" Hi and welcome to pixel perfect -- on right. Another week another bunch of stuff. Exactly some really cool because you kind of the techniques. But first so I think my sponsor godaddy.com. Where. Your website visitors prospects and customers aware of web sites and online businesses that aren't what they claim to be. And worried that their personal financial information might fall into the wrong hands. We'll turn to visit his concerns into competitive advantage with the ironclad protection of a GoDaddy dec com secure certificate. He'd take care your website they'll build a website take care of it maintain it and so on and if you and connect quoted as seen on the screen right now. Pixel five when you check out you'd enter that code. And you get an additional ten dollars all. A and the order of forty dollars a war. Some restrictions apply and so on. Definitely go to godaddy.com and check out what they can do for you. And dozens of saving all that time over the Netflix. And -- a couple of movies. Because right now. Thanks to a Netflix sponsoring our show. We can get over 75000. Titles. On Netflix and if you. And third do you get to see what you get he -- and cool with the the Netflix plans start from 4099 cents of the new member and you get a no risk. Two week trial membership. If you go through. WWW. Netflix dot com forward slash pixel perfect."

" And get the information it says here -- sure to type WWW. Right is www. Netflix dot com forward slash pixel perfect. And out. Good talking about we -- that some stuff unless they go into of the more discreet but not. The normal kind of -- you know -- blemishes now I'm totally changing scenes. And today we're gonna do is create who really weird movie -- kind of things sees some horror movie or something like that it's not a throughout their life. So now this you have is beautiful sunny. CNET it would I shot up in Canada. Few months ago. And out what I want to do is turn this into a dark foggy. Moonlit night K so. Don't like that we're seeing right now because it's not because by the -- So now one thing we need to do is to go in here and start changing things a little bit. 41 thing the shadows is the only shows that we haven't here I want to get those much stronger. I'd like intensified those shadows some critical hit and my channels and find channel will -- I was a more pronounced so let me look at the red channel lance. Really even the green channel. Pretty even and the groups out you can see that the lights -- a little stronger there so I'll do it on a -- that account and duplicated. It becomes a new channel or rather an alpha channel based on the information in the account for the call you copy but that's not the -- Okay has nothing to with the image simply amassed which would do things that -- and so I'm gonna do this I'm gonna -- it still view them. Menus you guys to see it and don't hair and I'm going to invert and I. And I see my life and arts and nobody -- episode than an alpha channels. Where it's white that's written going to happen -- black he's not gonna happen so what I want to do now is going here and emphasize some of these writers fills my shadow areas. The shadows became right now now besides the pillar here I want to accept those little morsel doesn't -- in there and select those who oppose right there. Like that -- right through there. -- so and with a white -- white soft -- and going and in that the white just like that I have been modified my idea. Mind -- account here just to get it right. So -- do that little area also article and it has pink and white along that it in other words I'm intensifying that area and being down here it is doing to one of them. You can -- General idea right through here. And going there and paint that up again and make some -- so now. -- go to my curves here or actually building levels going levels and those little punch up those rights make him stronger say. -- punch up my blue tones down and my dark toned down some of the areas that already lit. Keep those nice and bright and protect them just emphasizing everything else now with a nice white mesh and it's just going to and get all those areas that are supposed to be a shadow and to me do -- the part that is to their own history."

" And take off this little thing I've been here. Segregate that so this just make sure we select only -- you wanna play effective. When my smile without light areas. Those that and then I'll take my -- questions is kind of -- that in our that a to be nice and light in this case I would be like that. And justice payable these areas and hear all these doctors make sure that go to white that's we want we want all the users unison like. And they've been with us. Building here and this part of the building -- just make sure all the years that we won't affect the going to be in there. So -- to school and against want to brush -- all these areas up like that. -- got all that this is our shadows heavily accent. So now. I go back to my RG -- back appear. And I know. That -- Right so that in the layer. They -- on top of that and go ahead and fill that with black and see how strong the shows became a really deep shadows now but I'm only affecting the area of the --"

