" Wow."

" This episode of pixel perfect is brought to you by Netflix and godaddy.com. Hello welcome to pick the perfect will be -- show we're all kinds of things can happen. And the show we're gonna talk about me purpose in layers and create an entirely new alien based on the Iron Man we've seen the last two -- It's gonna take a little piece here the peace there and turned to something totally new. Before we start this about the background back here. Back on The Today Show was sent to us by David Ryan look at that thing. Now it's cool because this little with beefed up over here it's -- gonna do today. Creating something Phillip that. But before it started spank us sponsors. Godaddy.com. You've been watching the show for some time you've heard me read all kinds of different domain name registration hosting deals provided by godaddy dot top. Well we've put all of those deals together for you to find in one place division three dot com forward slash godaddy. Go there -- check out all the different discounts you can get for every piece of the Internet -- godaddy.com. Provides. Also let's bank. Netflix for sponsoring pixel perfect. With Netflix you can rent over 90000 titles online including lots of Blu-ray titles with free shipping both ways to your home. The Netflix plans start from four dollars and 99 cents and as a new member you get a no risk two week free trial membership. Check it out at www. Netflix.com. Forward slash pixel perfect and yes you do have the type that WWW. When using this code. All right now on today's show. -- In many shows there's -- about -- I've always stressed the point about. Saving -- of players keep in all of is intact. And I think that also mentioned the idea of we purpose -- of layers. To use them somewhere else sometimes is just a little pieces on the little -- some little mind -- the thing. But we're gonna do this week is gonna take a base with that basic face and totally change it. To create it and -- creature. Now this being here we got the I am mentally disabled list two -- today that for the up times groupies. So. Everything -- and all -- every little piece habitable and so on so want to do right here is that got a new file it would have taken just the face plate. This part here is that forehead and the face. So this is where we're going to create a whole new area that's given to -- care. Good to see him there are only now we look at -- we see that we have. That there. This Blair. Analytical eye holes but it has turned on right in there can -- close you see those look like that life holds drag there okay so now. And his name here is that bottom part which we're not gonna use the throw them away I'm not gonna use them at all in fact that's. That throw it away so now we got these guys here -- take of the idols for a second. And I got the forehead. And the face. I'm gonna go ahead emerged that down and emerging down so they become one. -- to face now I'm gonna go in here and I'm gonna get a processor consume the next. I'm gonna close off that top portion -- just gonna continue this shape up here. Just to close it off. Effects though. -- and and close that off."

" And this has raised us up. I like that came out lot of it's gonna get -- and so and I've been really worried about it and Rossi got this bang looking thing down here and I can create another one. It could go down here. Around like that and kind of fit into there and the finale got little things that it might. Two paths which I'm not gonna go ahead and go to my path tool and say go ahead and still those. Except I need to pick up that color so let's do that. Pick up this -- my program color you might know eye dropper and went through that today and now we put out those areas get rid of the path. -- now we got this shape and out it's still kind of like. Our. Iron Man but that's -- we keep thinking I'm man this guy now is going to transform into something totally different. So it's got little posting here and there we see him -- looking pretty good for now I'm gonna do is I'm gonna add texture to. So in a layer above it. But -- layers here and layer on top of this. And create the text is that I want to use so let's create nice big rectangle cut takes on the shape of the face right there. And I'm gonna go ahead and fill that would that the same color -- a -- up a black and white. Using black and white we're going here give this -- filter. Render. Fibers. And -- is gonna give me these. Cool kind of affects what I hear the strength bring down a bit me bring up there we go. Click okay and get that nice stuff going now that's fiber right on top of that. I -- is another filter another filter. Which in this case I'm gonna go into might pixelated and state crystallize. Crystallize. And bring those little crystals up a little bit second -- bigger size but like that that looks good. Click okay I get that in effect now I would like those fibers to come through this just a little bit -- go back get to my. They need crystallize. Whatever vocalist has applied this -- will become active that allows me to go in there and changed the mode. And the capacity for that there's filters that would bring down you pass the of that crystallized so that just a kind to have that noise come through. And maybe that's what the multiply will do is of the nice deep kind of Potomac that. Bringing up a little bit more. It's going there and let's say that it's he wouldn't overly from the like. Over area go to that's given little muddy and kind of an effect. So going there and push up that. It all that texture an area nice texture -- click okay than ever get this great texture inside there and then go ahead and clip it to deface. Right so now. Very much like it did two weeks ago when a mold this -- now on to. The face because analysis straight and we're looking at some angles on this face here so what I'm gonna do. I'm gonna go in there and I mean that there that's like takes effect -- and texture. -- And go and add a transform and warp and a -- this sound kind of been this guy over and this guy down. And this guy in. And this guy in because we have this shouldn't come into it. A -- similar kind of start playing around with these handles that they're gonna kind of conform to the shape of his face here. Bring this out and get these nice little effects -- who's got a round. Up. And created in the effects of the following these contours of his face. And this guy here let's bring it in. In this part out today and how we get all of this nice no it's following the the actual shape of his head."

