" War. Show and welcome the pixel perfect would be very Pomeroy. Now first I want to thank John O'Sullivan for the background. Loop plug over here on the side there. But that this background here. I'm look connect. And it makes little rain happening out there nice but I'm indoors so it's okay if they -- nice and dry in here. On today's show good little license plate. -- license plate so that you can create your own license plates and whatever. But again remember it's the techniques involved because you might change a couple of things here a couple of -- here there and you. Have something totally different. But before we start. -- thought about GoDaddy. We've got embedded dot com you can keep your personal information away from spammers hackers -- crazy ex roommate. Private domain registration can GoDaddy protects your privacy by keeping your address phone number and more out of the public database. And that a cope pixel five when you check out annual save an additional ten dollars off any order of forty dollars or more. Some restrictions apply go see the site for some details. Also. Netflix. Would not fix you can rent over 90000. Titles online including Blu-ray titles with free shipping both ways to go home. Now with a look forty shipping centers almost all deliveries happen in just one business day. And plans start from as little as four dollars and 99 cents an as a new member you get -- no risk two week free trial membership when you check it out. Check it out at www. Netflix dot com forward slash pixel perfect and remember to type. WWW. When you're using this code. Very important or else it goes somewhere in the Internet and -- who knows. Now. -- license plate. License plates I -- people collect license plates and a fairly simple because I think going on there. As lot of things on the use a lot of different techniques to get the effects of the license -- Right so that's going to hear of player and I do any create new file and that it's -- big files saw going here and that's they would make it --"
" 900 by 700. -- its feet has forced it to -- PI click okay and there's my nice big shape right. Now and here I'm gonna start to create my license plate. I'm gonna use the rounded corner. Rectangle -- rounded corner analysts said that second choice right this second phase which gives me a pack. I want to -- Right so. Now -- here and I start to draw a breath of the Vatican see that the decides to kind of tight so -- and change that radius right there and change it to say this trip fortieth he would that looks like. That's looking a little better city. There's of the forty which has been nice big path that this is a pack so I can go in there is elected and do things to. Put the right position where I want it right there. Okay so now. Not a that is definitely -- here and create a new layer. Where I'm gonna go ahead and turn that path into a selection that's it makes election they should that there wouldn't set right click okay. -- I'm doing here is section rather than just filling it with me at times that I want so gradient in there so let's get some callers -- it's gonna -- a -- kind of bright yellow like that and for my background -- want to get a kind of an. Deeper conjure. More orange kind of a cholera click OK sort of does a nice little green tone right there. Don't get -- into -- that -- affected -- that guy right there and just hook. Right across here like that. Kate apparently -- was shorter with short circuit this little sparkle gone to a middle -- that little highlight which on an accent even more later so we'll see. We've got a nice starting point right there all right so now -- In a new layer. They're right here I'm gonna look at that pass. Them on that patent there's my pack. Okay which you know is that the work path temporary it would go -- let's let's say that so we have McCain now to take that path. And when a cold here to my transform Wi fi that's has have a -- selected this this -- transformed the path. So I hit my scale tool and what I want to do is I'm gonna hold down my option key to scale from the center. Did I bring and it just about like that maybe I'll hold on my shift key to constrain it. So I get this but you know what you know as was happening -- stranded since it's such a long rectangle the top and bottom -- to the -- shift -- And then kind of visually. Get a certain centers right about. Like that -- top and bottom. All right so make that happen tonight at the -- with a little shorter so want to do now is I'm gonna get -- a nice color blue. Get a nice blue like that stayed -- to -- this move deeper. About that nice bright blue click okay. I'm gonna go ahead. And stroked its. And the -- this in another layer. But there is my second later the fact that start pulling these things something we'll call this one the plate."
" And we'll call this one."
