" Hi and welcome to pick the perfect Whitney -- on British show where all kinds of things can happen. -- started the space and both the house sponsor godaddy.com. Domain names from Kodak dot com are up to 70% lessen competition plus each domain includes free hosting with a website builder a free blog. Complete email and so much more pleasant to code pixel five when you check out and save an additional ten dollars off any order reported dollars and more. Some restriction applies to decide the details particular piece of the Internet ad code daddy dot com. And if you want to check out other Photoshop tutorials. Go to our website revision3.com. Slash pixel perfect and watch past episodes has quite a few of them out there right now all the ones -- we're back to be getting. -- let's get started. Today Allen do something. Kind of weird I'm gonna do and high. I did a lot of things that go into creating and I. You'd look at -- you see all these little lines -- things going on there but we're not gonna do those regular everyday Google guys unity now. We're gonna do something evil. So -- I got. This nice blank screen right here and -- to create."

" And I'm gonna start with the actual -- Yeah and and create a nice big circle right has sent them home and on my option key to drop in the -- out and my shift key to get a perfect circle. Now you remember everything goes into -- mutilated. And that's where the eyeballs and go to San Francisco and here and on the go ahead Philip. Don't get another layer on top of that that black mayors gonna serve as my blue backgrounds and adding that he's will go right into that area. So this one I'm gonna pick a different -- let's -- nice kind of an orange color like that a pleasing color and on the go ahead and drop it in there. Now there's RRI okay. To the big aren't circle who litigants and noise. Go to there and say noise. Add noise and and give it a lot of noise a lot of noise to stay in the monochromatic green so it's going to keep those -- tones that aren't there. And I bring that just a little aerial. Click OK another I have all that noise going on there. I'm gonna make it all streak out. Another -- here. -- radial blur. That brings on real legacy of those two modes for it is to methods spin. And zoom I'm gonna click on zoom and -- a little weird little preview here but it tells what's going on and put them out all the way to on the -- you can see what happens. When it click okay. You can see what happened to our -- So now we get this streaking effect and that dark ads on the sides at that black guy underneath showing through and now. That's not good enough it's just a bunch of lines of you to look at your eyes it's in little circles -- that would bring this into the liquefy. And liquefied. I'm gonna take the -- vote will right here at a at a much smaller brush have been my sides first down to little more manageable. Product that may be a little smaller and that might. In my idea open and closed bracket keys and make it smaller and I was just going it just like to touch little."

" There is here to get these weird little shapes happening in there -- is the loading up little areas. Noting out creating these little wobbly. Circles and there. That's gonna create quite a few. New ones is I'd be really weird looking. Such is going in there and creating all these little wells and side like that. Now you notice is the edges like there's slightly transparent that's because at that black showing through -- when -- click okay. We have that going all right so now. -- select it going there and give this -- nice kind of glow going to give -- an inner -- nice strong and it goes that yellow let's go with Vietnamese home. Go the green light that they and we increased the size on that. Like that and maybe yeah. That's saturation so we'll multiply do delicate cargo of the dark green -- in there aren't enough. I don't we have that going on and click okay. Now going to create. The little pupil. In another later of these layer I take my pencil on the start red appear at the top. Pull out of mice handle -- to the bottom here pull out of him going out. Hold on my option key to redirect to handle going out from that point still holding that option key. I can close it can be an Independent panel on top so not going there and adjust those. Now does in bad shape there's people I wanted this is not gonna be your normal gougne this is a weird. OK so now. We'll go back to black. And in that they -- in fact it's called it -- to start. Seeing what these layers are I would think that path and go ahead and -- selected now -- to see what's his eyes and look like here summit go to that I cannot give -- a little a little burden of books. But and out of double. Out of battle to create disk. Nice little kind of at home back here red in there now the white it's too strong so this -- that an orange and kind of an orange color. And see what's happened there it is and it's gonna click okay and the background color and it's made that something little more like a brownish color. Mary go to let's -- and moved darker. There and the now we've got some more dimension in there and it'll magnum dividend inner shadow. But the inner shadow it's black and Lucy and Cecil do is gonna switch to read. Click okay and that -- that -- to normal today is that read read along the -- to increase its just a little bit. So that we get this little red -- inside of the pupil. Click OK that's not look at it. A lot to do now is I'm gonna go here and eternal -- background. And create a layer on top of all of these and the cold as the I -- Net and holding down my option key alt that a PC analysts say -- visible. Natalie held on a key is that you know does that emerged all the layers into that they -- but the originally is remain intact. So now I'm gonna to just go and internal food guide lists or background back months now -- wanted to soften up that is so when you do that look at my water dropped school. -- I gotta kind of hit that outside edge is that that just to soften up that outside edge of our. Mobile there -- to soften that a new ago. I thought. Okay so now. We've created shape for the actual. So here it goes and distance little tone going on here and it's going to come up like that and kind of in there like is going to be really evil. Option pull out -- medical in this way and come down here and close it off about like that in itself. We need to finance does a little we can go in there and pull this down a little. But this up as good as a little more and ethnic group button. -- think that. Closed at just like that all right so let's go there is saved this path want to keep this path of movement saved this person now. Turn off. -- they're creating the skin. So what's gonna happen here is on a layer unstoppable this right here. I'm gonna get a colored my skin that this kind of bringing home here mean and going to -- what that green."