" And we got of that happening click okay that's looking good. Now we got this cool texture happening on top of the space so now. -- Start to hide some of the stuff I don't want to mask it but I'm gonna do is I'm gonna create a layer on top of it which I'm also gonna clip with a face and with black. -- nice big brush. Being bigger. And I got my capacity down to about 50% here. About 54 and that's good I suspect that kind of pain in. Some of these areas hit this kind of darkened assist us to kind of become this elusive looking face this is kind of peering through the darkness status to us like that. I say is this. Face now we get smaller brush. And I stuck in some contours of the faith like total darkness is bring data passing down to about it's a 20%. That's gonna very -- start. Playing in there small brush. Darken some of these tones and -- little bit and on the sets and that is so start to get this whole strange feeling here. -- can now have the little -- holes then they are. As DI hold data loss in the original been from the original Iron Man and a fine. Because they have the things that aren't you go to them that's cool because what we're gonna do now is create the eyes themselves. So behind the face and create a later now I got the face elected. When you create -- it automatically creates -- on top -- undo that I want to be behind the hold down my command key controller PC. And they knew there and it creates -- behind. I won't call that the eyes."

" Right so now what I'm gonna do is gonna select that. Little shape and I kind of follow my Iowa hello my option key to turn to look a little tool. I'm just gonna go in here and start to just around the -- Just a little bit. That have to be accurate that's as well and make sure I get it right on the -- edges as the itself. Like that you can't -- look -- got a big -- up there. -- take that off. And start that again. That fact there is from the last time I used the felt this tool it only -- the last parameters that was set. And I haven't used it -- so there you go so now we have this. That will shape almost to shape the eyes and pick a bright yellow. Really warm yellow. -- foreground -- from my background color. I'll pick. Nice red like that. And then there I'm gonna take a we'll radio gradient and voodoo. Glow -- in their like that. So now. I'm gonna go into it to the other guy yeah is that I'm gonna start to select this negotiate. And get them fine kinda like the shape BI. And you see why I'm gonna do that second. We go in there and in that same layer I'll throw another gradient. Because of the other I experience. As a visit to -- now the reason I went and created these shapes for those things back there. Very similar to the I hold is because -- apply some of styles they go to go in there and go into my layers spouse and since the shapes of some that I do something like say an inner shadow. Okay and I increased the distance on that he has taken on the size to go with -- are gonna. It takes on the actual shapes of what I need to go in here and give it that little shadow Canada. To bring it over but that it's a little -- GNU shadow on this edge here. And going that distance and Hackett is nice to affect going through here and -- when he even given little inner glow. -- little -- an increase my capacity on it and the size or get blue glow along the edges and down there like that I get this. -- sinister kind of a glow. Click okay and now we have a whole new -- to this guy now let's pull back a little bit."

" Okay this is the face we're gonna start adding something behind it. Kind of like this is really a mask so that kind of created creature behind it who have refused faith because face behind in math but Lucy's hair. -- he's here so we think my background in inverted. And it Wi fi hot guys there and in the background a switch to black and we're gonna paintbrush. And get a nice small brush. But the three here let's make sure that we have but yet it's -- of that. And -- a bunch of little dots down here and has been no past Rebecca. -- blue dots. Different sizes. Right down there like that. Select those."

" And define brush."