" Billions -- cells back here. I'm gonna select the sky area so I use my magic wand to select this guy read it in here it's just it's like that other piece and the Senate to a new layer. A new -- via copy. Doesn't do other things this guy. And the builders says the buildings I'm gonna go into my hue saturation controls. Analysts think color eyes and wall until one particular shape. And finally shape that's more of a boost home but like that that looks good. I'm gonna bring up the saturation just a tad and the light is down since the little click OK now let's start to get that feeling that it's moonlight right. So now. In the sky here. Let's put. Little dark area behind this guy. And improper this guy did it in Malaysia got black and white -- and -- here and say there was some clouds vendor clouds and hold down my option key that's gonna. Give me really contrasting clouds as you can see right there. So going to -- somebody could clip those clouds with the sky so we see them only in the sky and those skills. Google's scale -- wanna kind of concentrated pops up into that area right in there like that. And I was -- we -- this moonlight happening. From I was somewhere off the scene there is the moon is passing this effect and be -- itself it nice of the building. Had a nice kind of texture like his little old to be up to -- one here. And a layer above this -- fill out there would be a 50% gray. 50% gray where I'm gonna also given the filter. Let's go to new texture Reiser and we'll give -- a little sense don't bring down scaling. Bring them to be a little bit like that click okay. And then we got this texture which I'm gonna going there and I'll put that in something like -- overlay mode so it just becomes a little hint of that texture on that building. I don't want to that this area over here -- some -- given mask. With a paintbrush which is gonna go and campaign up the theory here so we're not gonna get that. Happening in the building's back there which is gonna get it just what we want it and built in front. Now right in there that's supposed to be the -- I would want the text for Nestle and hide it in there as well. Just going and paint a -- to a black into the mask which is hiding those errors and at a window doesn't have that texture but there we see this whole effect happening. And then for a final into the singing a little going there and apply those clouds again. Let's go there and say render. Clouds and take this one and put it in screen mode. So that you can see only the light tones and I'm gonna go in there I'm -- is download it. And scale it bring it down. In this area here like this. Okay and then and take up. Good that a little mask and which has -- been with a nice big. Rush. And starts since Palin and hide some and so the area this is becomes us. Who fraud thats just me along the ground. That was totally changes seen from this beautiful sunny day. To this kind of mean ninth with fog and clouds and the moon somewhere that shining bright on the scene. -- let's put this one away for now and to look totally distancing. And of the building. Now I want this to be is that want this to be hassle at the edge of the cliff. But the stormy. Of ocean beyond that clip and so on so want to do is use a combination of images I got this one. I got this one here. And that on. Here -- month period up and this one with the ocean. As my nephew market down one of our recent hiking trips and that -- standing on perfect for the cliff. Picasso. And I don't think this is -- building up in Ottawa Canada I don't want the whole thing yeah I just want a part of this building. So what to do is I'm gonna select the part that I want and and use my job. My pencil and components around this little piece right in here and just get this little area."