" It's gonna happen here is I'm gonna take that path. Into the election. And that -- they are gonna just knock it out. This is not actually -- my little guy from text to commit a lot of weird things that text. So completely on top of that and that want to -- It. And with -- elected. And that there I'm going to fill that green again. And now those are doing some stuff to this ongoing there and I will give a little texture. Go down the texture Reiser and I've got this sans don't set up -- enough punch up my scaling a bit pungent that we need. -- stronger that that click okay. And I want more I want more -- to give it another texture. -- you're. Written going to air and based on this the setting that got -- that's looking rating scale. -- there -- increased us basing that. A lot of things and then click okay and now we got this -- are going. So now I'm going to distort deserved it. Pull back a little bit. Open this up. And what to bring them capacity just a little bit so I could see the shape that I underneath -- seat. And I know the ice sits second play with this now -- go into. My transform. And go to war and here on the fact that twist and spin around -- can't hold this guy down. Pull this over like that and maybe bring this guy over and I'll -- to kind of start. Playing around tweaking some of these parameters here -- start getting some really weird effects. And that's just going here and it's. With these guys didn't like that. And such as getting all these really weird distortions of -- weird text you pull this in a little bit. Well this line then. So it is getting all of these little. Bends to -- here click OK. All right so now we have that going on I can go in there and cut a hole in this. -- and an on again. Hit delete so now we have a whole and now that other there we could sort of went away we don't need that one anymore. Okay so now being passed back upon its. That we have this isn't cut the whole rather -- ask is because I want it may sound it's gonna -- that shape and there. Go to my latest styles and we'll get -- think bevel and books we can go in there and get a nice -- size. Like that. Size and that white is no good to was gonna get a kind of a ladies mean is that lightning -- that is little later. Okay that looks good and his -- actually that with a black that was pretty cut and make it just a tad bigger. Click okay. Now it's fairly even going across did so I'm gonna do is gonna separate that out of the layers and -- layered layers styles create layers. And create layers it does that it separated from it think that that inner that double right there analytical and it's kind of embrace that part. So we'll go in here and I got my erasers. Size and it was just kind of go in there and we've done highlight is highlight. This racer. -- which is going there and big breasts as it's gonna kind of soften that edge sees a good solution opera there to think that and -- Hewlett as the race a little that's not so even as it was second ago. I think that would at a at a -- just gonna kinda thin it out on the top there it is kind -- comes to a loop point at the edge of the gone back to the skin. I'm gonna take my burn tool. -- to -- to on the start adding some definition to this."

