to do with filters song because you wanna Kleiman a certain spot. Specifically. Or so on and I thought about how Pat's guide those pressures which in the case of the -- can be very important. But here -- show you something. I'm ready is -- an existing brush."

" And actually it's a brush what -- my brushes to have a body brushes in the program. This when I hear the grass brush does is what I call my doom brush -- address first. And is going to go image is creates this cool little effect like that right so now. They're gonna do a little in here and just. Eliminate all these features for it. That's just straight on and it creates debt now watch when I create a path. I -- said that brush now I am gonna set up in in shape dynamics I'm -- it's going here and say. The -- should be direction. Right so that now when I go and and it's bring down the other guys so let's just take out they're going to cause the dynamics in the end. And a -- criticized jitters that is kind of kind of state -- and get really angle. I just that direction just gonna want to see what happens in brushes of falls the past when it romantic that pat and -- with a brush. You see that it's right there it's centered on that path. It's center."

" On the path. So things like. Maples. -- not maples but the palm trees and and learns which is wrong -- here. That basically along stand right and they have all these little naive coming out. On all on both sides in many cases they're pretty much the same on both sides as little nuances here and there. For had a ripple and song but basically is a whole bunch of coming up. Along the edges of that stem so that's what I'm going to create here I'm gonna go in here and and spirited and create a burn. So now. Go there and I'm gonna take up my paintbrush. And it's got a regular brush. Got going here and just get this little guy here I can do this with. A path if I wanted to but I only do with a paper should be kind of free and about it just kind of create this little shape like this. I basically I'm creating here this is one side about little firm. The fact that America."

" And -- could end so we had known little. Openings."

" There you go what is make little points and there. Just like that."

" Now remember how it was. Following it was centered on that path. So that's enough for my brush what I wanna do now is duplicate that on the other side so I'm going here and create another one a very similar to that one. That's gonna start getting small -- here. To go -- and fill those then. Again though that nice little. Texture those little shapes going on there this excel. And its crew of these guys -- that we get who variety happening in there. Okay now but getting close here is gonna be a close size and in the Centre part there in the center I might wanna go in there and just kind of closed that it because that's where that little -- is attached. Two. Perfection that's really clean these edges up again all these nice little swindles and such and make sure that this solid. And remember that we're creating a brush where it's solid black that -- will be completely repeat opaque. So there we have all these nice though -- going on there. Like that. And other I have that there's the brush that's gonna create might burn. So that -- And say define. Brush preset."

" Analytical different. Yeah literally donated more because we have basically created a little -- decent at this and I'm gonna go in there and get that brush."

" I just created and it basically creates that out you noticed that. That's a little soldiers updated their very even on day they're very even so what I'm going to do. If I wanna create a second one right next to. I just did attack credited to drag it right and reason for that second one is with little closer and add more variety. Not enough variety in that first one so let's go back to a little tiny brush."

" And changes some more let's get these that they don't look the same anymore so that the two of them will be completely different from each other. -- go there and kind of extend this like that maybe give this 12 one there. So adding a little more variety. Same thing down here we don't want these two to look like they look too much like themselves. Right here so we're just gonna -- more variety just like that and that's to switch and maybe. Cut into some of these guys a little here and this and this -- there so now they've we have told them. And it looks very different from each other. That's what we need is we need that varieties that they don't look like it's a step it would be doesn't look like a pattern. And that -- pointing and this guy who appointee up there. Point you're down here."

" As soda and how we have told them that pretty much look totally different from each other okay pretty good so now I'm gonna make it a brush. This sort of first -- they all looked as saying they'll have that same look it's gonna really look like that you want -- has enough variety. Maybe wanna do a third but since he's at the beginning smaller it was a tip. You don't wanna get too many big clumps that is suddenly getting smaller -- the -- to and I say define brush. And we'll close confirmed. Final."

" Hey there it's an -- the -- Groups. There -- right there yeah. Pull back and I get my brush I don't pick up that little guy right there which now. He's calling it now -- that to look a little different. So I do now is I'm gonna go and and it and reason is so different colors because it probably has the colored dynamics something going on there -- but anyway I would go in here and start to mess around with his brush and go in there and in my. Bush -- undated. The spacing. Enough space things I have. To. She date straight this -- to -- Whose shapes are being created. A site that that just about touch around Baghdad there ago. I'm gonna go on to my shape dynamics where only pen pressure. And -- the angle just a little just a -- touch positive 3%. Just enough. And maybe a little bit of the -- did they get a little some smaller some a little larger and so. Okay now. I will give it a little up -- dynamics as well. But I'm gonna go between a background just a little bit not a lot -- bring them my hue and saturation in any punch saturation up a little bit. And brightness just a little. But I wanna -- just between those two colors and I basically got my -- boundaries is going. That the thin that is gonna have pen pressure on. So now that I have all that stuff going on and it makes it we have direction set for our angle opus that deceptive direction. This follow maestro stay there we go. I have all the parameter sets a little here I'm gonna pick a green let's get a a nice kind of deep green like this kind of soft -- ago. -- that the program and for the background color or pick a darker green something slightly darker not too much darker just enough. Said it now I go in here and I think the bush just a little smaller and go in here and start to. Draw all my little. Ferns. And I'm just gonna go in just start going all these little friends that are just in there thanks so. And we see that we haven't -- Then there. No budget. I can now."

