" It's."

" Hi welcome to another episode of perfect beeper on. -- to show that talked about my patent game. Shall I do the same thing close it off now and the last time. You with -- Damon. Now I have audio on my screen and yeah my little Wacom and T which I actually love working things that make so much easier it's kind of like. Working to relatives they trained if you look at my hand -- movie screen. Much better way of working who have more relaxed more accurate. Rather than looking at the screen having him here on the side and Cuba -- mean and that's something that about that hand eye coordination. It would look at hand that we. Now I wanna draw attention to it its -- textures veterans and I'm gonna post over here where earlier this little sign on the edge over here and look at some of the stuff over here it's -- rust. Those rust that's on this the signed here or there is rusted old the king. Paint that fell one and it. And also want to draw attention to this site also. And here we get submitted these thousands of dirt and stuff that's going on here. Especially these little bolts off them both but these so -- Both the two things ironically for you now. And create new file. And you'd -- let's that's me that's nice I mean make it recognized six the by a Lebanese idol numbers because. -- Pixels. In the minds sixty. By a you -- eight and ninety. Good numbers right. Okay and and we had to file. So let's start with those little bolts in those -- on the side. I've put everything into what may I -- it into my layers up the bad. And create a layer right here they -- to. File back here muted excitement clothes there and -- here anymore. Okay no big it's gonna pick up a lot of memory in the background things -- we know that. Cell right here I had this there. And I pretty much creativity movement and that's gonna create one big giant shape right here we're just going to serve as. A piece of -- And right here I do another -- it would be ordered a little cross being. Effect that. Now being a path I can easily go in there and modify or do anything to do with the fix it. Over there and say -- enough say. And -- do it first create. A panel we hear from select this path and say make this election. Now -- in my analytical earlier wall. Given. And a photo of a a caller. A cabinet political reform that great there. Because it's gonna happen yet another layer they have a texture. This layer is well and actually create. Material. These things can be made up. Well. In that extra layer. And fill the hole there with a nice colonists got some tones that's at a kind of like me. My page color like that going to a darker version of that same color me. Here and it looks good throat is gradient right through there."

" On kind of a gradient. Reflected -- suspect that. Fragment which make the darker -- the more areas very nice kind of -- ingredient. -- use the texture. Now the pictures kind of got rough and the pain right so I have a texture right here under texture have extra -- Which I love to use the sandstone mode that will there. We're in but he put the dollar to come up there it is right now it's that the burlap. Your stance -- right there. And don't bring up the scaling that really big. Chunks of it and bring down the relief. Not so strong Estes off kind of a texture right there and the like becoming found that the data top right it needs direction. That go okay I've got this texture. Don't get that technical and you of the few times -- off right here and I'm going to put it right here with the wall little. Right now then pick the wall itself. And give it a layer style. Little -- on the books. At that the light coming from this direction here. We'll make him a strong. War the eyes and softened up. And I thought to have as little round equality. But that. Click okay so we could really -- My background here and I'm gonna fill it with the background color there ago there that now. All right for now. -- create another layer right here. Right above these two. Well my background -- doing -- visible and that there but I want to keep my current provisional two layers intact. So I'm going to do it I'm gonna hold down my option open that he and say -- visible. What that does is it merged those two layers into the assembly -- but he -- the original -- and back. He -- there I can now take that second there and move over just a little bit to decide you like that and put it back. Again it is little space in between now. Back that I still have my -- as a separate layer I can now move back as you right here. Got a real similar book right there all the way -- the exact duplicate that by being able to move that text are now. I go ahead and move in the texture by itself right -- that -- have now broken way on that similarity between those two. Effect I'm also gonna go in there and I'll give that wall. Drop shadow of the little drop shadow inside. Drop data right there which I'm going to turn off the global light and had their -- coming from this side here. Over here and if if those shadow and it actually hitting the wrong. One who'd been on the right war. At this point it. Well there you go in the long wall that's what. Again it's gonna give it a little drop shadow. I might mobilize and have gotten fatter right inside and home right inside now remember that we have that little. -- Fit right there. Now are gonna do is I'm gonna create a in the -- right in between these two. Which is where that little angle is going to be exactly who called it angle. Right and there I'm gonna go to my capitalists -- let that -- A path right there and make a selection. And but it would that same tone or any thought it doesn't matter because what's going to happen is that it is gonna have that second -- The second factor we're gonna bring down here and flip it with that little angle now it's inside there. We give that there. A layer style as well. Into the layers how's Angel gonna that fame Babylon bought. And we'll make it a little stronger and move larger. And soften it up so it has nice little -- now as well isn't fate now on top of the whole thing I would create a little mobile. In here that little bolt that's holding the thing in place. In a circle that that there. And I -- with a caller. And now we're going to -- out the back. I get rid of the color equipped with a capacity. Put that down to zero. Anything that I do now is gonna generate new pixels -- the capacities -- percent of new pixels will be visible but the original color is god and want to do is give it a Babylon the boss is just like before. Bigger. Softer and a slight drop shadow to it right there. Click okay and that -- right now pretty sharp so I'm simply gonna go there blurred. Gauzy -- it just to soften it up and they would see that now it's suspect that'll both. That's been painted over many times now of the final part the rust. That Russ is eating away -- this pain it's actually the paint peeling away so. -- going to get them close rust got a nice aren't right on I got my foreground. Background I'll pick a -- deep brown like that. And those two -- and get my -- question to -- about that one right if 46 right now going to be a streak. So I go to my question him. My question and an adult variety. And going to regularly with spacing on the -- fit the space right now with little pattern there. Eliminate that pattern going to my shape dynamics -- maternal and pressure and that biologists eyes. It changes aside from that the that and the angle -- ones -- changing angle now I have that nice variety happening. -- had a little color than a mystical between the foreground and background which right now that brown. Okay -- and I would get but he -- And and that layer that created an ongoing at start drawing a little bit of rust as well right there make the brush a little smaller. And opening Russell on the edge of the of the the ball there and -- them over here but this is you in that he's right behind the paint. I'm gonna give the layer with us on my staff give it a little inner shadow. Inner shadow. Make that in the shadow impact it's about maybe new and the size may be -- And make it much stronger I get this little dark edged out to my idea by Russell I'd start to draw stuff and had a nice little edge to it. -- to -- more rust here and there it looks like being eaten away from the actual. He's a metal and the little holes inside. The it. I hope you got something bad now remember you might never have to do something exactly like this but it's the techniques that would involve the steps to -- and result. Okay so that's what I want to concentrate on because it might be something totally different. Using different colors my have a whole different thing except -- You using a different texture of your that the material that is heavily painted that battle and so with the technique that involved. The end result I hope you've learned something from today's show. Vote next show showing you some more stuff in meantime with the -- want to see in particular that -- that at the -- vision via com. Files and I've been using on shows are available for download at. Vision three full with that pixel perfect. -- play the way to learn. On -- In Mexico."