" And going to start to darken up this little area here and maybe it'll kind of -- hint of a live right there and just like that and maybe some bags on the -- like that and get a bigger brush. -- And which is kind of -- some this area down here. And here. Right there under in this. In that part of the guy just like that. That's starting to look pretty evil now the arrival. Behind the -- belonged to hold down my command keys that would create a new layer I get that are both selected. -- it automatically creates -- unit behind. The currently selected there. And -- get that's gotta kind of orange -- like that and let's go to onto a from what these color. It's going to this area them about. That and I throw gradient in that area and select my past. -- selection and I want it to bleed behind this on the net going to and modify that selection and say expand. Expanded by -- five pixels to -- invective. And then later. So and it's free. They -- migrating tool and -- to and the brilliant red that I that. Radio ratings set up to it that there are just now we got that to. Looking good. Now you know what it's the need for little shadow and yeah let's go back to the skin over here. And it's given a little drop shadow. That shattered it's just appeared increased to distance rate there softened up a little bit infinitely past since it's just a little into the shadows inside the united. There ego that shadow going on there click OK now he's got little. To duck thing whatever like this feature would cry or anything but it will go and create loops -- the top here analog and I can color. Ghetto pinkish color more pane. -- quite pink lines but it'll work. And -- work and I'm going here and with a nice sized red -- 45 and create little shape and there does a little (%expletive) like that. Now I'm gonna give that shape a double boss. Increase size so got that kind of -- Fuel to and then when my little smudge tool looked -- until it's gotta kind of we sizes salute it kind of -- it put it into place to I wanted wanted to be like this kind of cushion in there. And with a little. Burn tool I might it'll do more detail to it don't get smaller brush and connect and a couple of -- little sections to it that I that. That's much too that in just kind of pushed us right into that area -- there. That. Okay well justices need one more thing it needs. And I'm anxious. It's -- black. I -- paint brush and small press that say this five -- bigger nine at some good sides. So when go to my impressions here as those guys out. And this -- the shape dynamics but I am gonna go to an other dynamics -- say have a fade. Edit data. So let's say this is saying -- 65. Come over here and start. Just drawing a couple of them right in there with the few coming right out of here like so. Minute ago bunch of cool. -- this is gonna bring this down to about let's say we make it the 35. And now you're shorter ones such and so few more goes up in the -- like so. Edit these -- actions. -- that looks like and pretty and go ask that we needed to make that I look kind of went. So. We're going to do is. One last layer on top here. And with white omelets is going to start pinging them things that are being reflected -- made via this turn of the of the dynamics. Doctor back in there have much as one of going to impede this little. Shape -- here like so. -- and -- that may be another one right here. The box right there. And maybe a little dot here to blue dot over here -- who. It's like there this guy here we might want to just soften that up with a little racer which -- soft edged razor and just kinda hit it great through the -- To soften that -- up to say that. Right and then what we do is take that may have been your -- you down quite a bit. And is nice little glistening on the edges of the -- and so one. I hope you learn something from that. Lot of stuff wouldn't that."

" Now. Changed the color of the skin this could be humanize you've been made that pupil round and a few other little things here and there to make it look. The way you want remember this is a change of caller let's change of filtered and you get totally different effects and there was a lot of things going on there. So you're not a sit there and play and see what you've come up with. -- have a comment. Awhile and -- more Photoshop tricks send me an email sent to Britain revision3.com. Or post feedback or comments on how forums which are -- revision3.com. Slash form next week. I'm gonna show you how to turn a modern day photo into an antique classic. Number to play best way to learn this stuff is to sit there and play don't think of it -- work. Big this place a burden on all right I'll see you next week for another exciting push up --"

" Hi and welcome to pick the perfect Whitney -- on British show where all kinds of things can happen. -- started the space and both the house sponsor godaddy.com. Domain names from Kodak dot com are up to 70% lessen competition plus each domain includes free hosting with a website builder a free blog. Complete email and so much more pleasant to code pixel five when you check out and save an additional ten dollars off any order reported dollars and more. Some restriction applies to decide the details particular piece of the Internet ad code daddy dot com. And if you want to check out other Photoshop tutorials. Go to our website revision3.com. Slash pixel perfect and watch past episodes has quite a few of them out there right now all the ones -- we're back to be getting. -- let's get started. Today Allen do something. Kind of weird I'm gonna do and high. I did a lot of things that go into creating and I. You'd look at -- you see all these little lines -- things going on there but we're not gonna do those regular everyday Google guys unity now. We're gonna do something evil. So -- I got. This nice blank screen right here and -- to create."

" And I'm gonna start with the actual -- Yeah and and create a nice big circle right has sent them home and on my option key to drop in the -- out and my shift key to get a perfect circle. Now you remember everything goes into -- mutilated. And that's where the eyeballs and go to San Francisco and here and on the go ahead Philip. Don't get another layer on top of that that black mayors gonna serve as my blue backgrounds and adding that he's will go right into that area. So this one I'm gonna pick a different -- let's -- nice kind of an orange color like that a pleasing color and on the go ahead and drop it in there. Now there's RRI okay. To the big aren't circle who litigants and noise. Go to there and say noise. Add noise and and give it a lot of noise a lot of noise to stay in the monochromatic green so it's going to keep those -- tones that aren't there. And I bring that just a little aerial. Click OK another I have all that noise going on there. I'm gonna make it all streak out. Another -- here. -- radial blur. That brings on real legacy of those two modes for it is to methods spin. And zoom I'm gonna click on zoom and -- a little weird little preview here but it tells what's going on and put them out all the way to on the -- you can see what happens. When it click okay. You can see what happened to our -- So now we get this streaking effect and that dark ads on the sides at that black guy underneath showing through and now. That's not good enough it's just a bunch of lines of you to look at your eyes it's in little circles -- that would bring this into the liquefy. And liquefied. I'm gonna take the -- vote will right here at a at a much smaller brush have been my sides first down to little more manageable. Product that may be a little smaller and that might. In my idea open and closed bracket keys and make it smaller and I was just going it just like to touch little."

