" Wow. Hello and welcome depicts a -- it would be -- Monroe where I'm floating in space. Now I thank my do you wish put off ski put his background. But this thing. Backbiting and I was really good job on today's show. -- do something kind of celestial we're gonna do some clouds over the C. Case in clouds not a human asking for 'cause that's gonna do today but before we start talking about godaddy.com. No would godaddy.com. You can keep your personal information away from spammers hackers and your crazy ex roommate. Private domain registration from GoDaddy. Protects your privacy by keeping your address your phone number and more out of the public database. And -- pixel five when you check out and save an additional ten dollars off -- order of forty dollars or more. Some restrictions apply. Go to the site and see the details. Now Netflix. -- Netflix you can -- over 90000. Titles online including Blu-ray titles. With free shipping both ways to your home. Now with -- over forty shipping centers almost all -- happening just one business day. Plans start from four dollars and 99 cents as -- remember you getting no risk two week free trial membership. Check it out at www. Netflix dot com. But it's slash pixel perfect and remember you gotta type at WWW. When you're using this code. Okay so go check that out. Now. The reason. One day well if you live out in the middle of nowhere. It might take -- direct but in most cases one day that's pretty cool. So now. -- of -- clouds now I'm -- and clouds and almost going to create a scene where these clouds exist. So is going to be a couple of things happening here now. Remember how -- I've always said it's. What you do in context who what you're trying to create. A couple of changes here and there will. Have a totally different effects of new members. What I'm doing not how it ends up. On getting that it's important so now. Well to do is create all these clouds and other than be over the C. So -- ago. It's not a whole new file here. You file have a go without usual size of 900 by 770. PI OK and it we have this. Blank screen. So here I would create some see. Right now but first -- and create the waves somewhere else somewhere else. -- of the file. Now this file. It's gonna be where the war has created so what I'm doing I'm gonna make this one much wider I'm gonna go with let's go with maybe 1400. Pixels wide by the 900 by 700 -- okay. So it's a really wide file here really -- okay so and actually you know what."

" The media increased my canvas size because actually I wanted to be 900. Because is that. That's what I have the other files that too so let's go here's that this the pixels and -- is 900. 900 okay. Click OK it's audio ago and returned to us and do stuff to -- now. Threatened here I'm gonna go in here and start to create my water summer creates some callers that get a nice deep blue like this that even deeper blue. Of the blue and they might have to. By the who's going to be for. The root cause of -- in my Warner and I use that filters used a few times in the past few weeks which is the fibrous filter. Gonna go in there and -- a little more strength to it and maybe a little more variance. Both strength. They can see what's gonna happen there it decisive effect -- click OK I got this happening but don't go ahead and blurred just a little -- The salute gauzy blur it just to soften up a little bit just a tiny bit Tyson now. I bring this -- other file read and the like that so now. Let's pull back so we can really see some room here. You're going to be doing some distortion. I'm gonna go ahead and take that -- to ensure that they are there it is and it's call that layer to see. All right so in that seat later I'm going and distorted. So first who rotate it. All right. That I'm going to distort. -- they distort. So now let's bring it up into this area. And bring this down. Way down like that I'm gonna bring these out way out like that. He's so we're getting the waves closer to us it get a little bigger and and get smaller as they go further back. Hit enter so that happens is go back to our full size here and there we see that we have these ways going way back. I don't know later above this and then go ahead and turn this layer to selection by command clicking on that there be light -- So in this area this new layer I'm gonna get some black and white. And actually this link in the deep blue instead really deep blue like that. And and throw gradient in there Linear gradient. Stripped down with the dark I was at the top going down to the bottom with -- it way down there. So lets you select that and wanted to of them turned out later into multiply mode. Multiply see some getting this deepening and get further back and bring any capacity so as to us. Give me a little bit of -- darkening as it gets further back -- so now we get the water going way back in in space there like that some that I had emerged that down write that down so those two layers are one. Now in the background here let's get some cause for us guy. So let go here and get this much lighter blue. Really nice light -- like that. And for the background color a similar blue a little bit doctor. Just a couple of -- just a little bit but -- appropriated in their from the light to the dark like that. So now. The clouds. Now the clouds like so many of the things that I done here are a brush that's that they are -- brush. So this create a brush them create layer on top of all this mess here and I'm gonna go ahead and fill that with white. It can't like because when you create a brush. The brush the values of that pressure to determine its capacity white is total transparency so now. I'm gonna create my bush in the shape here which means that the white will be transparent -- get us -- that bush. Like this one has to say who goes with little 45. That's a good size that there and bring you passing down went down quite a bit -- with about 50% right. And I'm just gonna do with black it's been drawn little. Kind of -- shape like so. And look at a couple of darker tones are -- like so. That is but that doesn't have to be really hard to anything right like that. And I'm gonna select that. That's my brush that's diversions and there was some clouds they say define brush preset. -- call it clouds."