" It's."

" Hi welcome to another episode of perfect beeper on. -- to show that talked about my patent game. Shall I do the same thing close it off now and the last time. You with -- Damon. Now I have audio on my screen and yeah my little Wacom and T which I actually love working things that make so much easier it's kind of like. Working to relatives they trained if you look at my hand -- movie screen. Much better way of working who have more relaxed more accurate. Rather than looking at the screen having him here on the side and Cuba -- mean and that's something that about that hand eye coordination. It would look at hand that we. Now I wanna draw attention to it its -- textures veterans and I'm gonna post over here where earlier this little sign on the edge over here and look at some of the stuff over here it's -- rust. Those rust that's on this the signed here or there is rusted old the king. Paint that fell one and it. And also want to draw attention to this site also. And here we get submitted these thousands of dirt and stuff that's going on here. Especially these little bolts off them both but these so -- Both the two things ironically for you now. And create new file. And you'd -- let's that's me that's nice I mean make it recognized six the by a Lebanese idol numbers because. -- Pixels. In the minds sixty. By a you -- eight and ninety. Good numbers right. Okay and and we had to file. So let's start with those little bolts in those -- on the side. I've put everything into what may I -- it into my layers up the bad. And create a layer right here they -- to. File back here muted excitement clothes there and -- here anymore. Okay no big it's gonna pick up a lot of memory in the background things -- we know that. Cell right here I had this there. And I pretty much creativity movement and that's gonna create one big giant shape right here we're just going to serve as. A piece of -- And right here I do another -- it would be ordered a little cross being. Effect that. Now being a path I can easily go in there and modify or do anything to do with the fix it. Over there and say -- enough say. And -- do it first create. A panel we hear from select this path and say make this election. Now -- in my analytical earlier wall. Given. And a photo of a a caller. A cabinet political reform that great there. Because it's gonna happen yet another layer they have a texture. This layer is well and actually create. Material. These things can be made up. Well. In that extra layer. And fill the hole there with a nice colonists got some tones that's at a kind of like me. My page color like that going to a darker version of that same color me. Here and it looks good throat is gradient right through there."