" Border. -- Would that. That -- selected I'm gonna get my paintbrush. Which is right now set to ninety animate a little bigger say about what report that you see what I'm getting right there next 24. And I know that my brush engine. And turn off my shape dynamics here -- that. So it is nice solid line I'm gonna go to brush tip and bring the space and down to 1% is going to be a solid line. All right so now now on in the brush. I have the color decided that I selected and via effect that I want some of the go into the patent they go ahead and stroke it. Which gives me this nice don't know why is it a little light that's -- that because. Look at that up there I've got my capacity set to 50% has been that back up to 1% and do it again. There you go that's what I want it nice big picture a Baghdad you don't out of look at it when it's done. Go to love undo. Life should have run dues it's so to fix Cisco men and just making little thinner. But I until about nineteen. The original size take this guy and go ahead and stroke it that's better -- the more thing he will -- turn that off so now. I'm gonna go in here and I got my little. That's same little path tool from before the -- get that little rectangle tool okay and I'm gonna go here and do a little shape and had a question like that. -- Just like that I wish him and go and chairman of duplicate that guy then duplicate them. Straight across. Just like that I'm -- now my. Option and my ship which is alt and shift on a PC I made a copy. -- the option you'll meet the copy and the shift constrain it straight across town going to shift select the second one. And do the same thing option to make a copy and shift to bring them straight down. Right there like that. All right so now -- shouldn't I don't have particular path elected and when and would do that -- with Clinton's favorite so we have it I'm gonna turn that into a selection. And in my layer that has the place. I'm gonna go ahead and believe it hit the back space on the PC the -- on a Mac. Tonight and go ahead in the select best and I look at the little holes for the play. Now all this stuff is gonna start taking shape in a little while so now that's going to start adding some text. Some are going here and let's type in red appear on top. Type in. Revision. I'm going to select I got this type here and I'm gonna play it. And put a -- here like so analytical here -- and play around with this let's that's the that I type tool. -- is out -- right there so little to do it on way too. Distort this them go Mehrtens scale and bring this down into here mainly it's smaller -- taller. I'd like that that it's. And then tighter -- sites so. All right that's a good sites hit enter and it duplicate that -- you have to have life. Sides are really pretty much stairs and take that second one -- I'm gonna bring it straight down. I doubt Obama shift key to constrain it bring it down to the bottom double click on it to select all the words and analysts say. California. -- note -- got a little too long. Okay so we're gonna do is to school and and just don't know scaling on that and to bring an end to us that had like so. Maybe move it over. And hit enter and now -- gonna go to middle. And oh yes it I'm gonna type in. Pixel. And got spell correct pixel. Perfect. Phenomena going there and start blaming that on. So it's -- this and me and in that place there and make it nice and tall. Really tall. Like so. All right that's looking good okay now. You're saying well big deal right but. This type right now is pretty sharp and if you look at the license plate pick a moment right now what's under that license plate. Detectives and sharp it's kind of rounded right it's kind of rounded -- have to take this type. And make it round. So I'm going to do it on the go ahead and up. That's stick that's a perfect separately and I think California emerged that down marriage that down let's let's go in there and go to layer and -- to rise to -- so it's no longer type. Pick take Revision 3 as say the same thing rationalize that type. And I can take that and merge down."
" That it become one. Layer which I'm not gonna turn into a selection. By command clicking on. I'm gonna save that selection. Save selection. -- turned it into an alpha channel which we see right there. All right so now go to. And reduce shipping to be picked for perfect and I have to arrest raises a layer by itself -- just -- command click on it."
" President of selection on the save that's election. Save selection."
" And I got. That would an alpha channel. So lets you select. Now -- gonna do here. Is gonna round out this type and I did this once a long time go to create little the Louis tight right. We'll soft edged type so that's -- to do here we go in there and in this alpha channel I'm going to blur. This. Effect here so that's going here and that I channel is out channel and I'm gonna go to their faith in god simpler."
" Now I'm gonna blurred just enough I get rounded edges. To my text just like that state and now I'm going to my. Levels and levels on the to sharpen it up but pushing and my -- isn't -- to decide that I want that about the size right there and then going to take these guys up so get nice little rounded text it's like that. Click okay. I'm gonna go and do the same thing that is guy get a little better."
