" Hi and welcome to another episode of pixel -- will be very honored to show her iPhone all kinds of Photoshop illustrator whatever. But today I'm gonna cover up from intricate detail of one of my -- direct truck. Is but a lot of talk about that headlight how did they get it -- so complex how to create that -- complexes looks authority in this show. But first I -- my sponsor godaddy.com. They make it easy to customize your own virtual dedicated server. Two is one of three popular plans a selector only an expo windows server with all the plan options you need. Plus and to cope pixel five when you check out and save an additional ten dollars off and the order of forty dollars and more. Some restrictions apply to dissect the details get you a piece of the Internet -- daddy dot com. Now. The red truck radar screen we see the red truck and its its. I'd like directed at so intricate that this thing here is quite old at this point is actually the second Pena did when I started using this in -- where you. Draw directly on the screen. So. Unlike other images that have so many little petty details of which are made up of bunch of different old paths that fills and so and so forth. This has large areas of it's very organic paint strokes out of Russ lot of damage and K on this old truck so it's just a lot softer and and smooth it has some the other pieces but is the intricacies of that light. That attracted a lot of people's attention. Hello zoom in on this thing here and did you see that sight and out it's not as intricate as seems. You look at it."

" Okay it's a lot of details in there but I don't know which is very simple brush strokes effective regular real close here. To be little highlights those little bright machines into that they're very rough. Brush strokes it's a simple brush where I've gone in there and just. Grown and a bunch of little white tones and so wanted to make it. Look IDs though she's that we see here. And we feel through years to salute all the rust all of these things it -- the simple brush strokes don't circle about. All the other stuff that's going on here. These lines in particular the separations and in the class and all those infections behind the glass all the stuff that would seem there. That's the stuff for want to talk about now. So. And we get real close and -- that the lines themselves have these nice that rounded curves and let's look at the file itself. Disney file of the light this is what I've started easier all the paths here. And it would look at layers and see there's quite a few layers migrated here when we're going to start looking at the the scene for a reflection which right now is turned off those are the elements that I used to create this Chrome in here. That I turn that on we see their right of that there is that we'll seen that is. Inside here but it is that it's created and -- opens up and treaties and so little program that group them all into one single layer that we see there. And it's as simple trees clouds ground. And then I theorize industry rifle that would curb them like that I can -- there. On this side -- simply took a composite of the grill and I sphere rises on this side. Undecideds bulging out undecideds and -- it's because on this side I used 800%. And on this. On the outside you think minus 100 don't want tasted bloated and the other case it pinched. There we see here it is -- for the light itself is pieces all these different parts his reflections and so on. All the lines the inner rim and so so -- come way down to the bottom here. Thank you got the turn signal the base it's just go down here to be up actual light itself. And which -- turn on that one. Those circle there that is blue circle and that is a bunch of things that got built into it does it the Chrome area and on the start turning things on there is C. It's theorized. As seen this little reflection of the vendor is a little edge. It just pops up there is some real spectacles poses little cleanest it just appears on top from the warned Chrome is of the grill on that side. It is the bottom areas to some grave. Total missed some light home that just covers the whole area as though rim highlight. Is just a little edge Libya where the ball that's gonna happen. And there is the little clamp but the bottom. And it little piece it's -- by that at the time you stand there. We'll be in a rim. That's his gray area -- in rim of the lamp and here's the lamp itself. Inside there it is all these additional pieces that get added later so -- there and start creating those pieces for you. Create new file here. And."

