" Wow."

" This episode of pixel perfect is brought to you by Netflix and godaddy.com."

" Oh yeah and."

" Welcome the pixel perfect with me -- the show where all kinds of things happen. On today's show we're going to create big weird landscape. That by the move all in three days. Before we start check out this background today. Shows background was sent to us by we gotta -- one pedal but get this thing. The village -- we start let's thank our sponsors. On it bank. Godaddy.com. You've been watching the show for sometime you've heard me read all kinds of different domain name registration hosting deals provided by godaddy dot top. Well we've put all of those deals together for you -- in one place revision3.com. Forward slash godaddy. Go there edit check out all the different discounts you can get for every piece of the Internet that godaddy.com. Provides. Also let's bank. Netflix for sponsoring pixel perfect. -- Netflix you can rent over 90000 titles online including lots of Blu-ray titles with free shipping both ways to your home. The Netflix plans start from four dollars and 99 cents and has a new member you get a no risk two week free trial membership. Check it out at www. Netflix.com. Forward slash pixel perfect and yes you do have the type that WWW. When using this code. So now let's get down to the show. Well -- today is that I'm using 3-D functions."

" Of CS four to create his beautiful landscape. And a pick out what's there and modify it to make it. Exactly -- wanted and -- up playing around with -- do it better on the screen I have a very simple black background -- little -- That's just -- picture the moon I the aperture to -- actually it's a photograph right took over the long time ago I sort of dual layer and gave Lula. They just out has to do little blue glow around and it's in his own layer so we can see that the moon is right there. I -- layer political move it around later when I want so now we're -- that would create my landscape. So and there. Right on top of this -- some -- Now. The 'cause I'm gonna use are going to determine. The heights and depths of my to -- the -- a color. The hired a peaks that darker -- no -- Tape now I am gonna use columns. The feature we use this is gonna create a plane from grey scale because got to look at the values of these colors and look at them as grey scale. -- But I'm actually going to use real color. So that way to color becomes automatic the united texture map defining what that terrain is made up. So the very tops -- going to become of doesn't live up there's only make a great contest on color photo and at that a nice light -- Have things like that. Okay now and now Bally's is all these trees are -- gross and I'm gonna pick a nice clean and a somewhat dark green tech I like that. So making sure that it's a valued its darker than that great. That I waited degrees will be. Down below and agree will be tours to top can -- a light -- group green because that'd be slighted in the great demo -- degrees going to be on top of the great -- be below some thinking a deep -- So they'll be a little lower down. -- We have that happening in there so I do is going to go into that there. And -- that there might terrain. I would give it the clouds filter. I'm gonna go there and hold down my idea option key. We're all gonna -- and fake clouds the reason I'm holding down -- so that's gonna increase the contrast between those colors given me much stronger effects as you can see there. Now. Try to imagine that this kind of like you're -- Google earth. We do an aerial view so we're looking down at this terrain -- wants and it could give us some nice new peaks along the edges. And then a central area woman put lake. So look apply a few more of this filter just until -- see exactly what I want. And two out dude I'm gonna. -- Right which applies a list both of -- hold option command after applies advanced filter clouds but what that seems strong effect on the go on there and apply a few times until I see just what I want. And that's through one more that's a good and right there I like this so now his mind mountainous terrain is right up and here. And -- here's remind make is going to be so out of doing them to think that green. And I want to go in there and just kinda paint out. These lower clouds right in here with that green. Today there they are. And here so now. In this area right here I'm heavily. Some going to get a -- That's gonna be really deep. I want to be a deep those -- deeper than that green so that the again the lake bed is gonna be. Even though the tree line so now then -- I'm gonna go in here and draw this little area right here which will become might make that. Get a smaller brush. And just kinda bring into their little bit a case and -- my little link right to this. That we have all these stones in place we have up peaks and stuff. Just like you who learned from the growth we do a little hope for the food that you were gonna do itself. First you gotta give it that depth so would it take back plane right there did my terrain. Article I wrote my three menu and what I'm here to assess new mash from grey scale and -- it do a plane. Its planes on with a complaint is gonna take a second at two and it's going to suddenly create these mountains. With the water weight down below there it is. Doesn't even look like much it's going there until does so we can see what it looks. Boehner and told that it airs tonight. Worry frame rate in there now. The worry about the lighting we're going to create our own lighting another vote closer. Into this has been towards us a little bit so that it's gonna kind of blew me off the page right here. Let's go in there and bring an end area goes to us about like that so now we have -- terrain in place I think I'm I'm over here. It's that the -- to move it over so that's. And that there right there that's looking good. So now I'm going there and start to create some effects to this this terrain here right now it's very dark but only see it right there we go into my. Three panel -- And I have some lights. The fact Ernest goes intensify Wendy's Tyson to see what's happening and that's the name down there and I just -- bring that -- up it is my terrain. Okay it is my turn -- is so brightly -- like that. I'm gonna go in and add some textures to this -- a little textures so let's go back to bomb materials here here's a terrain. And anything with a -- strength. -- little tiny bumps those little bomb -- to create that. The illusion that. Is so treetops and that the rock so kind of rough and it is even little ripples -- that watered down below. And then go into my -- strengthen this little box right here and say give me new texture. Now to reign -- and should be the same size as my file which right now it isn't so that's going to -- that's the thing sizes file. And there it is and mosquitoes -- and click okay. So. There is any second now is gonna be there it is my dream bump so now I'm gonna go to my layers. And it's going to salute you feel this guy area. There's my two reign --"