" And then go to my levels. And do the same thing I'm gonna bring these guys then I have the right side that I want. And just tighten that up. There go to the site that. Click okay. So I could probably -- both purchase. -- as simple as that is black and white I'm just gonna go here and and load the pixel perfect into this channel -- command clicked on it and here Fox's hit back space which turned -- into. The word in the middle market these so let this go back to my RGB and here. I can throw away the text. I'm gonna throw away that layer. Though is they don't need those anymore because my text is now going to be in its own separate layer right here -- border. -- aboard so now I got my channels and I load that alpha channel. Command click on it. And they -- motivates -- right there you feel that that was selected so I'm gonna go ahead and so that's election."
" Would that do foreground color normal 100% there. And now I can decent. That we have this let's start creating the illusion that this is a real license plate I'm gonna go into the played itself. And a double click on it to bring up the latest thousand get a little drop shadow to see the peering through there. -- little distance to site that I have given a double the boss which automatically gave me some dimension increase the depth a little bit here. And this I believe that says this has pushed the highlight all the way to on descent -- get this nice little highlight going through it click okay. Now the text and then go in there and I'm gonna go into the -- doubts that. And I'm gonna give that a double of the boss. Above on the -- but I'm going to say give it an powder bevel and out of double. And then go in there and increase -- depth on it and push that size up a little so its gonna raise it from the background C just like that. I'm gonna click OK now I'm gonna duplicate it. I don't problem itself and the duplicate and we go in there into the latest out for that one and another change that problem boss to the go to -- and the -- inner bevel. Which is gonna create that effect now would have been -- down this time and then bring it down quite a bit and a push up that. Depth so now that does little highlight on the actual group he. Stay right in there like that we get these nice effects. -- push up my capacities. On the shadow and the highlight click okay and there we have this cool little license plate. Which in your case if we want outdoor little highlight on this whole thing well what I can do right now who -- come up here. I create a new layer that's not the background and one of -- with my option button pressed alt on the PC analysts say -- visible. -- everything into this one layer there so now in this layer. Maybe I want to go in their -- little highlight across the whole things with get a little white and I'll get up brush. Nice soft brush like pesetas 200 right here and I'll throw a little white -- that just like that -- Clip that. And you know what. Both the dual -- everything goes and layer right and not even -- my Obama preaching here I go right across it like that -- clip that. Right here. My option clicking between those two layers and I'm gonna bring -- capacity of that little clear. So nice to declares going across Texas going across the plate and everything is getting that nice little highlight going right through there. You could put a little dark edged down here if you want whatever and -- from a background back on and we have ourselves a license plate. Now there was a lot of steps there to a whole Lotta different steps remember that."
" What you need to do is. Look at those steps look at what they did and that's what's important it's what something does is what the -- does what they -- style but it's what they do. -- a little modification here and there and you can make it do what you want. Here you see that we have the same layer style but in two different directions which gave us the little lifting from the metal and then. A little dimension to the actual colors on top. Which gave -- nice feel like. It is in fact -- that on this metal giving us the effect I hope you learn something from that remember this is playing around this isn't work. This is having fun. Again I love that saying that says do what you love it would never work a day in your life. Well that's where I -- I don't work I just play all the time lot better. And -- this something you'd like to see on the show. Email me tell me what you want to -- you send -- to -- and revision through dot com and check out the pixel perfect for months. -- revision3.com. Forward slash foreign. That's where you can join discussions about the show and maybe even influence the future episode. Also your artwork can be used as our background like this and cool background that I have been behind me today in effect rapper Sean would jump through that whole. Go check out that world out there. You can send -- your backgrounds. Two Bert and revision3.com. Same place and back crash should be. 1280 by 720 pixels and they JPEG file that's 1280. Pixels across by 720 pixels up and down. Doesn't matter how many per inch it's those particular number of pixels popularized them -- this. Remember to come back next week and we'll do some other cool stuff. The event."