" Let's just and later. We'll create the a simple circle you have to go pretty encircled just like so. And I'm an affiliate in with with white now the color better you use. Automatic has basically what's happening is that this is just gonna be split everything else its gonna go in there. So. It's a those little lines such -- going to create some pass I'm going here and create this little shape like that but I Canada. This to a few more as another one. It is when there. And another come down here. And I can actually just duplicate these this way but the angle is slightly different each time so what does meet -- there. Going to be the same dollar gold here draw a couple going this way. And it's just copy goes across it has to another one here. And -- there. Another one there could be a little lines these little lines that separate. The job. The little cuts in in the class but the thing is I'm not going to create those lines here I'm gonna go into. My path I'm gonna go to create a alpha channel. And then yourself account this is where I'm going to actually create this shapes of the lines -- posting here now this is technique that I used. A long time ago another episode to going to irritate tax and rounded out instead of having a hard edges of the text I -- them out. Because that's what I need to do here and you get those little round edges so want to do is gonna get a right brush. And I'll get a very shape let's just going to get hearted prospectus stated that go -- mine there ago nine that's a good sides. Right so I got my paths -- the paths and since I mean the brush. I have the brushed select that I had the size and the cause like I go ahead and say stroke. It's stroked it like that -- look at that protection meatloaf dinner on barenaked. Let's go with a about a six that's even better it's going there and stroke it that's much nicer. -- to strokes but see that they're square to -- squared off right in there. Hard edged and in the pinging their rounded they have these kinds of rounded edges and here. So when I'm going to do is I'm gonna take this channel and I'm going to -- It would be and given a Ghazi ambler. Not that much which is going to just you have to get that round this I'm looking foresee is that -- that I want. There two point nine favorites even up to a -- three. Click okay. Now I've got the rounded edges that I want and need them to be hard. So are going to my levels. And levels I'm gonna go in and start to tighten up those lines that I got the salt that -- goin' in just to bring in in my dark tones -- a bit -- it. Hundreds about data tense because I want -- I bring in my white tones and start to meet. It's coated -- closer that's about the size that I want right about there that's good so now going to bring these guys in. Until they just about touching each other there ago. And I got a little rounded edges -- my lines. Through the shapes that I want. Estimate I want to be a little -- center's gonna push for blacks in the little more. Those -- out. Does it out just a little I click okay and now have the shapes that I want the lines with a little curves. Each corner. Now I go to my the mayor here tonight create a new layer. In this there. And that's the start adding some call. I got the display here that I have the the these shape. And let's see this one guy myself here. And we're really close and that's why -- ago. So it'll later on top of that I'm gonna throw little gradient in this so let's let's pick some callers to say we get a job. Kind of us -- do like that. In the foreground from background you'll get a kind of they'd be easy to own and then along this line here. And pages or so I'll throw the gradient in there. And it's just over -- great breakthrough here and that there now I'm going to clip it. With that shape of the Bob. Now we have this was shape there are now in this layer on top is that Leo I'm gonna put my lines affect its -- that line so we know where we are. There it is lines and and that later on the lines I will load my alpha channel. All of -- my community. Which is controller PC and just click on it right there and have them -- just click on it and there's my lines in place now. Everything has agreed to an end -- solid tone Freddy v.s and it's going narrative picks and -- sick it is. Kind of a dark -- like that. And for the background or pick a darker gray. See about like that and inside those shapes for the lines I'm an appropriate and there. Though gradient right through there. We can do -- select the now there's the lines that we're going to be using it and there. There's my lines. Now other things can be done inside there which I did like -- let's pull back just a little. And in the lines -- block the transparency on them and I went there with my dodge burn tools and it has added a couple of highlights here and there but there will put little burned down here. Other branches to have additional little reflections happening to those lines. Now -- all that weird stuff happening between. There's a couple of ways in which I could do that would create a layer behind this layer. Well I'm a community. I clicked the new layer and that creates a new layer underneath. The currently selected letter. There there -- to say we'll put in Selma. Quotes strikes. You know little stripes of of white that when we're going through there so -- only to do is using white. Com logo in here and get a paintbrush. And that is going to solve that brush like this -- is gonna draw some lines gone right across like this there ago. Nothing fancy just some rough lines now I'm gonna go in there and start of these lines in different ways that is a lot of different ways of doing this thing. I'm gonna show you two different ways. What you choose it all depends on what -- particular pieces and what kind of -- trying to get. But one way of doing this but it would be an on the duplicate this that we see -- of -- When off in his copy here while way to do it would be to take the good old fashioned smudge tool the smudge tool wouldn't make a little bigger here. And I went into each area and I just -- little push like that. As you can see happen right to edit it. When there just gave each one and I'm a little push and that's and that's specific area the golden ears are getting all those little wavy things that you saw. I just went off and use. This one here. This was very little different when I'm going to do here. Is -- liquefied command to do that. Of liquefied give me all kinds of other options to going to distort things so to get this look right when want to -- I'm going to select. And it -- might. -- line means the Lyon -- right here into election. Make it. The lines is elected when I'm gonna do is an estate in verse in verse that way. The spaces in between the lines is selected as designed in the layer with the stripes that's still there it's going to be effective when I'm going to liquefy. Not going to liquefied. And here's liquefied. And I can zoom in on this let's get to a close is -- because he was going on and out -- shown little backgrounds we have moved homes that we could see was going on now you notice there's an organic -- mask. The Red Line. "