" Write this I'm gonna double click on that which opens up that file. There's the file. Which right now has nothing so we're going there and it's just fill it with that gray we have back there and do some noise and going to say. Add noise. And I would give it a bit not that much so the less I like that it should be good right -- like that. Click okay and I got this noise. Went ahead and close it and say. That's gonna save it goes back into the three file. Number it's attached to these files so it's gonna go in there and kids either of the architects receipt now rose that I got all of this little roughness to the whole scene and so so now. Now going to like this properly. Because Fernando forgive the lights somewhere off to the right over there but the latest when the moon that is not only light source so let's go in there and modify this to make it look like the moon is cast in the light. So. And they don't hear and his clothes on these guys and in my. Lights section of the three panel I'm gonna go ahead and turn off. The infinite life or treaties we don't want the infinite lights at war and turn them off to FBI for each of those that they disappear. And the last one and now this is completely dark. I'm gonna create the moon as the light source and then go and I say give me a new spotlight. I was gonna go in and create new spotlight which is gonna appear right there. Now want to see my lights so that going to or manipulate dislike. That it might spotlight which we see is somewhere underneath -- doing another take that light and move it up. So that light is up here. Right appear -- moon is so this is movement to position that in there. On the -- who scenario. Who -- the position right there on top of our moon. And right in there okay -- how -- to rotate this. And what that is knights in shining down onto our scene and bring it down and have a shined down into our seem right here like this and an increase. The intensity Ford and ethnic and nice and bright it's gonna have as really strong light shooting down into -- scene like so. And I thought it's just get it really. Pointing right in the right direction like that and maybe down a little bit more. It has its own this data here there ago so that his life. Right it's just that just a little -- that just get -- to be just the way we want. That it now we have this very bright light going on here. So now what I'm going to do now."

" His Apple does glitter going on all over the place and I'd like the group has to kind of to stay down into this area here -- got back to our materials. And does it is gloss in his here and and a kind of bring it down a little bit here is so -- that there is the -- is gonna kind of start getting a little bit. -- in there that's just been down. And she has experience something that that all the -- food to feed that -- to the stronger maximum amount of Boston is down there. Reflecting off dislike there it is okay. It's a -- we had that going on. I'm gonna go in here to my layers panel. Appear. And when there is found there kind of take that terrain and duplicated. I got cool. Okay the one on top here. Let's go back to a three panel. And the one on top that's turn off the lights for it."

" And."

" NATO's of that we don't see it and we're actually seen elected the other ones that it's called this one and turn off the lake for that one too. It's not that I so we don't see all those lights anymore. We'll see the effect of the light but we don't -- cones and stuff all right so now back to our original. Or rather the duplicate on top right. I'm gonna go in here and and go to my materials sport and here I'm gonna bring that Boston is down."

" All the way down someone whose poll that weird little effects on the -- the shiny stuff. All those places where I don't want to. It. And all of down I'm gonna go to my light source and to bring down the intensity of the light. That's not so strong wants to bring down just a little says that we've seen it there -- them we have just had. Just want to get it just right there you -- so we have this nice cover wounded kind of a collar so now this is. It later and I can intimidate layer mask. Which right now is showing everything so what I want to do is I wanna hide this area down here someone used black. And a paintbrush. -- The bottom in the water because that's some boom that's reflected down below. It. But now we've just got that and if we want to get rid of some that the that are instantly those areas and go in there and just make sure that things visible. And was seen that guy and neat and -- ago. We've got all of that happening tape then the very simple little landscape has got some stones along the top it's got."