" It takes only a little time I don't know --"

" Messing but if you -- go to these guys that are right out here. And you just -- passed right through did you have a guy right through there where these guys have been separated right in there. Great someone going to analysts and -- this path -- get it right through there and may we will do two. That's see that's good this guy up here because he's pretty pretty obvious who just go and which is Sulu. Tone like that and maybe one right in here. Which is got to follow that new space friend anywhere from these are right and they would boot to this one too. Right through there and down in there like that and then these guys -- communities to. But it pretty objectionable and pretty obvious that they have -- space and there."

" It's like that. That's and we have all those paths in separate layer here because it was like do things and separate layers and I'm going there and it's getting slightly lighter green. And we have. Okay and we'll get up paint brush with a little tiny brush. Tiny round rush. Maybe a little bit 55 looks good and I'm gonna go there and take that. -- And stroke it and then and there stroke which create all the little stems in between which are gonna go in there and give those a little later. So little -- them boss. And down that bit. And and size click okay and we have Kosovo a little branches in between there through if you that we have a lot of little. Burns is going all over the place. Not a case of a palm tree a palm -- well the actual these would be slightly different bet there would be more like. That's coherent giver of all the stuff. -- minutes."

" What I would do indicate that a paltry. But based on -- this I would create a long shape."

" It like that. Which would then come out on this site. -- Come out. And -- I was doing there I was. Get into the middle point and I was holding down my option key to change direction and do another one hear them clicking and dragging coming appeared clicking and dragging. Option alt click and drag to get a new handle has come down this way. Option alt click and drag to get an opponent way and come over there and we've turned it down there and I got these two shapes which I can modify a little further of I want. There's -- and more of a twist to this one and maybe that's when I wanted to be Chris this way. Okay so there we have the basics for our palm tree -- to isolate those. And Philip black. That I disliked it and make better brush. And I think that same brush and I pick up those that you brush there it is -- little fuzzy math because. What they squish it down for the sake of the thumb -- squeezing it down it's this kind of it accents the anti releasing make him look like it's -- But it's not -- is pretty sharp. So now they have that I go to my brush engine and -- an -- idea of the firm I'm gonna go and regular spacing. That's enough space and so that they have get this thing precious right in there like that. And I go to my shape dynamics red pen pressure. -- decides what it -- just a little bit. Have the angles that -- direction and maybe a bit of an -- shift just a tiny bit. The micro dynamics. Everybody thought the same again I'll pick some niceties as chemical with a knife pale light green light save that one. And they pale. Mean that those darker right there like that and that the virtual smaller. My palm trees that can go -- and two kinds of stuff so they can get a general idea of how these guys can."

" Where it is just creating a brush looking at the object you're trying to to replicate. Unlike -- say maple tree which I did in the so long time ago. To -- sports is similar leaves it paying at the end of the little stand there and so on but this. Is all these very similarly that is getting smaller. And in in the length of the of the -- there. So this is question of figuring out the two sides of that in a row. And creating the two shapes on either side. Making sure it a bit different so the trailer variety if you don't add that to override a little touch of new ones in there. Was gonna happen is all little by little marching soldiers -- don't want that you want things to look the same you wanna -- that right it's just a low little is enough. If a little is there. The I would think in the entire scene if it's not be I would automatically jump to the fact that there is a pattern in there and mess that the way it works in nature. To those of my wonderful little."

" Special pixel perfect. Blend of three which we'll talk about at some point. And not. Asked if there's anything that you'd like to see in the show. Email me your ideas sent to -- and revision3.com. You don't check out the forums at revision3.com. Forward slash form. They -- that talk about the show -- other people on farms and maybe even influence a future show up. Thanks again for me and -- drops for this incredible background. If you wanna go on cruise. Hope you enjoyed today's show you wanna put your stuff back there asset and -- thank you show your artwork is back as that it is green. Very good makes my skin you really -- is but good against -- I don't want your stuff back here. Send your images to -- at revision3.com and your background has to be 1280 by seven -- pixels and a JPEG file. Nothing. Other than that because what we're gonna get all kinds of things happening and I can see it Munich cropped it and have bars along it to fit those dimensions. I've created something that's that's vertical well -- it fix it -- did you get the main part of it visible on the screen. Remembered to play it's the best way to learn this stuff and if you wanna see them come into a town near you. For -- one day seminar are welcome to the birth to Leo what time is here to take my hands on class got my website Vermont or -- we get all information of where I'm going to be. And hopefully be in your whole -- soon. I'm gonna play that's way to -- See you next week."

" Yeah."