" They -- now brush and I cannot dump those funny to see them anymore. -- pick up background and converted back. So now behind the eyes which is the back mostly here. And create a -- back here this is gonna be here. So now. To my paintbrush and -- that. Brush I just use anybody who's right right now. It's gonna create that. I do a whole episode on creating here. So here we're gonna going to do it kind of free form. But. Even refer back today that episode is pretty much the same steps. And here I'm gonna go to my brush engine. And would it take away the spacing bring down the minimum which is 1% give me solid lines. I'm gonna go into my other dynamics where. I was set up but capacity Jupiter. -- This that the failure of get this is my big number thing about 400. The nice long. Distance so that when I create my here it looks like that effect the -- for this go with a 500. And tested there's my here rate there now. When I did the episode on creating here I create a whole series of paths and these paths would -- to guide my brush. In this case and -- kind of do it -- free hand and other got my brush set up I'm gonna go in here end up and we get a great. Get a nice grave about -- like that. And I start to draw from different places -- gonna start the very loosely start drawing all of this here coming out the sides. Like so. And it's very loosely --"

" In their interest and I couldn't possibly in the top it's to a little. -- keep coming out like that who beat going -- and I we see where we're gonna cannot continue to draw. And drawing a whole bunch more there's all these little hairs. Coming out from behind -- very loosely started from a different place each time and is going in there and creating all this nice hair. It's about it we have this hair and I got a nice -- get a little more texture by switching to black but foreground and then it is very likely start throwing. And you set up here right on top of that great here which starts to add a little more dimension to -- here. And we could go and anxious. You like that and here we see that now we have this. Alien and if feel particularly like that color hair what you can always going to save this -- the transparency. And maybe you fill it with agreeing. Okay we're just so that would mean. And oops gotta -- the green here. There you go for the mainstream and so that they react green here. But I kind of like the grays and blacks going through there today you -- now we have old is new here. And these new strange face and I'm I want -- there. On top of the here. And just the black throw a nice soft. Halo black right through here let's go with a bigger Russia just don't know hey you know black rain on the issues. Affect your skin -- soft. Go back to."

" History. And get rid of that mess that that we just it okay so there we go. Parents and now I'm going there and it's given to. Who has big stake here all right doesn't matter that's okay undergo an -- and really soften us up make it much bigger bring down the capacity of it. And I can just go and its its very likely start throwing some shadows over the -- Of where the faces. Underneath this mask. Thanks so have some shadows right in there like that. And everything that we have ho."

" Not really I -- And bring them down. Sort of basic face is that that we have from the Iron Man. So -- have told you we created had the right angle those lines and everything that we need it was there but when you get to change. So I took departs from Miami that I want it which -- the basic forehead the eyes and the face plate. And then converted into a totally different creature by going in there and doing little manipulation here and there. So if you've spent a lot of time working on a particular piece he got all these cool layers and going to work on something that similar. With a few changes you have -- that original work you have to read to go to stipulated that you need. Modify -- in the way you need analysts and you have a whole new image but here we've got this weird. Billion old guy out of our release spiffy looking Iron Man. It's just a question of -- sitting in front view what is it that you need to do what is the answer to the problem that your face -- if -- in this somewhere. Sometimes it's just. Taken -- you already done and rework it. There's anything you'd like to see something you'll be stuck with it you can't figure out on your own. Send me an email sent to -- at revision3.com. You can also check out the forms at revision3.com. Forward slash forums and they can join discussions about this show and all the shows before and the -- in the future. You may be it would be able to up. Influence and a future show how -- backed down our good friend David Ryan for submitting this incredible background. He obviously us thought that here episode -- Very very this and I'm looking over -- like I could see anything what I see is a Greenfield but I think. I just -- because there's another monitor over there where I can see it there is right there. Okay so now. Your image to be back here instead of that dream. You are or could be emblazoned on the wall behind -- so the entire world to see it. And you name will be flashed across the screen and you get fame and fortune well at least -- part. And to do that all you have to do a semi artwork senate to -- at revision3.com. And background you submit should be 1280 by 720 pixels and a JPEG file. Two elevated myself into any any deviation from that and then at the crop -- there -- not exist at all. I've had people some little thing that with a -- courtroom -- doesn't work load up looks terrible. So make sure you -- parameters 1280 by 720 and JPEG. Hope you -- on from there. Just question going they're pushing those buttons and see what they do question of the airplane. That's really learned is the system plays. This is of worked best for hard working you thought. Hope to see it actually."