" trees along the bottom then that were way way down there and bottom of that doubt. It's a 3-D scene is completely created using filters. I didn't really plot these mountains -- just kind of create with the clouds filter on that selects all the peaks where I want them so want. This question of the view it as top of graphical view an aerial view. So you're seeing where your mountain peaks are the light tone to going to be the tallest parts of dorktones will be the deepest parts become a kind planned to its gonna be even toward if you want. But keep in mind that you're drawing. -- those shapes. If there of them very harsh difference between two different sounds like the -- green suddenly jumps. To the -- without a gradual transition that is political Walt. Can be really sharp right rise in that that elevation so you wanna kind of keep those colors kind smooth the blender is so that you're. Terrain will look a little more natural -- wanted to war -- some particular spot. We're in general these nice mountains and then suddenly this -- war that you can come back there and so on. So then you see that we added the color. All the cool things and of course you campaign that is seen any time we've -- in previous episodes but -- what we did is we played around with lights a little bit. Into different layers to get the right effects to make it all the realistic. Just question going to plan with the stuff what does it do the 3-D stuff of so complicated play -- its fun be surprised if you're gonna discover. If there's anything you'd like to see on the show. Email me at third revision3.com. Or if you can check out the forms at revision3.com. Votes that forms where you can join discussions about the show. Thanks again there's gotta -- won't settle for submitting the background image later that that. She's so -- yet. You see just look back here instead of his dreams mean that I say. I do iPod anyway. You want to put this stuff back there semi designs sent to Bert and revision3.com. And your background should be 1280 by seven point pixels and they dictate. JPEG file and why can't say that but let. Popular something from this elaborate play that's what learns to sit there and play with the stuff push those buttons he would they do hold on modified these. Changes within -- work. Hope to see you next week."

" Yeah yeah and and."

" Yeah. --"

" Wow."

" This episode of pixel perfect is brought to you by Netflix and godaddy.com."

" Oh yeah and."

" Welcome the pixel perfect with me -- the show where all kinds of things happen. On today's show we're going to create big weird landscape. That by the move all in three days. Before we start check out this background today. Shows background was sent to us by we gotta -- one pedal but get this thing. The village -- we start let's thank our sponsors. On it bank. Godaddy.com. You've been watching the show for sometime you've heard me read all kinds of different domain name registration hosting deals provided by godaddy dot top. Well we've put all of those deals together for you -- in one place revision3.com. Forward slash godaddy. Go there edit check out all the different discounts you can get for every piece of the Internet that godaddy.com. Provides. Also let's bank. Netflix for sponsoring pixel perfect. -- Netflix you can rent over 90000 titles online including lots of Blu-ray titles with free shipping both ways to your home. The Netflix plans start from four dollars and 99 cents and has a new member you get a no risk two week free trial membership. Check it out at www. Netflix.com. Forward slash pixel perfect and yes you do have the type that WWW. When using this code. So now let's get down to the show. Well -- today is that I'm using 3-D functions."

