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Add Magic to Photoshop

Monday, August 4th, 2008 – running time 23:14
 Add Magic to Photoshop
This week, Bert gets in touch with his Medieval side when creating an enchanted dagger from scratch.

In a two part episode, Bert shows us how to create an enchanted dagger and cover. This week, Bert begins by making the enchanted dagger's majestic handle.

Bert creates the shape of the dagger by using the pen tool as a mask. Bert adds texture to the main body of the handle (to create a pearl effect) by using various filters, such as Filter-Render-Fibers (adjusting variance and strength), Filter-Blur-Gaussian Blue, Filter-Blur-Motion Blur, inner shadow layer style and dodge tool for a lightened edge.

To create the golden tip of the handle, Bert creates a new layer and makes the shape using the elliptical tool, filling it with a golden color. To add various tones to the tip, Bert uses the dodge and burn tool.

For the side handles, Bert creates the shape using the pen tool as a mask, filling it with a golden color and implementing various effects. Bert duplicates the layer to add dimension and uses the Satin layer style, dodge and burn tool and filter-blur-gaussian blur (to remove the hard edge of the top layer)

To make a gem for the dagger, Bert creates a small red circle, adds noise (filter-noise) and adds a crystal effect (filter-pixilate-cystalize) and drop shadow layer style.

FInally, Bert adds a symbol for the handle using an image previously made in Illustrator and adjusting the opacity, and adding a bevel/emboss and inner shadow layer style.

Don't forget to design and e-mail Bert a background for our green screen! Please send a jpg design with size 1280x720 pixels

No transcript created yet. Check back soon.

mari1ee

Started discussion: August 4, 2008 @ 11:26am GMT

Episode 94 - Add Magic to Photoshop [Discussion]

This week, Bert gets in touch with his Medieval side when creating an enchanted dagger from scratch.

Watch or download the episode here.

geeko321
11 months ago

Celtic knotwork design

Bert,

I know for sake of time you had to just breeze past that Celtic knotwork design that you made in Illustrator, but that really intrigued me. I've tried to do Celtic designs such as that in Illustrator before, and it has been incredibly difficult and time consuming.

Can you please show us how to do that in one of your future episodes?

-Greg Warner
Smeerkaas
11 months ago
Great episode. Bert really knows his stuff.

On the production side of the story:
I was irked by the background noise in this show. Some sort of hum/pitch. In a professional studio such things should not happen. However I'd pick the hum over the noise gating as used a while back any day.

I do have a positive note: I liked the little Bert in the lower right hand corner.
It's cool to see mini-Bert perform an action and see it happen on the big screen next to him perfectly synced!
Johnosullivan
11 months ago
Love these kinds of shows where Bert comes up with new ideas. Its not even so much the tutorial any more, but seeing the things he makes and the techniques he uses that I love. These shows and the ones where he talks about how he made his own commercial work are definately my favourite ones.

With regards to the background hum, that was not really that noticable to me, and I think that, as I montioned in an earlier thread, the production is now brilliant. As you said, showing Bert in the bottom corner was a nice touch

PS: geeko321, Ive attached a simple sketch that i did a while back ind scanned into the computer. The way I did this was by drawing the pointed part first, then intertwining the rounded one second, erasing where it overlapped. I then re-drew it using a black pen. I rotated it onto its side so that it can be viewed on one page without having to scroll down. Hope this helps.

geeko321
11 months ago
Thanks, but I wanted to know how to do it in Adobe Illustrator.
viewlife
11 months ago
i can't understand the difference between photoshop and illustrator when we want to create a shape, it has better quality?
Johnosullivan
11 months ago
Basically, the difference is that Illustrator uses vector based images, as opposed to pixels which are used in Photoshop. If you expand an image that is pixel based, it will blur, whereas if you expand a shape made in Illustrator, there will be no blurring. I THINK it uses mathematics to generate the expanding image. If im wrong, someone please let me know.

John
silentspyder
11 months ago
Good episode but I almost stopped watching because of a production thing. I figure the Rev3 staff must be tired of hearing us complain but here it goes. I find the little corner Bert to be distracting when he's doing something. To keep it simple I think the camera should be on Bert when he's only talking and on screen when he's doing something. Combining the 2 makes it harder to concentrate.
ArcLight
11 months ago
Mini-Bert caused me no problems. I think it works pretty well.
darktiki101
11 months ago
In reply to Smeerkaas:
Great episode. Bert really knows his stuff.

On the production side of the story:
I was irked by the background noise in this show. Some sort of hum/pitch. In a professional studio such things should not happen. However I'd pick the hum over the noise gating as used a while back any day.

I do have a positive note: I liked the little Bert in the lower right hand corner.
It's cool to see mini-Bert perform an action and see it happen on the big screen next to him perfectly synced!

I would agree. The compression on the audio is also a little harsh. There are a lot of artifacts. Is better to have a little noise in the background than the quick cuts in-between speech. There is also a ground hum visible in the monitor.
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