" And it's okay we pick up the sky no problem with that that's going here and pick up. That portion of the bill. So the dude is gonna turn that into a selection. And drag that into my scene over here. That's -- here. Bring that into the -- here there's my little cast. Now it's gonna be in this corner there's someone to do a little -- on Google. The pars until there's facing that way. I'm gonna go into them they were just before -- will do then the second but. That's actually get rid of that sky area and I'm going to layer styles for. And the list goes down here in the blend of modes and a pullback and a white tones and they're gonna disappear. The data going away -- has been on hold down my option key respect that slider that get a really soft transition right up in those areas like that. Click OK that's looking good. Now that ocean back there let's go into that ocean and I'm gonna give that. Nice little adjustment. We'll go into our. That's going to levels we go to levels and levels zero lower tone towards the -- this and it's just -- not darts and I'm mid tones. The first become really stormy looking like that. That's looking good. And -- them Lamar. Okay and click OK so now would that this ocean looking all kind of started and so in his -- right we got there right from the moon somewhere. So in the building would go in there and talk in certain parts as good hearted brush here. And we'll smaller and unstable -- kind of dark in certain parts of the building going -- and -- these guys. Says that. And maybe darken some of these areas. Opens up exposure little bit. Cameras to start in certain parts of the building there. These little news in here and -- movement and pressure. That makes it even says question time and just acting very roughly going to go going to and create these deep shadows on the edges of the building it where I want. Right in there and maybe some -- back here and so on and now the overall building itself. I might want to go in there just over before I did let's get our cliff. So here we have this image here I want a separate that cliff from the -- the image. So want to go get into my channels and find a place on the final lot of contrast that the -- moved green mood to do via the stronger light and dark -- here. -- and again duplicate that -- And in that. Alcatel do is duplicate of the blue I'm gonna go into my he got curves. And encourage them to take this whole range very here. It is all ranges which is where I'm here and a use my pencil and pushed it down the black it's again really strong black down there and then everything else who pushed the right. I want or less of the disappear. Yeah -- up if they push. Click OK so now I need to really had this. All of cleaned up and -- just paint those little areas and there was a black and it's just turn off of the dynamics there you go to announce his opinion all those little areas. Myself I'm gonna invert this and convert it right so map now I have this sudden. Strong -- and -- here and I can erase my nephew there. And I can just got to see the rest of the art that's the CD RGB segment kind of going here and start to paint the areas I would like to -- want to hide this little area like that that's gonna be -- cliff. And I could just think that'll in black. Just like so that your hard edge. Just kind of really make this little. Craggy little edge here I'm so that's gonna be -- cliff. And this guy out so it doesn't show up. It would only to see this and then all of these areas and fill light we're gonna just keep them out through through that were black. Movies there isn't black. Back. And then to be here right now I use that. To select. Which I can now take this guy and bring him over into my scene is -- I would get this they've seen here I think that clip to move over to decide here. And get this little white stuff showing no problem going there and hide it or -- just going to my. And pull back on the rights of those licenses piercing bit ago. They're gonna click okay there's Mike -- Now my building once again chemicals more. It's going there and scale it down a little bit. Down and put it right there on the edge of the cliff. Click okay and -- a little drama. And given real close over here real close to the windows it has those little windows I think I'm going -- select the windows. And so what this little shape right here. Across and down. Over and and that's -- curved shape here. Please turn this way down and across. Those that -- and drag this guy over here and make a cut this guy over here that. The two windows right protecting now turn those into a selection. And then you layer on top of this from that path into a selection. That's -- back a little bit and a close enough to see was gonna happen under some callers him get a bright yellow."

" You know and there. For my background we'll get nice kind of an orange color and -- solar radio gradient -- We agree and say. To him out those windows are on we have -- corner of the building. Now -- up in this whole thing and add a little atmosphere. I'm going there and fill the whole thing. With black. And -- noise. Add noise lot of noise click okay and would do that. -- bit of a -- to introduce some grays have done this a few times in the show for different things. And then my levels and reduced the amount of noise. And bring up those rights in the way to a strong and no doubt about that. And they bring in just a little bit ago to -- okay. And I'm gonna give that the motion blur filter. Emotional roller coaster was they -- going this direction like that. -- the distance a little longer. Just about like that click OK we'll put that they are in screen mode. And now we have to remain. And we have our castle of -- under rocks and if we want to we can add some more details that go in there with your dodge and burn start adding some more details to the rocks. To make it even more ominous -- couldn't dig area down here and just kind of dark and some of the stuff. -- just play around to you have exactly the way you want it and we have a little castle in the in the storm."

" Waiting for Frankenstein wake -- whatever. So the lot of -- boost when in there there was some Alcatel things -- filters all kinds of different features that were being used. Now you can just just a few things here -- changed color changed settings whenever and you get a whole different effects. It's up to you the finals happy accidents that are waiting to be found. Going to play this way to learn this stuff. Hope you learned something from this and this something you just can't figure out on your own semi -- upset at the Burton a revision3.com. Is -- against me. And I try to answer here on the show. Poker are something so you next week."