" Now we can. Take this whole layer going to select all and dump it."

" But I'm keeping that layer I'm not going a layer away I just select them all and dump the third going back to being a blank later. So now I've got -- from my background choose a nice light gray to a little subtle -- like that. For my brush and get my paintbrush. Get that bush it has created. Which right now does that justice to streak that's -- do that let's go over here to our brush engine. And the birth -- with a start make it look more I think I -- that's more spacing. In spaces like that I'm gonna go into my shape dynamics of maternal my pen pressure but I am gonna do size here. And a little bit of an angle did it with a touch of an annual dinner and a little scattering. Going to give us some scattered. -- that that's looking good about that and we'll go with them color dynamics. Because dynamics program back on -- bring down this hue and saturation and brightness that's just the book foreground and background. Click OK so now here I'm gonna get a nice big brush. And in that your -- I'm just gonna start throwing in some tones. He's gonna databases about clouds and you know is that it would expect picking on problem they're getting a little more opaque as that create the -- there ago. -- creating these little effect on -- congressional smaller and start -- right on top of those that cover those same. Throat that the before and want to start to get. More definition to my class with a couple little ones over here remove. Bankrate and there are just very loosely going in here and drawing all of these little faith. Now going to bring capacity weighed down so let's bring it down to about twenty just throw some little clouds way down there and horizon. And every time I click on top of it again you can see that this is building that peanut. That's come over here and start throwing some more pain. And on topic here and I'm getting all these nice clouds has been -- back up to save -- be seventy. And a -- get more detail in here creating my little -- Right. Now. That I -- is cloud cover going on up there and Italy are behind this. Well now my option key and clicking on that -- a layer behind it. And in this stadium to take that white and I did they'd rush I maybe this 300 may actually make it bigger that is going to close the white back here. From white right back there. Can't because sun's behind clouds the sun is back there. So now we need a little kind of hand of god effect you know little light coming through and shooting down into the it down here so create a brush on top of the vote later on top this whole thing with white. -- only get harder -- brush like this one in my capacity back up to 100% and -- hook -- little white chunks and here come -- to a white things. There's some -- little white shapes. And there like so. Okay so now that the one more and for good luck tonight at those shapes and reallocate that -- given a filter and come over here in my. Radial blur. And I set that to us to zoom. And I'm gonna push it over a 200% and I want to move the point up to about like that they. Can be moved to not gonna radiate from that upper right hand corner. Elliptical okay Apple's little white guys seem petty streak down so this to bring them down here and I want to duplicate that they -- so they get little writers say. Nice and -- These -- the raises some that are coming down from the clout. So now we're down here of wanted to see and create another layer. And is going to be that light. Reflected in the water because it's pretty bright out there so that get a brush and only get a Big Three hundred brush. And just kind of draws some white right through him like that. Right in the witch and the clip that later. I think option for between the two all gonna be sick -- cannot take that there input and screen mode. And lighten up a little bit. Like so that I am going to the layer styles fort and the latest styles I'm gonna say the -- modes and say the underlying layer. Don't hide these dark tones -- they start coming through and going to options split that little slider saying get all these I thought tones come through. And they could see that we're getting that little halo. Right in the war like so click okay and there we got this nice reflection in the CBO all the clouds of there we got there. Rays coming down from behind the clouds there we got see. And we've got a sky. Down to earth unlike my background back here which is reactive but those seniors redundancy it done around here. That's what's happening down there."

" I hope you'll learn something from that remembers what you do that is how you switch colors. And and way to put it in context and everything else that you start getting the fact that you want. For your particular image popular something that remember that this is playing this is -- work this is having fun. If this something that you'd like to see on the show. Just email me at brick envisioned we got comment I would like to say you go -- check out the forms that revision3.com. Forward slash form. When you can join discussions about the show and maybe influence a future episode. Also your artwork. Can be used as a background like you seem the last few weeks email me your designs to -- at revision3.com. The background should be 1280 by 720 pixels. And it should be a JPEG file. -- it pixels per -- don't matter as phones as 21280. Across 720. Down. Hope to see you next week popular or something. Go out there have some fun."