" Of CS four to create his beautiful landscape. And a pick out what's there and modify it to make it. Exactly -- wanted and -- up playing around with -- do it better on the screen I have a very simple black background -- little -- That's just -- picture the moon I the aperture to -- actually it's a photograph right took over the long time ago I sort of dual layer and gave Lula. They just out has to do little blue glow around and it's in his own layer so we can see that the moon is right there. I -- layer political move it around later when I want so now we're -- that would create my landscape. So and there. Right on top of this -- some -- Now. The 'cause I'm gonna use are going to determine. The heights and depths of my to -- the -- a color. The hired a peaks that darker -- no -- Tape now I am gonna use columns. The feature we use this is gonna create a plane from grey scale because got to look at the values of these colors and look at them as grey scale. -- But I'm actually going to use real color. So that way to color becomes automatic the united texture map defining what that terrain is made up. So the very tops -- going to become of doesn't live up there's only make a great contest on color photo and at that a nice light -- Have things like that. Okay now and now Bally's is all these trees are -- gross and I'm gonna pick a nice clean and a somewhat dark green tech I like that. So making sure that it's a valued its darker than that great. That I waited degrees will be. Down below and agree will be tours to top can -- a light -- group green because that'd be slighted in the great demo -- degrees going to be on top of the great -- be below some thinking a deep -- So they'll be a little lower down. -- We have that happening in there so I do is going to go into that there. And -- that there might terrain. I would give it the clouds filter. I'm gonna go there and hold down my idea option key. We're all gonna -- and fake clouds the reason I'm holding down -- so that's gonna increase the contrast between those colors given me much stronger effects as you can see there. Now. Try to imagine that this kind of like you're -- Google earth. We do an aerial view so we're looking down at this terrain -- wants and it could give us some nice new peaks along the edges. And then a central area woman put lake. So look apply a few more of this filter just until -- see exactly what I want. And two out dude I'm gonna. -- Right which applies a list both of -- hold option command after applies advanced filter clouds but what that seems strong effect on the go on there and apply a few times until I see just what I want. And that's through one more that's a good and right there I like this so now his mind mountainous terrain is right up and here. And -- here's remind make is going to be so out of doing them to think that green. And I want to go in there and just kinda paint out. These lower clouds right in here with that green. Today there they are. And here so now. In this area right here I'm heavily. Some going to get a -- That's gonna be really deep. I want to be a deep those -- deeper than that green so that the again the lake bed is gonna be. Even though the tree line so now then -- I'm gonna go in here and draw this little area right here which will become might make that. Get a smaller brush. And just kinda bring into their little bit a case and -- my little link right to this. That we have all these stones in place we have up peaks and stuff. Just like you who learned from the growth we do a little hope for the food that you were gonna do itself. First you gotta give it that depth so would it take back plane right there did my terrain. Article I wrote my three menu and what I'm here to assess new mash from grey scale and -- it do a plane. Its planes on with a complaint is gonna take a second at two and it's going to suddenly create these mountains. With the water weight down below there it is. Doesn't even look like much it's going there until does so we can see what it looks. Boehner and told that it airs tonight. Worry frame rate in there now. The worry about the lighting we're going to create our own lighting another vote closer. Into this has been towards us a little bit so that it's gonna kind of blew me off the page right here. Let's go in there and bring an end area goes to us about like that so now we have -- terrain in place I think I'm I'm over here. It's that the -- to move it over so that's. And that there right there that's looking good. So now I'm going there and start to create some effects to this this terrain here right now it's very dark but only see it right there we go into my. Three panel -- And I have some lights. The fact Ernest goes intensify Wendy's Tyson to see what's happening and that's the name down there and I just -- bring that -- up it is my terrain. Okay it is my turn -- is so brightly -- like that. I'm gonna go in and add some textures to this -- a little textures so let's go back to bomb materials here here's a terrain. And anything with a -- strength. -- little tiny bumps those little bomb -- to create that. The illusion that. Is so treetops and that the rock so kind of rough and it is even little ripples -- that watered down below. And then go into my -- strengthen this little box right here and say give me new texture. Now to reign -- and should be the same size as my file which right now it isn't so that's going to -- that's the thing sizes file. And there it is and mosquitoes -- and click okay. So. There is any second now is gonna be there it is my dream bump so now I'm gonna go to my layers. And it's going to salute you feel this guy area. There's my two reign --"

" Write this I'm gonna double click on that which opens up that file. There's the file. Which right now has nothing so we're going there and it's just fill it with that gray we have back there and do some noise and going to say. Add noise. And I would give it a bit not that much so the less I like that it should be good right -- like that. Click okay and I got this noise. Went ahead and close it and say. That's gonna save it goes back into the three file. Number it's attached to these files so it's gonna go in there and kids either of the architects receipt now rose that I got all of this little roughness to the whole scene and so so now. Now going to like this properly. Because Fernando forgive the lights somewhere off to the right over there but the latest when the moon that is not only light source so let's go in there and modify this to make it look like the moon is cast in the light. So. And they don't hear and his clothes on these guys and in my. Lights section of the three panel I'm gonna go ahead and turn off. The infinite life or treaties we don't want the infinite lights at war and turn them off to FBI for each of those that they disappear. And the last one and now this is completely dark. I'm gonna create the moon as the light source and then go and I say give me a new spotlight. I was gonna go in and create new spotlight which is gonna appear right there. Now want to see my lights so that going to or manipulate dislike. That it might spotlight which we see is somewhere underneath -- doing another take that light and move it up. So that light is up here. Right appear -- moon is so this is movement to position that in there. On the -- who scenario. Who -- the position right there on top of our moon. And right in there okay -- how -- to rotate this. And what that is knights in shining down onto our scene and bring it down and have a shined down into our seem right here like this and an increase. The intensity Ford and ethnic and nice and bright it's gonna have as really strong light shooting down into -- scene like so. And I thought it's just get it really. Pointing right in the right direction like that and maybe down a little bit more. It has its own this data here there ago so that his life. Right it's just that just a little -- that just get -- to be just the way we want. That it now we have this very bright light going on here. So now what I'm going to do now."

