" Wow."

" This episode of pixel perfect is brought to you by Netflix and godaddy.com."

" Oh yeah and."

" Welcome depicts a perfect would -- Ebert on right. And today show we're going to look at. A comic book character who's very popular and I'm gonna show you how I had to create them and how likely is. But today we're gonna start with. -- background. -- background was sent -- can -- check this out. Lot of work when it that is when I mean it's from the ground -- that's -- stuff. It's been out -- this one. Before we start -- thank our sponsors. -- Godaddy.com. You've been watching your show for some time you've heard me read all kinds of different domain name registration hosting deals provided by godaddy dot top. Well we've put all of those deals together for you to find in one place division three dot com forward slash godaddy. Go there edit check out all the different discounts you can get -- every piece of the Internet that godaddy.com. Provides. Also let's thank. Netflix for sponsoring pixel perfect. With Netflix you can rent over 90000 titles online including lots of Blu-ray titles with free shipping both ways to your home. The Netflix plans start from four dollars and 99 cents and as a new member you get a no risk two week free trial membership. Check it out at www. Netflix.com. Forward slash pixel perfect and yes you do have the type that WWW. When using this code. Alright now on to the show. So. The Iron Man."

" Is the guy am going to be talk about today. Now. It's all part of the times we're seeing that I'm working on. So it's the little tiny little section he's only gonna be about so -- really small back here we see the current state of campaigning. And gonna -- on the -- on this. And the C. There that we're talking about. It's. Right there see it's this little poster the billboard way up on top of his building in here and -- I am. That's what I'm gonna be showing you right there that little guy. So let's go in here and look at the actual file. Here is the Iron Man himself. Now there's a lot of things going on here just to zoom into. Certain areas you can see the details effect with its its case. In the area and there is that -- go on percent. Hundreds negative a lot of the -- going on there though it -- pull back or just more Ryan on the thing you feel the kind of detail those who. Little bolts and stuff lot of the good old Photoshop tricks -- into creating all of the different parts of this this guy here. So go in here without looking all the different sections. And you can see what's involved is so. Shiny part so. Well talk about is the actual textures that are involved here. How to make it look like metal and and that kind of thing. So with a concentrate on this area right here on his arm right there that part of his armor. So. Let's start with this guy here which is just that section it did so let's is giving the Iron Man back here. And look at this this -- now here's the layers that went into it. There's all different layers and because -- all of the from parts. Take him away and this has to go by itself a lot of things the world ready added to this. Before the actual text it was laid off so I'm gonna do here is a want to create this guy -- scratch. So I got here my paths he's gonna get the basic path that would incidence. So that's code here and create a new layer. On top of this and relatives. Get rid of all these other -- it only to see goes and the Israeli government to create our basic shape right so now I'm gonna pick a nice golden color. -- to become the basis for his armor are right there and the select. The outside part of armor and to go ahead and fill that path. That they got patents say that I could do from right down here and not just click on that and it goes it with that home. Okay so now -- dilemma select these to invent areas straight there. And in a separate layer that's go to another layer. Create another layer I'm gonna go ahead and take those path and film again that now there. In their own layer that goes good that's. -- people who -- Powell panel out -- we could see these guys that's up to the few weird things happening right there so here's my job. Actual. Plate. And this will be invents. I today. So in general about bath it only to see that anymore."