" Wow. Hello and welcome depicts a -- it would be -- Monroe where I'm floating in space. Now I thank my do you wish put off ski put his background. But this thing. Backbiting and I was really good job on today's show. -- do something kind of celestial we're gonna do some clouds over the C. Case in clouds not a human asking for 'cause that's gonna do today but before we start talking about godaddy.com. No would godaddy.com. You can keep your personal information away from spammers hackers and your crazy ex roommate. Private domain registration from GoDaddy. Protects your privacy by keeping your address your phone number and more out of the public database. And -- pixel five when you check out and save an additional ten dollars off -- order of forty dollars or more. Some restrictions apply. Go to the site and see the details. Now Netflix. -- Netflix you can -- over 90000. Titles online including Blu-ray titles. With free shipping both ways to your home. Now with -- over forty shipping centers almost all -- happening just one business day. Plans start from four dollars and 99 cents as -- remember you getting no risk two week free trial membership. Check it out at www. Netflix dot com. But it's slash pixel perfect and remember you gotta type at WWW. When you're using this code. Okay so go check that out. Now. The reason. One day well if you live out in the middle of nowhere. It might take -- direct but in most cases one day that's pretty cool. So now. -- of -- clouds now I'm -- and clouds and almost going to create a scene where these clouds exist. So is going to be a couple of things happening here now. Remember how -- I've always said it's. What you do in context who what you're trying to create. A couple of changes here and there will. Have a totally different effects of new members. What I'm doing not how it ends up. On getting that it's important so now. Well to do is create all these clouds and other than be over the C. So -- ago. It's not a whole new file here. You file have a go without usual size of 900 by 770. PI OK and it we have this. Blank screen. So here I would create some see. Right now but first -- and create the waves somewhere else somewhere else. -- of the file. Now this file. It's gonna be where the war has created so what I'm doing I'm gonna make this one much wider I'm gonna go with let's go with maybe 1400. Pixels wide by the 900 by 700 -- okay. So it's a really wide file here really -- okay so and actually you know what."

" The media increased my canvas size because actually I wanted to be 900. Because is that. That's what I have the other files that too so let's go here's that this the pixels and -- is 900. 900 okay. Click OK it's audio ago and returned to us and do stuff to -- now. Threatened here I'm gonna go in here and start to create my water summer creates some callers that get a nice deep blue like this that even deeper blue. Of the blue and they might have to. By the who's going to be for. The root cause of -- in my Warner and I use that filters used a few times in the past few weeks which is the fibrous filter. Gonna go in there and -- a little more strength to it and maybe a little more variance. Both strength. They can see what's gonna happen there it decisive effect -- click OK I got this happening but don't go ahead and blurred just a little -- The salute gauzy blur it just to soften up a little bit just a tiny bit Tyson now. I bring this -- other file read and the like that so now. Let's pull back so we can really see some room here. You're going to be doing some distortion. I'm gonna go ahead and take that -- to ensure that they are there it is and it's call that layer to see. All right so in that seat later I'm going and distorted. So first who rotate it. All right. That I'm going to distort. -- they distort. So now let's bring it up into this area. And bring this down. Way down like that I'm gonna bring these out way out like that. He's so we're getting the waves closer to us it get a little bigger and and get smaller as they go further back. Hit enter so that happens is go back to our full size here and there we see that we have these ways going way back. I don't know later above this and then go ahead and turn this layer to selection by command clicking on that there be light -- So in this area this new layer I'm gonna get some black and white. And actually this link in the deep blue instead really deep blue like that. And and throw gradient in there Linear gradient. Stripped down with the dark I was at the top going down to the bottom with -- it way down there. So lets you select that and wanted to of them turned out later into multiply mode. Multiply see some getting this deepening and get further back and bring any capacity so as to us. Give me a little bit of -- darkening as it gets further back -- so now we get the water going way back in in space there like that some that I had emerged that down write that down so those two layers are one. Now in the background here let's get some cause for us guy. So let go here and get this much lighter blue. Really nice light -- like that. And for the background color a similar blue a little bit doctor. Just a couple of -- just a little bit but -- appropriated in their from the light to the dark like that. So now. The clouds. Now the clouds like so many of the things that I done here are a brush that's that they are -- brush. So this create a brush them create layer on top of all this mess here and I'm gonna go ahead and fill that with white. It can't like because when you create a brush. The brush the values of that pressure to determine its capacity white is total transparency so now. I'm gonna create my bush in the shape here which means that the white will be transparent -- get us -- that bush. Like this one has to say who goes with little 45. That's a good size that there and bring you passing down went down quite a bit -- with about 50% right. And I'm just gonna do with black it's been drawn little. Kind of -- shape like so. And look at a couple of darker tones are -- like so. That is but that doesn't have to be really hard to anything right like that. And I'm gonna select that. That's my brush that's diversions and there was some clouds they say define brush preset. -- call it clouds."