" Wow."

" This episode of pixel perfect is brought to you by Netflix and godaddy.com. Hello welcome to pick the perfect will be -- show we're all kinds of things can happen. And the show we're gonna talk about me purpose in layers and create an entirely new alien based on the Iron Man we've seen the last two -- It's gonna take a little piece here the peace there and turned to something totally new. Before we start this about the background back here. Back on The Today Show was sent to us by David Ryan look at that thing. Now it's cool because this little with beefed up over here it's -- gonna do today. Creating something Phillip that. But before it started spank us sponsors. Godaddy.com. You've been watching the show for some time you've heard me read all kinds of different domain name registration hosting deals provided by godaddy dot top. Well we've put all of those deals together for you to find in one place division three dot com forward slash godaddy. Go there -- check out all the different discounts you can get for every piece of the Internet -- godaddy.com. Provides. Also let's bank. Netflix for sponsoring pixel perfect. With Netflix you can rent over 90000 titles online including lots of Blu-ray titles with free shipping both ways to your home. The Netflix plans start from four dollars and 99 cents and as a new member you get a no risk two week free trial membership. Check it out at www. Netflix.com. Forward slash pixel perfect and yes you do have the type that WWW. When using this code. All right now on today's show. -- In many shows there's -- about -- I've always stressed the point about. Saving -- of players keep in all of is intact. And I think that also mentioned the idea of we purpose -- of layers. To use them somewhere else sometimes is just a little pieces on the little -- some little mind -- the thing. But we're gonna do this week is gonna take a base with that basic face and totally change it. To create it and -- creature. Now this being here we got the I am mentally disabled list two -- today that for the up times groupies. So. Everything -- and all -- every little piece habitable and so on so want to do right here is that got a new file it would have taken just the face plate. This part here is that forehead and the face. So this is where we're going to create a whole new area that's given to -- care. Good to see him there are only now we look at -- we see that we have. That there. This Blair. Analytical eye holes but it has turned on right in there can -- close you see those look like that life holds drag there okay so now. And his name here is that bottom part which we're not gonna use the throw them away I'm not gonna use them at all in fact that's. That throw it away so now we got these guys here -- take of the idols for a second. And I got the forehead. And the face. I'm gonna go ahead emerged that down and emerging down so they become one. -- to face now I'm gonna go in here and I'm gonna get a processor consume the next. I'm gonna close off that top portion -- just gonna continue this shape up here. Just to close it off. Effects though. -- and and close that off."

" And this has raised us up. I like that came out lot of it's gonna get -- and so and I've been really worried about it and Rossi got this bang looking thing down here and I can create another one. It could go down here. Around like that and kind of fit into there and the finale got little things that it might. Two paths which I'm not gonna go ahead and go to my path tool and say go ahead and still those. Except I need to pick up that color so let's do that. Pick up this -- my program color you might know eye dropper and went through that today and now we put out those areas get rid of the path. -- now we got this shape and out it's still kind of like. Our. Iron Man but that's -- we keep thinking I'm man this guy now is going to transform into something totally different. So it's got little posting here and there we see him -- looking pretty good for now I'm gonna do is I'm gonna add texture to. So in a layer above it. But -- layers here and layer on top of this. And create the text is that I want to use so let's create nice big rectangle cut takes on the shape of the face right there. And I'm gonna go ahead and fill that would that the same color -- a -- up a black and white. Using black and white we're going here give this -- filter. Render. Fibers. And -- is gonna give me these. Cool kind of affects what I hear the strength bring down a bit me bring up there we go. Click okay and get that nice stuff going now that's fiber right on top of that. I -- is another filter another filter. Which in this case I'm gonna go into might pixelated and state crystallize. Crystallize. And bring those little crystals up a little bit second -- bigger size but like that that looks good. Click okay I get that in effect now I would like those fibers to come through this just a little bit -- go back get to my. They need crystallize. Whatever vocalist has applied this -- will become active that allows me to go in there and changed the mode. And the capacity for that there's filters that would bring down you pass the of that crystallized so that just a kind to have that noise come through. And maybe that's what the multiply will do is of the nice deep kind of Potomac that. Bringing up a little bit more. It's going there and let's say that it's he wouldn't overly from the like. Over area go to that's given little muddy and kind of an effect. So going there and push up that. It all that texture an area nice texture -- click okay than ever get this great texture inside there and then go ahead and clip it to deface. Right so now. Very much like it did two weeks ago when a mold this -- now on to. The face because analysis straight and we're looking at some angles on this face here so what I'm gonna do. I'm gonna go in there and I mean that there that's like takes effect -- and texture. -- And go and add a transform and warp and a -- this sound kind of been this guy over and this guy down. And this guy in. And this guy in because we have this shouldn't come into it. A -- similar kind of start playing around with these handles that they're gonna kind of conform to the shape of his face here. Bring this out and get these nice little effects -- who's got a round. Up. And created in the effects of the following these contours of his face. And this guy here let's bring it in. In this part out today and how we get all of this nice no it's following the the actual shape of his head."