" And there's these little and that's what I'm gonna do is I'm gonna do lock them into. The up late. By creating a little clipping paths that option -- the PC and click between those two -- have said it now I'm seeing this guy inside. This shape it's been masked by the actual dimensions of the plate itself. The other -- going in there and Eddie some textures and all kinds of cool things president to do is look at the end and themselves and a double click on that to bring up. The mayor's house for and I go in and give it a little Babylon boss and I have to back to see if something's happened there so want to do is I'm gonna go in there and up. Change my light source to come from this direction could see going to see the bottom parts and I'm gonna increase the depth segment -- strong -- and darts and soften them up. I get this nice little curvature in there just like that at. We've got to be more and we'll bring capacity for the highlight it's nice and strong right in there like that. So often up there and now we have little dimension to those inside plates now -- hard -- into the real thing where it just a little bit. -- ambler just to soften him up they now we got that nice curvature to it that we needed for the overall play. Now. I'm going there and will give a little but the -- goes well scientists. Double click on him to bring up the there's thousand give it a Babylon boy us. I'm gonna change a light source now have -- affect this gonna is gonna affect the inside guys so want to make sure that the global latest turned off -- in effect this -- separately. And regular light from above. And I was to do highlight up there. Increase the -- increased the size of the bit. And soften up. So I'm getting all these nice little highlights on the top and move. Federal on the fact we're gonna bring down the shadow little bit I want to be so stripes one oh into the shadow. And I want the product to be able stronger so push that up a little bit. Click okay so now it's gonna get this nice texture. Now I'm gonna go in here and then additional tones to this so. I'll use my dodge and burn tools and I think my burn tool and organized pixel perfect with status 200 here I'm just gonna cut it. Throw a couple of hones right in here like this and read along this edge as kind of -- that -- and it like that okay now when you might. Dodge tool. And I'm gonna go in there and it's gonna add a little highlight right down the middle there that's like so. A little more now I'm going to segregate to say I want effect justice area here so I'm gonna to select this. And -- a selection so it's behind this area here so that way. When you might dodge tool -- gonna -- nice hot spot and keep touching it right medals but that would so if you really nice and hot there. And you notice that it's only affecting that's spot. And not -- though right in front is he -- and down here you're not seeing it because the fact that it's on selected. That of these like I got that nice and hot spot and -- I'll do that is that a little more of a hot button down here and had a strong is that when a bit just a little bit of getting this little clearer happening right in there like that. And maybe want to -- live one right up at the top. I Baghdad their -- and I would get this nice highlight going through there. Now we need is the we here and here the texture on this so. -- layer above the whole thing here and when call this one texture. This is what I'm gonna go in here and start to get this thing that sense of that metal that we have so on the go ahead and changes to black and -- I'm gonna feel that there within a 50% gray. Canada -- some noise could add noise. Now lot of noise. That. And given little motion blur of motion -- kind of streak it. So I wanted to be straight up and down some -- that the ninety degrees. And a little bit more of a text into it there you go that's good. Maybe -- might go into my levels and just kind of."

" They -- that contrast we have it nice definition of those lines to say that that's good. Now I'm an adult one more -- to this is the critical mop. We're gonna give a little. Ocean ripple. And ocean rubles going to give me and I -- printing effect going on there really nice and have been down that size and they happen to a little bit should say that some. I streaks like that he had my street canal kind of broken up click okay that's the effect that I -- so now. And and go in there and changed a -- this is something like -- Multiply that's really dark so we'll play around with a couple of these until we see one that we'd like -- overlay. Is the one that looks good well believe going to work perfectly. -- go ahead and clip that. My."

" My plate now you're seeing it over here."

" Couldn't effect that this is overly but if I think this. Background here and I've made it black and year old sudden see all those lines go through it but now I'm ensuring that the text there will be only inside the place. -- For now there -- no lines on his -- with my -- has -- curvature to it so I'm going to do now is out of me open up the fire -- 53. Opening area there kind of take that texture. And work. And go in there and say transform. War and wanted to do of them kind of match up these corners Madrid this guy way over the here. In this guy up here. We've got it over and play around with these handles until like kind of match. The angles of what's going on in the armor. And it just gonna. If this guy -- right so the house -- file follow that makes them a -- there have been this good in. We get this curvature going and this guy over. -- this and the right there. Ago and -- over let's bring this up. This guy in that it is nice curvature all the way through to see how it's following all the little angles that I have. Just the way I want and -- click okay. And that part. I now have or that nice texture going on there now in here inside those little guys is still not quite right so -- you're gonna add another layer. -- this whole thing and I pick a little white pics from white here and my paper from the get really small paintbrush. I'm just gonna draw a little kind of a hone right in there like that. And right here the pumpkins is worth picking up that theme light. From somewhere right from the get go to Brunner. Because -- merchants to soften that up right there like that and the regular layer style. Instead of the out of blow to so it's gonna give it goes to extra Sheehan and these decides that it -- my so called the machine around it just like that. Click okay that's don't look good now."