" War. Show and welcome the pixel perfect would be very Pomeroy. Now first I want to thank John O'Sullivan for the background. Loop plug over here on the side there. But that this background here. I'm look connect. And it makes little rain happening out there nice but I'm indoors so it's okay if they -- nice and dry in here. On today's show good little license plate. -- license plate so that you can create your own license plates and whatever. But again remember it's the techniques involved because you might change a couple of things here a couple of -- here there and you. Have something totally different. But before we start. -- thought about GoDaddy. We've got embedded dot com you can keep your personal information away from spammers hackers -- crazy ex roommate. Private domain registration can GoDaddy protects your privacy by keeping your address phone number and more out of the public database. And that a cope pixel five when you check out annual save an additional ten dollars off any order of forty dollars or more. Some restrictions apply go see the site for some details. Also. Netflix. Would not fix you can rent over 90000. Titles online including Blu-ray titles with free shipping both ways to go home. Now with a look forty shipping centers almost all deliveries happen in just one business day. And plans start from as little as four dollars and 99 cents an as a new member you get -- no risk two week free trial membership when you check it out. Check it out at www. Netflix dot com forward slash pixel perfect and remember to type. WWW. When you're using this code. Very important or else it goes somewhere in the Internet and -- who knows. Now. -- license plate. License plates I -- people collect license plates and a fairly simple because I think going on there. As lot of things on the use a lot of different techniques to get the effects of the license -- Right so that's going to hear of player and I do any create new file and that it's -- big files saw going here and that's they would make it --"
" 900 by 700. -- its feet has forced it to -- PI click okay and there's my nice big shape right. Now and here I'm gonna start to create my license plate. I'm gonna use the rounded corner. Rectangle -- rounded corner analysts said that second choice right this second phase which gives me a pack. I want to -- Right so. Now -- here and I start to draw a breath of the Vatican see that the decides to kind of tight so -- and change that radius right there and change it to say this trip fortieth he would that looks like. That's looking a little better city. There's of the forty which has been nice big path that this is a pack so I can go in there is elected and do things to. Put the right position where I want it right there. Okay so now. Not a that is definitely -- here and create a new layer. Where I'm gonna go ahead and turn that path into a selection that's it makes election they should that there wouldn't set right click okay. -- I'm doing here is section rather than just filling it with me at times that I want so gradient in there so let's get some callers -- it's gonna -- a -- kind of bright yellow like that and for my background -- want to get a kind of an. Deeper conjure. More orange kind of a cholera click OK sort of does a nice little green tone right there. Don't get -- into -- that -- affected -- that guy right there and just hook. Right across here like that. Kate apparently -- was shorter with short circuit this little sparkle gone to a middle -- that little highlight which on an accent even more later so we'll see. We've got a nice starting point right there all right so now -- In a new layer. They're right here I'm gonna look at that pass. Them on that patent there's my pack. Okay which you know is that the work path temporary it would go -- let's let's say that so we have McCain now to take that path. And when a cold here to my transform Wi fi that's has have a -- selected this this -- transformed the path. So I hit my scale tool and what I want to do is I'm gonna hold down my option key to scale from the center. Did I bring and it just about like that maybe I'll hold on my shift key to constrain it. So I get this but you know what you know as was happening -- stranded since it's such a long rectangle the top and bottom -- to the -- shift -- And then kind of visually. Get a certain centers right about. Like that -- top and bottom. All right so make that happen tonight at the -- with a little shorter so want to do now is I'm gonna get -- a nice color blue. Get a nice blue like that stayed -- to -- this move deeper. About that nice bright blue click okay. I'm gonna go ahead. And stroked its. And the -- this in another layer. But there is my second later the fact that start pulling these things something we'll call this one the plate."
" And we'll call this one."