" Hi and welcome to pixel perfect -- on right. Another week another bunch of stuff. Exactly some really cool because you kind of the techniques. But first so I think my sponsor godaddy.com. Where. Your website visitors prospects and customers aware of web sites and online businesses that aren't what they claim to be. And worried that their personal financial information might fall into the wrong hands. We'll turn to visit his concerns into competitive advantage with the ironclad protection of a GoDaddy dec com secure certificate. He'd take care your website they'll build a website take care of it maintain it and so on and if you and connect quoted as seen on the screen right now. Pixel five when you check out you'd enter that code. And you get an additional ten dollars all. A and the order of forty dollars a war. Some restrictions apply and so on. Definitely go to godaddy.com and check out what they can do for you. And dozens of saving all that time over the Netflix. And -- a couple of movies. Because right now. Thanks to a Netflix sponsoring our show. We can get over 75000. Titles. On Netflix and if you. And third do you get to see what you get he -- and cool with the the Netflix plans start from 4099 cents of the new member and you get a no risk. Two week trial membership. If you go through. WWW. Netflix dot com forward slash pixel perfect."

" And get the information it says here -- sure to type WWW. Right is www. Netflix dot com forward slash pixel perfect. And out. Good talking about we -- that some stuff unless they go into of the more discreet but not. The normal kind of -- you know -- blemishes now I'm totally changing scenes. And today we're gonna do is create who really weird movie -- kind of things sees some horror movie or something like that it's not a throughout their life. So now this you have is beautiful sunny. CNET it would I shot up in Canada. Few months ago. And out what I want to do is turn this into a dark foggy. Moonlit night K so. Don't like that we're seeing right now because it's not because by the -- So now one thing we need to do is to go in here and start changing things a little bit. 41 thing the shadows is the only shows that we haven't here I want to get those much stronger. I'd like intensified those shadows some critical hit and my channels and find channel will -- I was a more pronounced so let me look at the red channel lance. Really even the green channel. Pretty even and the groups out you can see that the lights -- a little stronger there so I'll do it on a -- that account and duplicated. It becomes a new channel or rather an alpha channel based on the information in the account for the call you copy but that's not the -- Okay has nothing to with the image simply amassed which would do things that -- and so I'm gonna do this I'm gonna -- it still view them. Menus you guys to see it and don't hair and I'm going to invert and I. And I see my life and arts and nobody -- episode than an alpha channels. Where it's white that's written going to happen -- black he's not gonna happen so what I want to do now is going here and emphasize some of these writers fills my shadow areas. The shadows became right now now besides the pillar here I want to accept those little morsel doesn't -- in there and select those who oppose right there. Like that -- right through there. -- so and with a white -- white soft -- and going and in that the white just like that I have been modified my idea. Mind -- account here just to get it right. So -- do that little area also article and it has pink and white along that it in other words I'm intensifying that area and being down here it is doing to one of them. You can -- General idea right through here. And going there and paint that up again and make some -- so now. -- go to my curves here or actually building levels going levels and those little punch up those rights make him stronger say. -- punch up my blue tones down and my dark toned down some of the areas that already lit. Keep those nice and bright and protect them just emphasizing everything else now with a nice white mesh and it's just going to and get all those areas that are supposed to be a shadow and to me do -- the part that is to their own history."

" And take off this little thing I've been here. Segregate that so this just make sure we select only -- you wanna play effective. When my smile without light areas. Those that and then I'll take my -- questions is kind of -- that in our that a to be nice and light in this case I would be like that. And justice payable these areas and hear all these doctors make sure that go to white that's we want we want all the users unison like. And they've been with us. Building here and this part of the building -- just make sure all the years that we won't affect the going to be in there. So -- to school and against want to brush -- all these areas up like that. -- got all that this is our shadows heavily accent. So now. I go back to my RG -- back appear. And I know. That -- Right so that in the layer. They -- on top of that and go ahead and fill that with black and see how strong the shows became a really deep shadows now but I'm only affecting the area of the --"

