" It's."

" Welcome to another episode pixel -- on where's Photoshop stuff and he'll become the okay thank -- godaddy.com. And we got. The media for. Get reliable secure web hosting without the long term contract. That rate is good. Godaddy hosting plans are bigger and better than ever with 99%. Up time. Free 24 sevenths support and no annual commitment. That's the ball plans start at 399. A month that right I mean it yet 399 month switch. Plus enter -- perfect. You right -- on screen. When you check out and save an additional five dollars off orders a thirty dollars or more some restrictions apply. Okay. So. That said that start talking about stuff here. Yes week's show interviews and you -- led to temper on. And this fidelity touch -- one more aspect of it because it gonna show lot of things that come before and -- news stuff. Depending on the screen again. And zoom in on the pepper. Zoom in on the peppers inside here. In -- posters -- with the pepper looks like he's he's all these different little grains of pepper. All of those individual grains. Bunch of stuff in there. All that -- now creating that pepper that's silent about this show. And is down here he is an early version of the file. You'd see it this was night as you can see that the title school lunch shakers this is -- the file where I created the actual pepper shaker. There is -- one for the salt. This one now here I had certain parts that had been completed at this topic except the inside of the of the new bottle. And the -- Muster doesn't have in the front there and all the other stuff stillness. And napkin. And the tablecloth -- only things that were completed at this particular stage by creating that pepper zoom in on it and look at it here. And you know is that here it doesn't have this in detail and -- and -- matters here. -- some little highlights and stuff going on that's -- talk about now. And you file and show you how the actual Apple was. Creative idea -- linked to create a brush. And create a brush from myself and go in here and select the nice small ledge here and its -- that. -- this and I -- this little sheep like that. And I'll do another one right here. Slightly different from that one and maybe a third right here which will make even different. Area. I got these three weird that -- That's the basis for -- operate there -- like that. And turn that into a brush. Over here say define brush preset. And as we can even call it pepper. So minorities. Pick okay -- fade away now and -- later. Because create everything in the mayor's right. So there are gonna take my paintbrush and get that little Pepperidge is created rate there at the end. And of course right now she's gonna do that so in our brush engine we're gonna go in -- and randomized that and get my brush engine here. And in fact let's pull Nazis really -- it's gonna happen here and go in there and we're gonna of those little space and more space and make that. That's the space and drop right there Specter who -- it. There's some space. And then go to the shape dynamics where in shape dynamics and mindset set my -- control took off and control of this way to a size -- 100% between stroke between tips the federal minimum diameter so don't get too small about maybe. 31%. And I'm going there and changed angle is set at 200% difference right there. Now every time a dozen different tip it's gonna be a different angle the different sides from its neighbors and then I'm gonna scattered. The Mormon scattered with him both Texas it's gonna go and all kinds -- directions and that's Kennedys like that. That's all I need to do that I can take this and bring him back into my dock here and I start to draw. And going to get this these we're in the shape thickness. Now I switch callers I went in and up. Let's say we go in and add a little gray light. The light grey today its end to the dark color here it will make it a little more of a brownish tone bring it over into this area here. That I got these to call it -- go back into my brush engine. And this. Analysts at up -- dynamics. Says going to have different colors between format backgrounds at -- 100% and add a hue saturation and brightness. That we have that going. In another layer I'll add another base. Of chunks. There -- gonna we've -- different varieties -- happen. I go in there and again changed my collars and into yet another layer. Even more pepper so it has multiple layers going on here so let's go look at these. So right here. Policy that we have all these different layers happen and it's going there and that's just turn everything off. And we have the background which right now is his great that's the area -- pull back -- the area of the thing itself the shaker. That's debris were seen onscreen and -- we have some stuff going on here a start turning things on individually. -- you feel there now. Also in that they -- I've edits and tones of the shadows after I've made on its -- he's a -- fairly light I went in there with -- dodge and burn in had a little. Home tested get your -- war right. And here and there is the body shape. And become the peppers. Utica these highlights some on here we've got pepper. And man all of these hide eggs yeah everything's in -- separate layer and he's coming in and here comes the pepper. There's about. That pepper is made up of many different layers. And an AR. Turn this one on need to see rates are coming in as another one on top of that. -- another one if you start to build up all of these different layers on top of each other. Now some of these. Have the latest styles applied. Like this one here it's got eight drop shadow and a Babylon boss as does the to a problem. Let's turn these all off the agency -- practices and it's their blogs. You see -- flat they really are. Until I had this one. This one has a Babylon balls and has noise -- has little noise and is a -- boss know drop shadow. -- right to know them in this area here. That's veneer on top of that there's another tabloid but it does have the Babylon and boss and a drop shadow like that one. Is one on top of that again the double boss and the drop shadow so ordered these on top of each other started to form. The peppered that we see here but it is still kind of flatten. It's still fairly flat. Once all of these are combined into the single file that's when I went in there and again using brushes. I can see here is an -- textures and so on what I did at that point was to go in here and second individual bunch right here. Got a brush again. And this time I used when it is spatter Russians. Going to hear news like this little fourteen right here fourteen being the size of that particular bunch and it's -- brush which right now. Let's go create later. And I -- to say use white that we can really see it stand out here. It's gonna do this to street to street. -- just click you can see what it looks like that little white shape there so again in my brush engine. I go near and randomized. On going there and juvenile spacing."