" On kind of a gradient. Reflected -- suspect that. Fragment which make the darker -- the more areas very nice kind of -- ingredient. -- use the texture. Now the pictures kind of got rough and the pain right so I have a texture right here under texture have extra -- Which I love to use the sandstone mode that will there. We're in but he put the dollar to come up there it is right now it's that the burlap. Your stance -- right there. And don't bring up the scaling that really big. Chunks of it and bring down the relief. Not so strong Estes off kind of a texture right there and the like becoming found that the data top right it needs direction. That go okay I've got this texture. Don't get that technical and you of the few times -- off right here and I'm going to put it right here with the wall little. Right now then pick the wall itself. And give it a layer style. Little -- on the books. At that the light coming from this direction here. We'll make him a strong. War the eyes and softened up. And I thought to have as little round equality. But that. Click okay so we could really -- My background here and I'm gonna fill it with the background color there ago there that now. All right for now. -- create another layer right here. Right above these two. Well my background -- doing -- visible and that there but I want to keep my current provisional two layers intact. So I'm going to do it I'm gonna hold down my option open that he and say -- visible. What that does is it merged those two layers into the assembly -- but he -- the original -- and back. He -- there I can now take that second there and move over just a little bit to decide you like that and put it back. Again it is little space in between now. Back that I still have my -- as a separate layer I can now move back as you right here. Got a real similar book right there all the way -- the exact duplicate that by being able to move that text are now. I go ahead and move in the texture by itself right -- that -- have now broken way on that similarity between those two. Effect I'm also gonna go in there and I'll give that wall. Drop shadow of the little drop shadow inside. Drop data right there which I'm going to turn off the global light and had their -- coming from this side here. Over here and if if those shadow and it actually hitting the wrong. One who'd been on the right war. At this point it. Well there you go in the long wall that's what. Again it's gonna give it a little drop shadow. I might mobilize and have gotten fatter right inside and home right inside now remember that we have that little. -- Fit right there. Now are gonna do is I'm gonna create a in the -- right in between these two. Which is where that little angle is going to be exactly who called it angle. Right and there I'm gonna go to my capitalists -- let that -- A path right there and make a selection. And but it would that same tone or any thought it doesn't matter because what's going to happen is that it is gonna have that second -- The second factor we're gonna bring down here and flip it with that little angle now it's inside there. We give that there. A layer style as well. Into the layers how's Angel gonna that fame Babylon bought. And we'll make it a little stronger and move larger. And soften it up so it has nice little -- now as well isn't fate now on top of the whole thing I would create a little mobile. In here that little bolt that's holding the thing in place. In a circle that that there. And I -- with a caller. And now we're going to -- out the back. I get rid of the color equipped with a capacity. Put that down to zero. Anything that I do now is gonna generate new pixels -- the capacities -- percent of new pixels will be visible but the original color is god and want to do is give it a Babylon the boss is just like before. Bigger. Softer and a slight drop shadow to it right there. Click okay and that -- right now pretty sharp so I'm simply gonna go there blurred. Gauzy -- it just to soften it up and they would see that now it's suspect that'll both. That's been painted over many times now of the final part the rust. That Russ is eating away -- this pain it's actually the paint peeling away so. -- going to get them close rust got a nice aren't right on I got my foreground. Background I'll pick a -- deep brown like that. And those two -- and get my -- question to -- about that one right if 46 right now going to be a streak. So I go to my question him. My question and an adult variety. And going to regularly with spacing on the -- fit the space right now with little pattern there. Eliminate that pattern going to my shape dynamics -- maternal and pressure and that biologists eyes. It changes aside from that the that and the angle -- ones -- changing angle now I have that nice variety happening. -- had a little color than a mystical between the foreground and background which right now that brown. Okay -- and I would get but he -- And and that layer that created an ongoing at start drawing a little bit of rust as well right there make the brush a little smaller. And opening Russell on the edge of the of the the ball there and -- them over here but this is you in that he's right behind the paint. I'm gonna give the layer with us on my staff give it a little inner shadow. Inner shadow. Make that in the shadow impact it's about maybe new and the size may be -- And make it much stronger I get this little dark edged out to my idea by Russell I'd start to draw stuff and had a nice little edge to it. -- to -- more rust here and there it looks like being eaten away from the actual. He's a metal and the little holes inside. The it. I hope you got something bad now remember you might never have to do something exactly like this but it's the techniques that would involve the steps to -- and result. Okay so that's what I want to concentrate on because it might be something totally different. Using different colors my have a whole different thing except -- You using a different texture of your that the material that is heavily painted that battle and so with the technique that involved. The end result I hope you've learned something from today's show. Vote next show showing you some more stuff in meantime with the -- want to see in particular that -- that at the -- vision via com. Files and I've been using on shows are available for download at. Vision three full with that pixel perfect. -- play the way to learn. On -- In Mexico."