" Billions -- cells back here. I'm gonna select the sky area so I use my magic wand to select this guy read it in here it's just it's like that other piece and the Senate to a new layer. A new -- via copy. Doesn't do other things this guy. And the builders says the buildings I'm gonna go into my hue saturation controls. Analysts think color eyes and wall until one particular shape. And finally shape that's more of a boost home but like that that looks good. I'm gonna bring up the saturation just a tad and the light is down since the little click OK now let's start to get that feeling that it's moonlight right. So now. In the sky here. Let's put. Little dark area behind this guy. And improper this guy did it in Malaysia got black and white -- and -- here and say there was some clouds vendor clouds and hold down my option key that's gonna. Give me really contrasting clouds as you can see right there. So going to -- somebody could clip those clouds with the sky so we see them only in the sky and those skills. Google's scale -- wanna kind of concentrated pops up into that area right in there like that. And I was -- we -- this moonlight happening. From I was somewhere off the scene there is the moon is passing this effect and be -- itself it nice of the building. Had a nice kind of texture like his little old to be up to -- one here. And a layer above this -- fill out there would be a 50% gray. 50% gray where I'm gonna also given the filter. Let's go to new texture Reiser and we'll give -- a little sense don't bring down scaling. Bring them to be a little bit like that click okay. And then we got this texture which I'm gonna going there and I'll put that in something like -- overlay mode so it just becomes a little hint of that texture on that building. I don't want to that this area over here -- some -- given mask. With a paintbrush which is gonna go and campaign up the theory here so we're not gonna get that. Happening in the building's back there which is gonna get it just what we want it and built in front. Now right in there that's supposed to be the -- I would want the text for Nestle and hide it in there as well. Just going and paint a -- to a black into the mask which is hiding those errors and at a window doesn't have that texture but there we see this whole effect happening. And then for a final into the singing a little going there and apply those clouds again. Let's go there and say render. Clouds and take this one and put it in screen mode. So that you can see only the light tones and I'm gonna go in there I'm -- is download it. And scale it bring it down. In this area here like this. Okay and then and take up. Good that a little mask and which has -- been with a nice big. Rush. And starts since Palin and hide some and so the area this is becomes us. Who fraud thats just me along the ground. That was totally changes seen from this beautiful sunny day. To this kind of mean ninth with fog and clouds and the moon somewhere that shining bright on the scene. -- let's put this one away for now and to look totally distancing. And of the building. Now I want this to be is that want this to be hassle at the edge of the cliff. But the stormy. Of ocean beyond that clip and so on so want to do is use a combination of images I got this one. I got this one here. And that on. Here -- month period up and this one with the ocean. As my nephew market down one of our recent hiking trips and that -- standing on perfect for the cliff. Picasso. And I don't think this is -- building up in Ottawa Canada I don't want the whole thing yeah I just want a part of this building. So what to do is I'm gonna select the part that I want and and use my job. My pencil and components around this little piece right in here and just get this little area."