" There is here to get these weird little shapes happening in there -- is the loading up little areas. Noting out creating these little wobbly. Circles and there. That's gonna create quite a few. New ones is I'd be really weird looking. Such is going in there and creating all these little wells and side like that. Now you notice is the edges like there's slightly transparent that's because at that black showing through -- when -- click okay. We have that going all right so now. -- select it going there and give this -- nice kind of glow going to give -- an inner -- nice strong and it goes that yellow let's go with Vietnamese home. Go the green light that they and we increased the size on that. Like that and maybe yeah. That's saturation so we'll multiply do delicate cargo of the dark green -- in there aren't enough. I don't we have that going on and click okay. Now going to create. The little pupil. In another later of these layer I take my pencil on the start red appear at the top. Pull out of mice handle -- to the bottom here pull out of him going out. Hold on my option key to redirect to handle going out from that point still holding that option key. I can close it can be an Independent panel on top so not going there and adjust those. Now does in bad shape there's people I wanted this is not gonna be your normal gougne this is a weird. OK so now. We'll go back to black. And in that they -- in fact it's called it -- to start. Seeing what these layers are I would think that path and go ahead and -- selected now -- to see what's his eyes and look like here summit go to that I cannot give -- a little a little burden of books. But and out of double. Out of battle to create disk. Nice little kind of at home back here red in there now the white it's too strong so this -- that an orange and kind of an orange color. And see what's happened there it is and it's gonna click okay and the background color and it's made that something little more like a brownish color. Mary go to let's -- and moved darker. There and the now we've got some more dimension in there and it'll magnum dividend inner shadow. But the inner shadow it's black and Lucy and Cecil do is gonna switch to read. Click okay and that -- that -- to normal today is that read read along the -- to increase its just a little bit. So that we get this little red -- inside of the pupil. Click OK that's not look at it. A lot to do now is I'm gonna go here and eternal -- background. And create a layer on top of all of these and the cold as the I -- Net and holding down my option key alt that a PC analysts say -- visible. Natalie held on a key is that you know does that emerged all the layers into that they -- but the originally is remain intact. So now I'm gonna to just go and internal food guide lists or background back months now -- wanted to soften up that is so when you do that look at my water dropped school. -- I gotta kind of hit that outside edge is that that just to soften up that outside edge of our. Mobile there -- to soften that a new ago. I thought. Okay so now. We've created shape for the actual. So here it goes and distance little tone going on here and it's going to come up like that and kind of in there like is going to be really evil. Option pull out -- medical in this way and come down here and close it off about like that in itself. We need to finance does a little we can go in there and pull this down a little. But this up as good as a little more and ethnic group button. -- think that. Closed at just like that all right so let's go there is saved this path want to keep this path of movement saved this person now. Turn off. -- they're creating the skin. So what's gonna happen here is on a layer unstoppable this right here. I'm gonna get a colored my skin that this kind of bringing home here mean and going to -- what that green."

" It's gonna happen here is I'm gonna take that path. Into the election. And that -- they are gonna just knock it out. This is not actually -- my little guy from text to commit a lot of weird things that text. So completely on top of that and that want to -- It. And with -- elected. And that there I'm going to fill that green again. And now those are doing some stuff to this ongoing there and I will give a little texture. Go down the texture Reiser and I've got this sans don't set up -- enough punch up my scaling a bit pungent that we need. -- stronger that that click okay. And I want more I want more -- to give it another texture. -- you're. Written going to air and based on this the setting that got -- that's looking rating scale. -- there -- increased us basing that. A lot of things and then click okay and now we got this -- are going. So now I'm going to distort deserved it. Pull back a little bit. Open this up. And what to bring them capacity just a little bit so I could see the shape that I underneath -- seat. And I know the ice sits second play with this now -- go into. My transform. And go to war and here on the fact that twist and spin around -- can't hold this guy down. Pull this over like that and maybe bring this guy over and I'll -- to kind of start. Playing around tweaking some of these parameters here -- start getting some really weird effects. And that's just going here and it's. With these guys didn't like that. And such as getting all these really weird distortions of -- weird text you pull this in a little bit. Well this line then. So it is getting all of these little. Bends to -- here click OK. All right so now we have that going on I can go in there and cut a hole in this. -- and an on again. Hit delete so now we have a whole and now that other there we could sort of went away we don't need that one anymore. Okay so now being passed back upon its. That we have this isn't cut the whole rather -- ask is because I want it may sound it's gonna -- that shape and there. Go to my latest styles and we'll get -- think bevel and books we can go in there and get a nice -- size. Like that. Size and that white is no good to was gonna get a kind of a ladies mean is that lightning -- that is little later. Okay that looks good and his -- actually that with a black that was pretty cut and make it just a tad bigger. Click okay. Now it's fairly even going across did so I'm gonna do is gonna separate that out of the layers and -- layered layers styles create layers. And create layers it does that it separated from it think that that inner that double right there analytical and it's kind of embrace that part. So we'll go in here and I got my erasers. Size and it was just kind of go in there and we've done highlight is highlight. This racer. -- which is going there and big breasts as it's gonna kind of soften that edge sees a good solution opera there to think that and -- Hewlett as the race a little that's not so even as it was second ago. I think that would at a at a -- just gonna kinda thin it out on the top there it is kind -- comes to a loop point at the edge of the gone back to the skin. I'm gonna take my burn tool. -- to -- to on the start adding some definition to this."