" The area that's. Selected right now is is red. That's the area it's protected and the area exposed in between is what we see -- lines so you record used the little warp tool. The same way that was doing it before pushing little thing or maybe it does -- a little turbulence tool get a bigger brush here. A much bigger -- just affect. Meaning that they. A camera affecting various individually yes that it it can see that they're just twisting them around and so on and so what I've been doing -- noting that little what ever. Click okay and there they conceal these little distortions happened now you know -- it was selected it automatically is going up on those little edges when -- that the little turbulence in effect these areas or together and they are conforming inside of those. We'll selected area. So many ways distorting news to and I've constrained where it's going to be distorted taken control exactly how everything's going to happen. Then inside here they were all these other. There is the whole different other tones and so and so forth and little voice on top of the little. Draining us that was a very simple they would have done many times on the show and that is to say we focus there with a little black. And we'll give -- some noise -- noise. -- a lot of noise. That and introduce a little bit of great I just don't little blurb more about it I've got this -- go to my levels. And levels I could just go in there and reduce the amount of noise. Bring this up I got these little tiny sparkles like that. In a few more and here. It ties pickles and I and great resumed and on this but putting that there on. Screen mode there and and bring down capacity I have all my little tiny sparkles. Of the -- and so. That is a lot of steps that went into there. The complexity of the truck. And of that truck there's a lot of other things going on in here we're getting close. And start -- around you see all of a little distortions. All the little things a little effects you can see that that was the liquefy filter in a case like cut down here. Pushing those guys down. All the different areas his distort the liquefied. All these different guys were affected and again you see that the highlights are just very simple very news brush strokes that edit all these little white highlights here and there. He might it was zoomed in on this. On come down and look at the overall painting does such a tiny little area of the overall image that when he gets printed. Answers to clean up even more."

" Popular something from that it was a whole bunch of stuff going on there how you apply to your particular work depends on new. All right he's just techniques. Remember what I would say changing color here and there are changing. Mode won't totally changed await the final outcome will be. Just questioned going in their plane with this stuff. See what it can do experiment and don't be afraid of program I'm gonna die and yet the risk have been able. Unexpectedly quit. That's it is reboot again -- smoke on that he machine than that something else wrong. Not gonna hurt Photoshop is going to push buttons to your heart's content and see what happens. If there's anything you'd like to see on the show. Should -- mail me at -- revision3.com. You can also talk about stuff related to show where outlook for more episode ideas by going into the pit -- perfect forums -- revision3.com. Slash. -- Popular -- something that and done. I hope to see you next week."

" Hi and welcome to another episode of pixel -- will be very honored to show her iPhone all kinds of Photoshop illustrator whatever. But today I'm gonna cover up from intricate detail of one of my -- direct truck. Is but a lot of talk about that headlight how did they get it -- so complex how to create that -- complexes looks authority in this show. But first I -- my sponsor godaddy.com. They make it easy to customize your own virtual dedicated server. Two is one of three popular plans a selector only an expo windows server with all the plan options you need. Plus and to cope pixel five when you check out and save an additional ten dollars off and the order of forty dollars and more. Some restrictions apply to dissect the details get you a piece of the Internet -- daddy dot com. Now. The red truck radar screen we see the red truck and its its. I'd like directed at so intricate that this thing here is quite old at this point is actually the second Pena did when I started using this in -- where you. Draw directly on the screen. So. Unlike other images that have so many little petty details of which are made up of bunch of different old paths that fills and so and so forth. This has large areas of it's very organic paint strokes out of Russ lot of damage and K on this old truck so it's just a lot softer and and smooth it has some the other pieces but is the intricacies of that light. That attracted a lot of people's attention. Hello zoom in on this thing here and did you see that sight and out it's not as intricate as seems. You look at it."