" Border. -- Would that. That -- selected I'm gonna get my paintbrush. Which is right now set to ninety animate a little bigger say about what report that you see what I'm getting right there next 24. And I know that my brush engine. And turn off my shape dynamics here -- that. So it is nice solid line I'm gonna go to brush tip and bring the space and down to 1% is going to be a solid line. All right so now now on in the brush. I have the color decided that I selected and via effect that I want some of the go into the patent they go ahead and stroke it. Which gives me this nice don't know why is it a little light that's -- that because. Look at that up there I've got my capacity set to 50% has been that back up to 1% and do it again. There you go that's what I want it nice big picture a Baghdad you don't out of look at it when it's done. Go to love undo. Life should have run dues it's so to fix Cisco men and just making little thinner. But I until about nineteen. The original size take this guy and go ahead and stroke it that's better -- the more thing he will -- turn that off so now. I'm gonna go in here and I got my little. That's same little path tool from before the -- get that little rectangle tool okay and I'm gonna go here and do a little shape and had a question like that. -- Just like that I wish him and go and chairman of duplicate that guy then duplicate them. Straight across. Just like that I'm -- now my. Option and my ship which is alt and shift on a PC I made a copy. -- the option you'll meet the copy and the shift constrain it straight across town going to shift select the second one. And do the same thing option to make a copy and shift to bring them straight down. Right there like that. All right so now -- shouldn't I don't have particular path elected and when and would do that -- with Clinton's favorite so we have it I'm gonna turn that into a selection. And in my layer that has the place. I'm gonna go ahead and believe it hit the back space on the PC the -- on a Mac. Tonight and go ahead in the select best and I look at the little holes for the play. Now all this stuff is gonna start taking shape in a little while so now that's going to start adding some text. Some are going here and let's type in red appear on top. Type in. Revision. I'm going to select I got this type here and I'm gonna play it. And put a -- here like so analytical here -- and play around with this let's that's the that I type tool. -- is out -- right there so little to do it on way too. Distort this them go Mehrtens scale and bring this down into here mainly it's smaller -- taller. I'd like that that it's. And then tighter -- sites so. All right that's a good sites hit enter and it duplicate that -- you have to have life. Sides are really pretty much stairs and take that second one -- I'm gonna bring it straight down. I doubt Obama shift key to constrain it bring it down to the bottom double click on it to select all the words and analysts say. California. -- note -- got a little too long. Okay so we're gonna do is to school and and just don't know scaling on that and to bring an end to us that had like so. Maybe move it over. And hit enter and now -- gonna go to middle. And oh yes it I'm gonna type in. Pixel. And got spell correct pixel. Perfect. Phenomena going there and start blaming that on. So it's -- this and me and in that place there and make it nice and tall. Really tall. Like so. All right that's looking good okay now. You're saying well big deal right but. This type right now is pretty sharp and if you look at the license plate pick a moment right now what's under that license plate. Detectives and sharp it's kind of rounded right it's kind of rounded -- have to take this type. And make it round. So I'm going to do it on the go ahead and up. That's stick that's a perfect separately and I think California emerged that down marriage that down let's let's go in there and go to layer and -- to rise to -- so it's no longer type. Pick take Revision 3 as say the same thing rationalize that type. And I can take that and merge down."
" That it become one. Layer which I'm not gonna turn into a selection. By command clicking on. I'm gonna save that selection. Save selection. -- turned it into an alpha channel which we see right there. All right so now go to. And reduce shipping to be picked for perfect and I have to arrest raises a layer by itself -- just -- command click on it."
" President of selection on the save that's election. Save selection."
" And I got. That would an alpha channel. So lets you select. Now -- gonna do here. Is gonna round out this type and I did this once a long time go to create little the Louis tight right. We'll soft edged type so that's -- to do here we go in there and in this alpha channel I'm going to blur. This. Effect here so that's going here and that I channel is out channel and I'm gonna go to their faith in god simpler."
" Now I'm gonna blurred just enough I get rounded edges. To my text just like that state and now I'm going to my. Levels and levels on the to sharpen it up but pushing and my -- isn't -- to decide that I want that about the size right there and then going to take these guys up so get nice little rounded text it's like that. Click okay. I'm gonna go and do the same thing that is guy get a little better."