" One thing is wrong let's put this texture. Behind the index. And -- clear right duplicate that texture. But the duplicate. In front of the invents. And it's make sure they go back and that little. Could it be long and now in there -- close. Now we see that these lines now they have the following the contours of the attendance. At this site. They should so I'm doing I'm gonna go in here and -- to the store that second. Extra layer the one that belongs to the index that's this one here. Photo of the couple ways in which had to do it one simple quick way and very and so it would be the going is this much -- That my smudge tool and you're gonna big brush. I'm just gonna go and I just gonna. Through touch just a little -- want to totally -- these guys thousands gonna go into it is kind of play with them just a little I could go -- and what it. I might even do that but to select -- section like so. -- going to do wouldn't work on that if a lot of different ways in which would do the same thing that's going to give them a little war. Stretching around that they start to really get that curvature inside. That little area and say there. And it would get all this thanks to the curvature insight into who these guys should be. In fact we're still seeing all the way through know why because when we clip that it's not really clipping an inside these guy's opinion to the overall scene. So what I'm gonna do. It then turned dependence. Into a selection. Right and now I'm gonna go to that texture and give it mask because look at -- distortion electronic given a mask. There that distortion went away and now you'll notice that. We're looking at -- this texture right inside director and obviously that it's only disappearing inside the area of the and so now we go in there and continued to distort this give the way we want. We might even go into those -- a little more commonality in this so if this went on here my want to go and iron fist. We'll extra burning here that's a little extra burn this to darken that area and there. And there. And there we see that now we have all this nice metal. Scratched medal going through it and and that Texas too strong no problem just take that and bringing down movement and then he passes this it's a subtle texture and there."

" Again the way you want. Sort of a whole bunch of different things that went on there remember is just a question of what you are faced with what particular problem you trying to follow here a lot of these things I did slight modifications here and there and solve your particular problem. We have a texture that we created. That text there was distorted the follow the contours of the shape the shape we've given dimension by adding. Highlights and shadows in different places just to get that nice curvature and of blue in events. While there are given their sense -- of indented by giving them late nobleman boss and then there was softened. The edges softened to give -- that makes continuous turn as if that medalist got to -- invent evidently cut mark or or hole in there this is kind of softened it up. All these different things and and the light's coming in an added little highlights little spot where -- Yet in that is curved and so on all these things they're just little things that you observed reality look at how things work and know what you need to do. You're creating yourself a superhero who has -- to do you have the have a gold buckle does have a metal suit doesn't have fabric. Detective to create for that is gonna it somewhere. Involves somebody's tricks that I've been doing here on the show today. You modify them and you don't like the gold OK that's a simple one just go to main -- angle endurance they. You saturation bring down saturation you got yourself a nice blue steel so reducing but he invents or -- categorize it. And now we got a nice mahogany or whatever. Anything you can do these things that's the beauty of Photoshop is that everything can be modified phones that'll -- there you go there and twist him around and do other things with them. In fact in next week's show we're going to show us some other stuff you could do would these layers. If there's. Anything you like to see on the show and they had all email me at -- at revision3.com. Or did you check out the form that revision3.com. Forward slash forums we've -- discussions about the show. Thanks again to -- For submitting our wonderful background image look at that thing. You want your all -- to be back here. Pick up the big giant green screen. All you gotta do -- send me your files and the spirit and revision3.com. Your background should be 1280 by 720 pixels and a JPEG file. Hope you're -- some from all this stuff in that they use it. You seem to show now open up Photoshop and I would this stuff pushed the buttons he would they do best way to learn is to sit him play with this stuff. Go to my site. That -- dot com they can -- his schedule where I'm gonna be an amber might be coming to town near you and all the other stuff that's going on the classes the book so that it's. Hope to see you next week Cynthia."

" Yeah and and."