" Okay it's a lot of details in there but I don't know which is very simple brush strokes effective regular real close here. To be little highlights those little bright machines into that they're very rough. Brush strokes it's a simple brush where I've gone in there and just. Grown and a bunch of little white tones and so wanted to make it. Look IDs though she's that we see here. And we feel through years to salute all the rust all of these things it -- the simple brush strokes don't circle about. All the other stuff that's going on here. These lines in particular the separations and in the class and all those infections behind the glass all the stuff that would seem there. That's the stuff for want to talk about now. So. And we get real close and -- that the lines themselves have these nice that rounded curves and let's look at the file itself. Disney file of the light this is what I've started easier all the paths here. And it would look at layers and see there's quite a few layers migrated here when we're going to start looking at the the scene for a reflection which right now is turned off those are the elements that I used to create this Chrome in here. That I turn that on we see their right of that there is that we'll seen that is. Inside here but it is that it's created and -- opens up and treaties and so little program that group them all into one single layer that we see there. And it's as simple trees clouds ground. And then I theorize industry rifle that would curb them like that I can -- there. On this side -- simply took a composite of the grill and I sphere rises on this side. Undecideds bulging out undecideds and -- it's because on this side I used 800%. And on this. On the outside you think minus 100 don't want tasted bloated and the other case it pinched. There we see here it is -- for the light itself is pieces all these different parts his reflections and so on. All the lines the inner rim and so so -- come way down to the bottom here. Thank you got the turn signal the base it's just go down here to be up actual light itself. And which -- turn on that one. Those circle there that is blue circle and that is a bunch of things that got built into it does it the Chrome area and on the start turning things on there is C. It's theorized. As seen this little reflection of the vendor is a little edge. It just pops up there is some real spectacles poses little cleanest it just appears on top from the warned Chrome is of the grill on that side. It is the bottom areas to some grave. Total missed some light home that just covers the whole area as though rim highlight. Is just a little edge Libya where the ball that's gonna happen. And there is the little clamp but the bottom. And it little piece it's -- by that at the time you stand there. We'll be in a rim. That's his gray area -- in rim of the lamp and here's the lamp itself. Inside there it is all these additional pieces that get added later so -- there and start creating those pieces for you. Create new file here. And."

" Let's just and later. We'll create the a simple circle you have to go pretty encircled just like so. And I'm an affiliate in with with white now the color better you use. Automatic has basically what's happening is that this is just gonna be split everything else its gonna go in there. So. It's a those little lines such -- going to create some pass I'm going here and create this little shape like that but I Canada. This to a few more as another one. It is when there. And another come down here. And I can actually just duplicate these this way but the angle is slightly different each time so what does meet -- there. Going to be the same dollar gold here draw a couple going this way. And it's just copy goes across it has to another one here. And -- there. Another one there could be a little lines these little lines that separate. The job. The little cuts in in the class but the thing is I'm not going to create those lines here I'm gonna go into. My path I'm gonna go to create a alpha channel. And then yourself account this is where I'm going to actually create this shapes of the lines -- posting here now this is technique that I used. A long time ago another episode to going to irritate tax and rounded out instead of having a hard edges of the text I -- them out. Because that's what I need to do here and you get those little round edges so want to do is gonna get a right brush. And I'll get a very shape let's just going to get hearted prospectus stated that go -- mine there ago nine that's a good sides. Right so I got my paths -- the paths and since I mean the brush. I have the brushed select that I had the size and the cause like I go ahead and say stroke. It's stroked it like that -- look at that protection meatloaf dinner on barenaked. Let's go with a about a six that's even better it's going there and stroke it that's much nicer. -- to strokes but see that they're square to -- squared off right in there. Hard edged and in the pinging their rounded they have these kinds of rounded edges and here. So when I'm going to do is I'm gonna take this channel and I'm going to -- It would be and given a Ghazi ambler. Not that much which is going to just you have to get that round this I'm looking foresee is that -- that I want. There two point nine favorites even up to a -- three. Click okay. Now I've got the rounded edges that I want and need them to be hard. So are going to my levels. And levels I'm gonna go in and start to tighten up those lines that I got the salt that -- goin' in just to bring in in my dark tones -- a bit -- it. Hundreds about data tense because I want -- I bring in my white tones and start to meet. It's coated -- closer that's about the size that I want right about there that's good so now going to bring these guys in. Until they just about touching each other there ago. And I got a little rounded edges -- my lines. Through the shapes that I want. Estimate I want to be a little -- center's gonna push for blacks in the little more. Those -- out. Does it out just a little I click okay and now have the shapes that I want the lines with a little curves. Each corner. Now I go to my the mayor here tonight create a new layer. In this there. And that's the start adding some call. I got the display here that I have the the these shape. And let's see this one guy myself here. And we're really close and that's why -- ago. So it'll later on top of that I'm gonna throw little gradient in this so let's let's pick some callers to say we get a job. Kind of us -- do like that. In the foreground from background you'll get a kind of they'd be easy to own and then along this line here. And pages or so I'll throw the gradient in there. And it's just over -- great breakthrough here and that there now I'm going to clip it. With that shape of the Bob. Now we have this was shape there are now in this layer on top is that Leo I'm gonna put my lines affect its -- that line so we know where we are. There it is lines and and that later on the lines I will load my alpha channel. All of -- my community. Which is controller PC and just click on it right there and have them -- just click on it and there's my lines in place now. Everything has agreed to an end -- solid tone Freddy v.s and it's going narrative picks and -- sick it is. Kind of a dark -- like that. And for the background or pick a darker gray. See about like that and inside those shapes for the lines I'm an appropriate and there. Though gradient right through there. We can do -- select the now there's the lines that we're going to be using it and there. There's my lines. Now other things can be done inside there which I did like -- let's pull back just a little. And in the lines -- block the transparency on them and I went there with my dodge burn tools and it has added a couple of highlights here and there but there will put little burned down here. Other branches to have additional little reflections happening to those lines. Now -- all that weird stuff happening between. There's a couple of ways in which I could do that would create a layer behind this layer. Well I'm a community. I clicked the new layer and that creates a new layer underneath. The currently selected letter. There there -- to say we'll put in Selma. Quotes strikes. You know little stripes of of white that when we're going through there so -- only to do is using white. Com logo in here and get a paintbrush. And that is going to solve that brush like this -- is gonna draw some lines gone right across like this there ago. Nothing fancy just some rough lines now I'm gonna go in there and start of these lines in different ways that is a lot of different ways of doing this thing. I'm gonna show you two different ways. What you choose it all depends on what -- particular pieces and what kind of -- trying to get. But one way of doing this but it would be an on the duplicate this that we see -- of -- When off in his copy here while way to do it would be to take the good old fashioned smudge tool the smudge tool wouldn't make a little bigger here. And I went into each area and I just -- little push like that. As you can see happen right to edit it. When there just gave each one and I'm a little push and that's and that's specific area the golden ears are getting all those little wavy things that you saw. I just went off and use. This one here. This was very little different when I'm going to do here. Is -- liquefied command to do that. Of liquefied give me all kinds of other options to going to distort things so to get this look right when want to -- I'm going to select. And it -- might. -- line means the Lyon -- right here into election. Make it. The lines is elected when I'm gonna do is an estate in verse in verse that way. The spaces in between the lines is selected as designed in the layer with the stripes that's still there it's going to be effective when I'm going to liquefy. Not going to liquefied. And here's liquefied. And I can zoom in on this let's get to a close is -- because he was going on and out -- shown little backgrounds we have moved homes that we could see was going on now you notice there's an organic -- mask. The Red Line. "