" And then go to my levels. And do the same thing I'm gonna bring these guys then I have the right side that I want. And just tighten that up. There go to the site that. Click okay. So I could probably -- both purchase. -- as simple as that is black and white I'm just gonna go here and and load the pixel perfect into this channel -- command clicked on it and here Fox's hit back space which turned -- into. The word in the middle market these so let this go back to my RGB and here. I can throw away the text. I'm gonna throw away that layer. Though is they don't need those anymore because my text is now going to be in its own separate layer right here -- border. -- aboard so now I got my channels and I load that alpha channel. Command click on it. And they -- motivates -- right there you feel that that was selected so I'm gonna go ahead and so that's election."
" Would that do foreground color normal 100% there. And now I can decent. That we have this let's start creating the illusion that this is a real license plate I'm gonna go into the played itself. And a double click on it to bring up the latest thousand get a little drop shadow to see the peering through there. -- little distance to site that I have given a double the boss which automatically gave me some dimension increase the depth a little bit here. And this I believe that says this has pushed the highlight all the way to on descent -- get this nice little highlight going through it click okay. Now the text and then go in there and I'm gonna go into the -- doubts that. And I'm gonna give that a double of the boss. Above on the -- but I'm going to say give it an powder bevel and out of double. And then go in there and increase -- depth on it and push that size up a little so its gonna raise it from the background C just like that. I'm gonna click OK now I'm gonna duplicate it. I don't problem itself and the duplicate and we go in there into the latest out for that one and another change that problem boss to the go to -- and the -- inner bevel. Which is gonna create that effect now would have been -- down this time and then bring it down quite a bit and a push up that. Depth so now that does little highlight on the actual group he. Stay right in there like that we get these nice effects. -- push up my capacities. On the shadow and the highlight click okay and there we have this cool little license plate. Which in your case if we want outdoor little highlight on this whole thing well what I can do right now who -- come up here. I create a new layer that's not the background and one of -- with my option button pressed alt on the PC analysts say -- visible. -- everything into this one layer there so now in this layer. Maybe I want to go in their -- little highlight across the whole things with get a little white and I'll get up brush. Nice soft brush like pesetas 200 right here and I'll throw a little white -- that just like that -- Clip that. And you know what. Both the dual -- everything goes and layer right and not even -- my Obama preaching here I go right across it like that -- clip that. Right here. My option clicking between those two layers and I'm gonna bring -- capacity of that little clear. So nice to declares going across Texas going across the plate and everything is getting that nice little highlight going right through there. You could put a little dark edged down here if you want whatever and -- from a background back on and we have ourselves a license plate. Now there was a lot of steps there to a whole Lotta different steps remember that."
" What you need to do is. Look at those steps look at what they did and that's what's important it's what something does is what the -- does what they -- style but it's what they do. -- a little modification here and there and you can make it do what you want. Here you see that we have the same layer style but in two different directions which gave us the little lifting from the metal and then. A little dimension to the actual colors on top. Which gave -- nice feel like. It is in fact -- that on this metal giving us the effect I hope you learn something from that remember this is playing around this isn't work. This is having fun. Again I love that saying that says do what you love it would never work a day in your life. Well that's where I -- I don't work I just play all the time lot better. And -- this something you'd like to see on the show. Email me tell me what you want to -- you send -- to -- and revision through dot com and check out the pixel perfect for months. -- revision3.com. Forward slash foreign. That's where you can join discussions about the show and maybe even influence the future episode. Also your artwork can be used as our background like this and cool background that I have been behind me today in effect rapper Sean would jump through that whole. Go check out that world out there. You can send -- your backgrounds. Two Bert and revision3.com. Same place and back crash should be. 1280 by 720 pixels and they JPEG file that's 1280. Pixels across by 720 pixels up and down. Doesn't matter how many per inch it's those particular number of pixels popularized them -- this. Remember to come back next week and we'll do some other cool stuff. The event."
I'm watching the episode now so i'll comment on it when I'm done.
*edit post show*
Still doing the LCD. Stop it! (Okay I got that out of the way)
It was a good episode. Not great, not amazing just good. It seems just like a regular episode with stuff that's been done before.
I'd really like to see Bert do other things besides just strictly photoshop tutorials. It'd be nice to see him do an episode on post production things. Post production techniques and stuff would be very interesting. But good job Bert keep up the good work. Production crew: stop the LCD :)