" Wow."

" This episode of pixel perfect is brought to you by Netflix and godaddy.com."

" Oh yeah and."

" Welcome depicts a perfect would -- Ebert on right. And today show we're going to look at. A comic book character who's very popular and I'm gonna show you how I had to create them and how likely is. But today we're gonna start with. -- background. -- background was sent -- can -- check this out. Lot of work when it that is when I mean it's from the ground -- that's -- stuff. It's been out -- this one. Before we start -- thank our sponsors. -- Godaddy.com. You've been watching your show for some time you've heard me read all kinds of different domain name registration hosting deals provided by godaddy dot top. Well we've put all of those deals together for you to find in one place division three dot com forward slash godaddy. Go there edit check out all the different discounts you can get -- every piece of the Internet that godaddy.com. Provides. Also let's thank. Netflix for sponsoring pixel perfect. With Netflix you can rent over 90000 titles online including lots of Blu-ray titles with free shipping both ways to your home. The Netflix plans start from four dollars and 99 cents and as a new member you get a no risk two week free trial membership. Check it out at www. Netflix.com. Forward slash pixel perfect and yes you do have the type that WWW. When using this code. Alright now on to the show. So. The Iron Man."

" Is the guy am going to be talk about today. Now. It's all part of the times we're seeing that I'm working on. So it's the little tiny little section he's only gonna be about so -- really small back here we see the current state of campaigning. And gonna -- on the -- on this. And the C. There that we're talking about. It's. Right there see it's this little poster the billboard way up on top of his building in here and -- I am. That's what I'm gonna be showing you right there that little guy. So let's go in here and look at the actual file. Here is the Iron Man himself. Now there's a lot of things going on here just to zoom into. Certain areas you can see the details effect with its its case. In the area and there is that -- go on percent. Hundreds negative a lot of the -- going on there though it -- pull back or just more Ryan on the thing you feel the kind of detail those who. Little bolts and stuff lot of the good old Photoshop tricks -- into creating all of the different parts of this this guy here. So go in here without looking all the different sections. And you can see what's involved is so. Shiny part so. Well talk about is the actual textures that are involved here. How to make it look like metal and and that kind of thing. So with a concentrate on this area right here on his arm right there that part of his armor. So. Let's start with this guy here which is just that section it did so let's is giving the Iron Man back here. And look at this this -- now here's the layers that went into it. There's all different layers and because -- all of the from parts. Take him away and this has to go by itself a lot of things the world ready added to this. Before the actual text it was laid off so I'm gonna do here is a want to create this guy -- scratch. So I got here my paths he's gonna get the basic path that would incidence. So that's code here and create a new layer. On top of this and relatives. Get rid of all these other -- it only to see goes and the Israeli government to create our basic shape right so now I'm gonna pick a nice golden color. -- to become the basis for his armor are right there and the select. The outside part of armor and to go ahead and fill that path. That they got patents say that I could do from right down here and not just click on that and it goes it with that home. Okay so now -- dilemma select these to invent areas straight there. And in a separate layer that's go to another layer. Create another layer I'm gonna go ahead and take those path and film again that now there. In their own layer that goes good that's. -- people who -- Powell panel out -- we could see these guys that's up to the few weird things happening right there so here's my job. Actual. Plate. And this will be invents. I today. So in general about bath it only to see that anymore."