" The area that's. Selected right now is is red. That's the area it's protected and the area exposed in between is what we see -- lines so you record used the little warp tool. The same way that was doing it before pushing little thing or maybe it does -- a little turbulence tool get a bigger brush here. A much bigger -- just affect. Meaning that they. A camera affecting various individually yes that it it can see that they're just twisting them around and so on and so what I've been doing -- noting that little what ever. Click okay and there they conceal these little distortions happened now you know -- it was selected it automatically is going up on those little edges when -- that the little turbulence in effect these areas or together and they are conforming inside of those. We'll selected area. So many ways distorting news to and I've constrained where it's going to be distorted taken control exactly how everything's going to happen. Then inside here they were all these other. There is the whole different other tones and so and so forth and little voice on top of the little. Draining us that was a very simple they would have done many times on the show and that is to say we focus there with a little black. And we'll give -- some noise -- noise. -- a lot of noise. That and introduce a little bit of great I just don't little blurb more about it I've got this -- go to my levels. And levels I could just go in there and reduce the amount of noise. Bring this up I got these little tiny sparkles like that. In a few more and here. It ties pickles and I and great resumed and on this but putting that there on. Screen mode there and and bring down capacity I have all my little tiny sparkles. Of the -- and so. That is a lot of steps that went into there. The complexity of the truck. And of that truck there's a lot of other things going on in here we're getting close. And start -- around you see all of a little distortions. All the little things a little effects you can see that that was the liquefy filter in a case like cut down here. Pushing those guys down. All the different areas his distort the liquefied. All these different guys were affected and again you see that the highlights are just very simple very news brush strokes that edit all these little white highlights here and there. He might it was zoomed in on this. On come down and look at the overall painting does such a tiny little area of the overall image that when he gets printed. Answers to clean up even more."

" Popular something from that it was a whole bunch of stuff going on there how you apply to your particular work depends on new. All right he's just techniques. Remember what I would say changing color here and there are changing. Mode won't totally changed await the final outcome will be. Just questioned going in their plane with this stuff. See what it can do experiment and don't be afraid of program I'm gonna die and yet the risk have been able. Unexpectedly quit. That's it is reboot again -- smoke on that he machine than that something else wrong. Not gonna hurt Photoshop is going to push buttons to your heart's content and see what happens. If there's anything you'd like to see on the show. Should -- mail me at -- revision3.com. You can also talk about stuff related to show where outlook for more episode ideas by going into the pit -- perfect forums -- revision3.com. Slash. -- Popular -- something that and done. I hope to see you next week."