" And it's okay we pick up the sky no problem with that that's going here and pick up. That portion of the bill. So the dude is gonna turn that into a selection. And drag that into my scene over here. That's -- here. Bring that into the -- here there's my little cast. Now it's gonna be in this corner there's someone to do a little -- on Google. The pars until there's facing that way. I'm gonna go into them they were just before -- will do then the second but. That's actually get rid of that sky area and I'm going to layer styles for. And the list goes down here in the blend of modes and a pullback and a white tones and they're gonna disappear. The data going away -- has been on hold down my option key respect that slider that get a really soft transition right up in those areas like that. Click OK that's looking good. Now that ocean back there let's go into that ocean and I'm gonna give that. Nice little adjustment. We'll go into our. That's going to levels we go to levels and levels zero lower tone towards the -- this and it's just -- not darts and I'm mid tones. The first become really stormy looking like that. That's looking good. And -- them Lamar. Okay and click OK so now would that this ocean looking all kind of started and so in his -- right we got there right from the moon somewhere. So in the building would go in there and talk in certain parts as good hearted brush here. And we'll smaller and unstable -- kind of dark in certain parts of the building going -- and -- these guys. Says that. And maybe darken some of these areas. Opens up exposure little bit. Cameras to start in certain parts of the building there. These little news in here and -- movement and pressure. That makes it even says question time and just acting very roughly going to go going to and create these deep shadows on the edges of the building it where I want. Right in there and maybe some -- back here and so on and now the overall building itself. I might want to go in there just over before I did let's get our cliff. So here we have this image here I want a separate that cliff from the -- the image. So want to go get into my channels and find a place on the final lot of contrast that the -- moved green mood to do via the stronger light and dark -- here. -- and again duplicate that -- And in that. Alcatel do is duplicate of the blue I'm gonna go into my he got curves. And encourage them to take this whole range very here. It is all ranges which is where I'm here and a use my pencil and pushed it down the black it's again really strong black down there and then everything else who pushed the right. I want or less of the disappear. Yeah -- up if they push. Click OK so now I need to really had this. All of cleaned up and -- just paint those little areas and there was a black and it's just turn off of the dynamics there you go to announce his opinion all those little areas. Myself I'm gonna invert this and convert it right so map now I have this sudden. Strong -- and -- here and I can erase my nephew there. And I can just got to see the rest of the art that's the CD RGB segment kind of going here and start to paint the areas I would like to -- want to hide this little area like that that's gonna be -- cliff. And I could just think that'll in black. Just like so that your hard edge. Just kind of really make this little. Craggy little edge here I'm so that's gonna be -- cliff. And this guy out so it doesn't show up. It would only to see this and then all of these areas and fill light we're gonna just keep them out through through that were black. Movies there isn't black. Back. And then to be here right now I use that. To select. Which I can now take this guy and bring him over into my scene is -- I would get this they've seen here I think that clip to move over to decide here. And get this little white stuff showing no problem going there and hide it or -- just going to my. And pull back on the rights of those licenses piercing bit ago. They're gonna click okay there's Mike -- Now my building once again chemicals more. It's going there and scale it down a little bit. Down and put it right there on the edge of the cliff. Click okay and -- a little drama. And given real close over here real close to the windows it has those little windows I think I'm going -- select the windows. And so what this little shape right here. Across and down. Over and and that's -- curved shape here. Please turn this way down and across. Those that -- and drag this guy over here and make a cut this guy over here that. The two windows right protecting now turn those into a selection. And then you layer on top of this from that path into a selection. That's -- back a little bit and a close enough to see was gonna happen under some callers him get a bright yellow."

" You know and there. For my background we'll get nice kind of an orange color and -- solar radio gradient -- We agree and say. To him out those windows are on we have -- corner of the building. Now -- up in this whole thing and add a little atmosphere. I'm going there and fill the whole thing. With black. And -- noise. Add noise lot of noise click okay and would do that. -- bit of a -- to introduce some grays have done this a few times in the show for different things. And then my levels and reduced the amount of noise. And bring up those rights in the way to a strong and no doubt about that. And they bring in just a little bit ago to -- okay. And I'm gonna give that the motion blur filter. Emotional roller coaster was they -- going this direction like that. -- the distance a little longer. Just about like that click OK we'll put that they are in screen mode. And now we have to remain. And we have our castle of -- under rocks and if we want to we can add some more details that go in there with your dodge and burn start adding some more details to the rocks. To make it even more ominous -- couldn't dig area down here and just kind of dark and some of the stuff. -- just play around to you have exactly the way you want it and we have a little castle in the in the storm."

" Waiting for Frankenstein wake -- whatever. So the lot of -- boost when in there there was some Alcatel things -- filters all kinds of different features that were being used. Now you can just just a few things here -- changed color changed settings whenever and you get a whole different effects. It's up to you the finals happy accidents that are waiting to be found. Going to play this way to learn this stuff. Hope you learned something from this and this something you just can't figure out on your own semi -- upset at the Burton a revision3.com. Is -- against me. And I try to answer here on the show. Poker are something so you next week."