" And there's these little and that's what I'm gonna do is I'm gonna do lock them into. The up late. By creating a little clipping paths that option -- the PC and click between those two -- have said it now I'm seeing this guy inside. This shape it's been masked by the actual dimensions of the plate itself. The other -- going in there and Eddie some textures and all kinds of cool things president to do is look at the end and themselves and a double click on that to bring up. The mayor's house for and I go in and give it a little Babylon boss and I have to back to see if something's happened there so want to do is I'm gonna go in there and up. Change my light source to come from this direction could see going to see the bottom parts and I'm gonna increase the depth segment -- strong -- and darts and soften them up. I get this nice little curvature in there just like that at. We've got to be more and we'll bring capacity for the highlight it's nice and strong right in there like that. So often up there and now we have little dimension to those inside plates now -- hard -- into the real thing where it just a little bit. -- ambler just to soften him up they now we got that nice curvature to it that we needed for the overall play. Now. I'm going there and will give a little but the -- goes well scientists. Double click on him to bring up the there's thousand give it a Babylon boy us. I'm gonna change a light source now have -- affect this gonna is gonna affect the inside guys so want to make sure that the global latest turned off -- in effect this -- separately. And regular light from above. And I was to do highlight up there. Increase the -- increased the size of the bit. And soften up. So I'm getting all these nice little highlights on the top and move. Federal on the fact we're gonna bring down the shadow little bit I want to be so stripes one oh into the shadow. And I want the product to be able stronger so push that up a little bit. Click okay so now it's gonna get this nice texture. Now I'm gonna go in here and then additional tones to this so. I'll use my dodge and burn tools and I think my burn tool and organized pixel perfect with status 200 here I'm just gonna cut it. Throw a couple of hones right in here like this and read along this edge as kind of -- that -- and it like that okay now when you might. Dodge tool. And I'm gonna go in there and it's gonna add a little highlight right down the middle there that's like so. A little more now I'm going to segregate to say I want effect justice area here so I'm gonna to select this. And -- a selection so it's behind this area here so that way. When you might dodge tool -- gonna -- nice hot spot and keep touching it right medals but that would so if you really nice and hot there. And you notice that it's only affecting that's spot. And not -- though right in front is he -- and down here you're not seeing it because the fact that it's on selected. That of these like I got that nice and hot spot and -- I'll do that is that a little more of a hot button down here and had a strong is that when a bit just a little bit of getting this little clearer happening right in there like that. And maybe want to -- live one right up at the top. I Baghdad their -- and I would get this nice highlight going through there. Now we need is the we here and here the texture on this so. -- layer above the whole thing here and when call this one texture. This is what I'm gonna go in here and start to get this thing that sense of that metal that we have so on the go ahead and changes to black and -- I'm gonna feel that there within a 50% gray. Canada -- some noise could add noise. Now lot of noise. That. And given little motion blur of motion -- kind of streak it. So I wanted to be straight up and down some -- that the ninety degrees. And a little bit more of a text into it there you go that's good. Maybe -- might go into my levels and just kind of."

" They -- that contrast we have it nice definition of those lines to say that that's good. Now I'm an adult one more -- to this is the critical mop. We're gonna give a little. Ocean ripple. And ocean rubles going to give me and I -- printing effect going on there really nice and have been down that size and they happen to a little bit should say that some. I streaks like that he had my street canal kind of broken up click okay that's the effect that I -- so now. And and go in there and changed a -- this is something like -- Multiply that's really dark so we'll play around with a couple of these until we see one that we'd like -- overlay. Is the one that looks good well believe going to work perfectly. -- go ahead and clip that. My."

" My plate now you're seeing it over here."

" Couldn't effect that this is overly but if I think this. Background here and I've made it black and year old sudden see all those lines go through it but now I'm ensuring that the text there will be only inside the place. -- For now there -- no lines on his -- with my -- has -- curvature to it so I'm going to do now is out of me open up the fire -- 53. Opening area there kind of take that texture. And work. And go in there and say transform. War and wanted to do of them kind of match up these corners Madrid this guy way over the here. In this guy up here. We've got it over and play around with these handles until like kind of match. The angles of what's going on in the armor. And it just gonna. If this guy -- right so the house -- file follow that makes them a -- there have been this good in. We get this curvature going and this guy over. -- this and the right there. Ago and -- over let's bring this up. This guy in that it is nice curvature all the way through to see how it's following all the little angles that I have. Just the way I want and -- click okay. And that part. I now have or that nice texture going on there now in here inside those little guys is still not quite right so -- you're gonna add another layer. -- this whole thing and I pick a little white pics from white here and my paper from the get really small paintbrush. I'm just gonna draw a little kind of a hone right in there like that. And right here the pumpkins is worth picking up that theme light. From somewhere right from the get go to Brunner. Because -- merchants to soften that up right there like that and the regular layer style. Instead of the out of blow to so it's gonna give it goes to extra Sheehan and these decides that it -- my so called the machine around it just like that. Click okay that's don't look good now."