" And we got of that happening click okay that's looking good. Now we got this cool texture happening on top of the space so now. -- Start to hide some of the stuff I don't want to mask it but I'm gonna do is I'm gonna create a layer on top of it which I'm also gonna clip with a face and with black. -- nice big brush. Being bigger. And I got my capacity down to about 50% here. About 54 and that's good I suspect that kind of pain in. Some of these areas hit this kind of darkened assist us to kind of become this elusive looking face this is kind of peering through the darkness status to us like that. I say is this. Face now we get smaller brush. And I stuck in some contours of the faith like total darkness is bring data passing down to about it's a 20%. That's gonna very -- start. Playing in there small brush. Darken some of these tones and -- little bit and on the sets and that is so start to get this whole strange feeling here. -- can now have the little -- holes then they are. As DI hold data loss in the original been from the original Iron Man and a fine. Because they have the things that aren't you go to them that's cool because what we're gonna do now is create the eyes themselves. So behind the face and create a later now I got the face elected. When you create -- it automatically creates -- on top -- undo that I want to be behind the hold down my command key controller PC. And they knew there and it creates -- behind. I won't call that the eyes."

" Right so now what I'm gonna do is gonna select that. Little shape and I kind of follow my Iowa hello my option key to turn to look a little tool. I'm just gonna go in here and start to just around the -- Just a little bit. That have to be accurate that's as well and make sure I get it right on the -- edges as the itself. Like that you can't -- look -- got a big -- up there. -- take that off. And start that again. That fact there is from the last time I used the felt this tool it only -- the last parameters that was set. And I haven't used it -- so there you go so now we have this. That will shape almost to shape the eyes and pick a bright yellow. Really warm yellow. -- foreground -- from my background color. I'll pick. Nice red like that. And then there I'm gonna take a we'll radio gradient and voodoo. Glow -- in their like that. So now. I'm gonna go into it to the other guy yeah is that I'm gonna start to select this negotiate. And get them fine kinda like the shape BI. And you see why I'm gonna do that second. We go in there and in that same layer I'll throw another gradient. Because of the other I experience. As a visit to -- now the reason I went and created these shapes for those things back there. Very similar to the I hold is because -- apply some of styles they go to go in there and go into my layers spouse and since the shapes of some that I do something like say an inner shadow. Okay and I increased the distance on that he has taken on the size to go with -- are gonna. It takes on the actual shapes of what I need to go in here and give it that little shadow Canada. To bring it over but that it's a little -- GNU shadow on this edge here. And going that distance and Hackett is nice to affect going through here and -- when he even given little inner glow. -- little -- an increase my capacity on it and the size or get blue glow along the edges and down there like that I get this. -- sinister kind of a glow. Click okay and now we have a whole new -- to this guy now let's pull back a little bit."

" Okay this is the face we're gonna start adding something behind it. Kind of like this is really a mask so that kind of created creature behind it who have refused faith because face behind in math but Lucy's hair. -- he's here so we think my background in inverted. And it Wi fi hot guys there and in the background a switch to black and we're gonna paintbrush. And get a nice small brush. But the three here let's make sure that we have but yet it's -- of that. And -- a bunch of little dots down here and has been no past Rebecca. -- blue dots. Different sizes. Right down there like that. Select those."

" And define brush."