" And going to start to darken up this little area here and maybe it'll kind of -- hint of a live right there and just like that and maybe some bags on the -- like that and get a bigger brush. -- And which is kind of -- some this area down here. And here. Right there under in this. In that part of the guy just like that. That's starting to look pretty evil now the arrival. Behind the -- belonged to hold down my command keys that would create a new layer I get that are both selected. -- it automatically creates -- unit behind. The currently selected there. And -- get that's gotta kind of orange -- like that and let's go to onto a from what these color. It's going to this area them about. That and I throw gradient in that area and select my past. -- selection and I want it to bleed behind this on the net going to and modify that selection and say expand. Expanded by -- five pixels to -- invective. And then later. So and it's free. They -- migrating tool and -- to and the brilliant red that I that. Radio ratings set up to it that there are just now we got that to. Looking good. Now you know what it's the need for little shadow and yeah let's go back to the skin over here. And it's given a little drop shadow. That shattered it's just appeared increased to distance rate there softened up a little bit infinitely past since it's just a little into the shadows inside the united. There ego that shadow going on there click OK now he's got little. To duck thing whatever like this feature would cry or anything but it will go and create loops -- the top here analog and I can color. Ghetto pinkish color more pane. -- quite pink lines but it'll work. And -- work and I'm going here and with a nice sized red -- 45 and create little shape and there does a little (%expletive) like that. Now I'm gonna give that shape a double boss. Increase size so got that kind of -- Fuel to and then when my little smudge tool looked -- until it's gotta kind of we sizes salute it kind of -- it put it into place to I wanted wanted to be like this kind of cushion in there. And with a little. Burn tool I might it'll do more detail to it don't get smaller brush and connect and a couple of -- little sections to it that I that. That's much too that in just kind of pushed us right into that area -- there. That. Okay well justices need one more thing it needs. And I'm anxious. It's -- black. I -- paint brush and small press that say this five -- bigger nine at some good sides. So when go to my impressions here as those guys out. And this -- the shape dynamics but I am gonna go to an other dynamics -- say have a fade. Edit data. So let's say this is saying -- 65. Come over here and start. Just drawing a couple of them right in there with the few coming right out of here like so. Minute ago bunch of cool. -- this is gonna bring this down to about let's say we make it the 35. And now you're shorter ones such and so few more goes up in the -- like so. Edit these -- actions. -- that looks like and pretty and go ask that we needed to make that I look kind of went. So. We're going to do is. One last layer on top here. And with white omelets is going to start pinging them things that are being reflected -- made via this turn of the of the dynamics. Doctor back in there have much as one of going to impede this little. Shape -- here like so. -- and -- that may be another one right here. The box right there. And maybe a little dot here to blue dot over here -- who. It's like there this guy here we might want to just soften that up with a little racer which -- soft edged razor and just kinda hit it great through the -- To soften that -- up to say that. Right and then what we do is take that may have been your -- you down quite a bit. And is nice little glistening on the edges of the -- and so one. I hope you learn something from that. Lot of stuff wouldn't that."

" Now. Changed the color of the skin this could be humanize you've been made that pupil round and a few other little things here and there to make it look. The way you want remember this is a change of caller let's change of filtered and you get totally different effects and there was a lot of things going on there. So you're not a sit there and play and see what you've come up with. -- have a comment. Awhile and -- more Photoshop tricks send me an email sent to Britain revision3.com. Or post feedback or comments on how forums which are -- revision3.com. Slash form next week. I'm gonna show you how to turn a modern day photo into an antique classic. Number to play best way to learn this stuff is to sit there and play don't think of it -- work. Big this place a burden on all right I'll see you next week for another exciting push up --"