" His Apple does glitter going on all over the place and I'd like the group has to kind of to stay down into this area here -- got back to our materials. And does it is gloss in his here and and a kind of bring it down a little bit here is so -- that there is the -- is gonna kind of start getting a little bit. -- in there that's just been down. And she has experience something that that all the -- food to feed that -- to the stronger maximum amount of Boston is down there. Reflecting off dislike there it is okay. It's a -- we had that going on. I'm gonna go in here to my layers panel. Appear. And when there is found there kind of take that terrain and duplicated. I got cool. Okay the one on top here. Let's go back to a three panel. And the one on top that's turn off the lights for it."

" And."

" NATO's of that we don't see it and we're actually seen elected the other ones that it's called this one and turn off the lake for that one too. It's not that I so we don't see all those lights anymore. We'll see the effect of the light but we don't -- cones and stuff all right so now back to our original. Or rather the duplicate on top right. I'm gonna go in here and and go to my materials sport and here I'm gonna bring that Boston is down."

" All the way down someone whose poll that weird little effects on the -- the shiny stuff. All those places where I don't want to. It. And all of down I'm gonna go to my light source and to bring down the intensity of the light. That's not so strong wants to bring down just a little says that we've seen it there -- them we have just had. Just want to get it just right there you -- so we have this nice cover wounded kind of a collar so now this is. It later and I can intimidate layer mask. Which right now is showing everything so what I want to do is I wanna hide this area down here someone used black. And a paintbrush. -- The bottom in the water because that's some boom that's reflected down below. It. But now we've just got that and if we want to get rid of some that the that are instantly those areas and go in there and just make sure that things visible. And was seen that guy and neat and -- ago. We've got all of that happening tape then the very simple little landscape has got some stones along the top it's got."

" trees along the bottom then that were way way down there and bottom of that doubt. It's a 3-D scene is completely created using filters. I didn't really plot these mountains -- just kind of create with the clouds filter on that selects all the peaks where I want them so want. This question of the view it as top of graphical view an aerial view. So you're seeing where your mountain peaks are the light tone to going to be the tallest parts of dorktones will be the deepest parts become a kind planned to its gonna be even toward if you want. But keep in mind that you're drawing. -- those shapes. If there of them very harsh difference between two different sounds like the -- green suddenly jumps. To the -- without a gradual transition that is political Walt. Can be really sharp right rise in that that elevation so you wanna kind of keep those colors kind smooth the blender is so that you're. Terrain will look a little more natural -- wanted to war -- some particular spot. We're in general these nice mountains and then suddenly this -- war that you can come back there and so on. So then you see that we added the color. All the cool things and of course you campaign that is seen any time we've -- in previous episodes but -- what we did is we played around with lights a little bit. Into different layers to get the right effects to make it all the realistic. Just question going to plan with the stuff what does it do the 3-D stuff of so complicated play -- its fun be surprised if you're gonna discover. If there's anything you'd like to see on the show. Email me at third revision3.com. Or if you can check out the forms at revision3.com. Votes that forms where you can join discussions about the show. Thanks again there's gotta -- won't settle for submitting the background image later that that. She's so -- yet. You see just look back here instead of his dreams mean that I say. I do iPod anyway. You want to put this stuff back there semi designs sent to Bert and revision3.com. And your background should be 1280 by seven point pixels and they dictate. JPEG file and why can't say that but let. Popular something from this elaborate play that's what learns to sit there and play with the stuff push those buttons he would they do hold on modified these. Changes within -- work. Hope to see you next week."

" Yeah yeah and and."

" Yeah. --"