" They -- now brush and I cannot dump those funny to see them anymore. -- pick up background and converted back. So now behind the eyes which is the back mostly here. And create a -- back here this is gonna be here. So now. To my paintbrush and -- that. Brush I just use anybody who's right right now. It's gonna create that. I do a whole episode on creating here. So here we're gonna going to do it kind of free form. But. Even refer back today that episode is pretty much the same steps. And here I'm gonna go to my brush engine. And would it take away the spacing bring down the minimum which is 1% give me solid lines. I'm gonna go into my other dynamics where. I was set up but capacity Jupiter. -- This that the failure of get this is my big number thing about 400. The nice long. Distance so that when I create my here it looks like that effect the -- for this go with a 500. And tested there's my here rate there now. When I did the episode on creating here I create a whole series of paths and these paths would -- to guide my brush. In this case and -- kind of do it -- free hand and other got my brush set up I'm gonna go in here end up and we get a great. Get a nice grave about -- like that. And I start to draw from different places -- gonna start the very loosely start drawing all of this here coming out the sides. Like so. And it's very loosely --"

" In their interest and I couldn't possibly in the top it's to a little. -- keep coming out like that who beat going -- and I we see where we're gonna cannot continue to draw. And drawing a whole bunch more there's all these little hairs. Coming out from behind -- very loosely started from a different place each time and is going in there and creating all this nice hair. It's about it we have this hair and I got a nice -- get a little more texture by switching to black but foreground and then it is very likely start throwing. And you set up here right on top of that great here which starts to add a little more dimension to -- here. And we could go and anxious. You like that and here we see that now we have this. Alien and if feel particularly like that color hair what you can always going to save this -- the transparency. And maybe you fill it with agreeing. Okay we're just so that would mean. And oops gotta -- the green here. There you go for the mainstream and so that they react green here. But I kind of like the grays and blacks going through there today you -- now we have old is new here. And these new strange face and I'm I want -- there. On top of the here. And just the black throw a nice soft. Halo black right through here let's go with a bigger Russia just don't know hey you know black rain on the issues. Affect your skin -- soft. Go back to."

" History. And get rid of that mess that that we just it okay so there we go. Parents and now I'm going there and it's given to. Who has big stake here all right doesn't matter that's okay undergo an -- and really soften us up make it much bigger bring down the capacity of it. And I can just go and its its very likely start throwing some shadows over the -- Of where the faces. Underneath this mask. Thanks so have some shadows right in there like that. And everything that we have ho."

" Not really I -- And bring them down. Sort of basic face is that that we have from the Iron Man. So -- have told you we created had the right angle those lines and everything that we need it was there but when you get to change. So I took departs from Miami that I want it which -- the basic forehead the eyes and the face plate. And then converted into a totally different creature by going in there and doing little manipulation here and there. So if you've spent a lot of time working on a particular piece he got all these cool layers and going to work on something that similar. With a few changes you have -- that original work you have to read to go to stipulated that you need. Modify -- in the way you need analysts and you have a whole new image but here we've got this weird. Billion old guy out of our release spiffy looking Iron Man. It's just a question of -- sitting in front view what is it that you need to do what is the answer to the problem that your face -- if -- in this somewhere. Sometimes it's just. Taken -- you already done and rework it. There's anything you'd like to see something you'll be stuck with it you can't figure out on your own. Send me an email sent to -- at revision3.com. You can also check out the forms at revision3.com. Forward slash forums and they can join discussions about this show and all the shows before and the -- in the future. You may be it would be able to up. Influence and a future show how -- backed down our good friend David Ryan for submitting this incredible background. He obviously us thought that here episode -- Very very this and I'm looking over -- like I could see anything what I see is a Greenfield but I think. I just -- because there's another monitor over there where I can see it there is right there. Okay so now. Your image to be back here instead of that dream. You are or could be emblazoned on the wall behind -- so the entire world to see it. And you name will be flashed across the screen and you get fame and fortune well at least -- part. And to do that all you have to do a semi artwork senate to -- at revision3.com. And background you submit should be 1280 by 720 pixels and a JPEG file. Two elevated myself into any any deviation from that and then at the crop -- there -- not exist at all. I've had people some little thing that with a -- courtroom -- doesn't work load up looks terrible. So make sure you -- parameters 1280 by 720 and JPEG. Hope you -- on from there. Just question going they're pushing those buttons and see what they do question of the airplane. That's really learned is the system plays. This is of worked best for hard working you thought. Hope to see it actually."