" Now we can. Take this whole layer going to select all and dump it."

" But I'm keeping that layer I'm not going a layer away I just select them all and dump the third going back to being a blank later. So now I've got -- from my background choose a nice light gray to a little subtle -- like that. For my brush and get my paintbrush. Get that bush it has created. Which right now does that justice to streak that's -- do that let's go over here to our brush engine. And the birth -- with a start make it look more I think I -- that's more spacing. In spaces like that I'm gonna go into my shape dynamics of maternal my pen pressure but I am gonna do size here. And a little bit of an angle did it with a touch of an annual dinner and a little scattering. Going to give us some scattered. -- that that's looking good about that and we'll go with them color dynamics. Because dynamics program back on -- bring down this hue and saturation and brightness that's just the book foreground and background. Click OK so now here I'm gonna get a nice big brush. And in that your -- I'm just gonna start throwing in some tones. He's gonna databases about clouds and you know is that it would expect picking on problem they're getting a little more opaque as that create the -- there ago. -- creating these little effect on -- congressional smaller and start -- right on top of those that cover those same. Throat that the before and want to start to get. More definition to my class with a couple little ones over here remove. Bankrate and there are just very loosely going in here and drawing all of these little faith. Now going to bring capacity weighed down so let's bring it down to about twenty just throw some little clouds way down there and horizon. And every time I click on top of it again you can see that this is building that peanut. That's come over here and start throwing some more pain. And on topic here and I'm getting all these nice clouds has been -- back up to save -- be seventy. And a -- get more detail in here creating my little -- Right. Now. That I -- is cloud cover going on up there and Italy are behind this. Well now my option key and clicking on that -- a layer behind it. And in this stadium to take that white and I did they'd rush I maybe this 300 may actually make it bigger that is going to close the white back here. From white right back there. Can't because sun's behind clouds the sun is back there. So now we need a little kind of hand of god effect you know little light coming through and shooting down into the it down here so create a brush on top of the vote later on top this whole thing with white. -- only get harder -- brush like this one in my capacity back up to 100% and -- hook -- little white chunks and here come -- to a white things. There's some -- little white shapes. And there like so. Okay so now that the one more and for good luck tonight at those shapes and reallocate that -- given a filter and come over here in my. Radial blur. And I set that to us to zoom. And I'm gonna push it over a 200% and I want to move the point up to about like that they. Can be moved to not gonna radiate from that upper right hand corner. Elliptical okay Apple's little white guys seem petty streak down so this to bring them down here and I want to duplicate that they -- so they get little writers say. Nice and -- These -- the raises some that are coming down from the clout. So now we're down here of wanted to see and create another layer. And is going to be that light. Reflected in the water because it's pretty bright out there so that get a brush and only get a Big Three hundred brush. And just kind of draws some white right through him like that. Right in the witch and the clip that later. I think option for between the two all gonna be sick -- cannot take that there input and screen mode. And lighten up a little bit. Like so that I am going to the layer styles fort and the latest styles I'm gonna say the -- modes and say the underlying layer. Don't hide these dark tones -- they start coming through and going to options split that little slider saying get all these I thought tones come through. And they could see that we're getting that little halo. Right in the war like so click okay and there we got this nice reflection in the CBO all the clouds of there we got there. Rays coming down from behind the clouds there we got see. And we've got a sky. Down to earth unlike my background back here which is reactive but those seniors redundancy it done around here. That's what's happening down there."

" I hope you'll learn something from that remembers what you do that is how you switch colors. And and way to put it in context and everything else that you start getting the fact that you want. For your particular image popular something that remember that this is playing this is -- work this is having fun. If this something that you'd like to see on the show. Just email me at brick envisioned we got comment I would like to say you go -- check out the forms that revision3.com. Forward slash form. When you can join discussions about the show and maybe influence a future episode. Also your artwork. Can be used as a background like you seem the last few weeks email me your designs to -- at revision3.com. The background should be 1280 by 720 pixels. And it should be a JPEG file. -- it pixels per -- don't matter as phones as 21280. Across 720. Down. Hope to see you next week popular or something. Go out there have some fun."