" One thing is wrong let's put this texture. Behind the index. And -- clear right duplicate that texture. But the duplicate. In front of the invents. And it's make sure they go back and that little. Could it be long and now in there -- close. Now we see that these lines now they have the following the contours of the attendance. At this site. They should so I'm doing I'm gonna go in here and -- to the store that second. Extra layer the one that belongs to the index that's this one here. Photo of the couple ways in which had to do it one simple quick way and very and so it would be the going is this much -- That my smudge tool and you're gonna big brush. I'm just gonna go and I just gonna. Through touch just a little -- want to totally -- these guys thousands gonna go into it is kind of play with them just a little I could go -- and what it. I might even do that but to select -- section like so. -- going to do wouldn't work on that if a lot of different ways in which would do the same thing that's going to give them a little war. Stretching around that they start to really get that curvature inside. That little area and say there. And it would get all this thanks to the curvature insight into who these guys should be. In fact we're still seeing all the way through know why because when we clip that it's not really clipping an inside these guy's opinion to the overall scene. So what I'm gonna do. It then turned dependence. Into a selection. Right and now I'm gonna go to that texture and give it mask because look at -- distortion electronic given a mask. There that distortion went away and now you'll notice that. We're looking at -- this texture right inside director and obviously that it's only disappearing inside the area of the and so now we go in there and continued to distort this give the way we want. We might even go into those -- a little more commonality in this so if this went on here my want to go and iron fist. We'll extra burning here that's a little extra burn this to darken that area and there. And there. And there we see that now we have all this nice metal. Scratched medal going through it and and that Texas too strong no problem just take that and bringing down movement and then he passes this it's a subtle texture and there."

" Again the way you want. Sort of a whole bunch of different things that went on there remember is just a question of what you are faced with what particular problem you trying to follow here a lot of these things I did slight modifications here and there and solve your particular problem. We have a texture that we created. That text there was distorted the follow the contours of the shape the shape we've given dimension by adding. Highlights and shadows in different places just to get that nice curvature and of blue in events. While there are given their sense -- of indented by giving them late nobleman boss and then there was softened. The edges softened to give -- that makes continuous turn as if that medalist got to -- invent evidently cut mark or or hole in there this is kind of softened it up. All these different things and and the light's coming in an added little highlights little spot where -- Yet in that is curved and so on all these things they're just little things that you observed reality look at how things work and know what you need to do. You're creating yourself a superhero who has -- to do you have the have a gold buckle does have a metal suit doesn't have fabric. Detective to create for that is gonna it somewhere. Involves somebody's tricks that I've been doing here on the show today. You modify them and you don't like the gold OK that's a simple one just go to main -- angle endurance they. You saturation bring down saturation you got yourself a nice blue steel so reducing but he invents or -- categorize it. And now we got a nice mahogany or whatever. Anything you can do these things that's the beauty of Photoshop is that everything can be modified phones that'll -- there you go there and twist him around and do other things with them. In fact in next week's show we're going to show us some other stuff you could do would these layers. If there's. Anything you like to see on the show and they had all email me at -- at revision3.com. Or did you check out the form that revision3.com. Forward slash forums we've -- discussions about the show. Thanks again to -- For submitting our wonderful background image look at that thing. You want your all -- to be back here. Pick up the big giant green screen. All you gotta do -- send me your files and the spirit and revision3.com. Your background should be 1280 by 720 pixels and a JPEG file. Hope you're -- some from all this stuff in that they use it. You seem to show now open up Photoshop and I would this stuff pushed the buttons he would they do best way to learn is to sit him play with this stuff. Go to my site. That -- dot com they can -- his schedule where I'm gonna be an amber might be coming to town near you and all the other stuff that's going on the classes the book so that it's. Hope to see you next week Cynthia."

" Yeah and and."