" On shape dynamics and my angle and I size dinner there it is sent created this little kind of shape like that. And even the whites -- released CD affect -- wants I had all the tones in there I can make my brush a little smaller and I went in their started adding little. Tones little highlights the little lines that can even reduce -- pass these are essential strong interest and it it'll. -- shapes and angles different callers that would switch colors here and there and thought -- edit all these additional details that when we see the finish piece back here. There we see all these little -- getting closer to see some analysts. And here and then you can see how all these little textures or -- to each individual piece of pepper now. It takes time to do that add stuff I don't rush to it's this is eight deadline situation though was to get it done -- Photoshop world. Which is not really done yet but. It's a labour of love going there and I start amnesty to like take my time enjoyed currently does and thing to substances that they that. Now. The reason this is not finished is if you noticed name on the screen here it's quote luncheon to -- once over. My once so a file is about where I've pretty much flattened everything I've put in all the elements and pretty much flattened so now what's going to happen. In the final stage is I'm going to zoom in. To a specific area. And it even closer and that aspect to study this and I'll start adding additional detail work on it when I get to a certain point such as move it up. And I start adding details here I move it up and it details move it up and so when I get the bottom I move across. Start working here move up and start working so my once so filers as round going into -- looking for any mistakes or anything that when it and so one. And that's what a final detail it's it's added. So hopefully sometime between now and Christmas I get this thing done. But it's just questioned going in there and any final Vito god just show you one thing where I know it needs details coming posted this. Bottle here this bottle think it's brand new. Right here along the edge of an a couple of scares rips the Ayers paper hairs and down so that's gonna make -- More real right now if you look at it looks fairly flat. So when you see to finish piece is gonna have a lot of additional details added later as the fine tuning that I do. When the Goldman once over of files. And -- and so file that he. A couple of hours -- could be couple of days' worth of work I just haven't had time to go back in there advantages but it will very soon. Popular or something from that we went over brushes which we have had episodes about that we've looked at a bunch of different things and so on popular something. -- That's -- it -- to sit there and play with -- stuff don't think of his works -- who's playing. -- in the next show."

" It's."

" Welcome to another episode pixel -- on where's Photoshop stuff and he'll become the okay thank -- godaddy.com. And we got. The media for. Get reliable secure web hosting without the long term contract. That rate is good. Godaddy hosting plans are bigger and better than ever with 99%. Up time. Free 24 sevenths support and no annual commitment. That's the ball plans start at 399. A month that right I mean it yet 399 month switch. Plus enter -- perfect. You right -- on screen. When you check out and save an additional five dollars off orders a thirty dollars or more some restrictions apply. Okay. So. That said that start talking about stuff here. Yes week's show interviews and you -- led to temper on. And this fidelity touch -- one more aspect of it because it gonna show lot of things that come before and -- news stuff. Depending on the screen again. And zoom in on the pepper. Zoom in on the peppers inside here. In -- posters -- with the pepper looks like he's he's all these different little grains of pepper. All of those individual grains. Bunch of stuff in there. All that -- now creating that pepper that's silent about this show. And is down here he is an early version of the file. You'd see it this was night as you can see that the title school lunch shakers this is -- the file where I created the actual pepper shaker. There is -- one for the salt. This one now here I had certain parts that had been completed at this topic except the inside of the of the new bottle. And the -- Muster doesn't have in the front there and all the other stuff stillness. And napkin. And the tablecloth -- only things that were completed at this particular stage by creating that pepper zoom in on it and look at it here. And you know is that here it doesn't have this in detail and -- and -- matters here. -- some little highlights and stuff going on that's -- talk about now. And you file and show you how the actual Apple was. Creative idea -- linked to create a brush. And create a brush from myself and go in here and select the nice small ledge here and its -- that. -- this and I -- this little sheep like that. And I'll do another one right here. Slightly different from that one and maybe a third right here which will make even different. Area. I got these three weird that -- That's the basis for -- operate there -- like that. And turn that into a brush. Over here say define brush preset. And as we can even call it pepper. So minorities. Pick okay -- fade away now and -- later. Because create everything in the mayor's right. So there are gonna take my paintbrush and get that little Pepperidge is created rate there at the end. And of course right now she's gonna do that so in our brush engine we're gonna go in -- and randomized that and get my brush engine here. And in fact let's pull Nazis really -- it's gonna happen here and go in there and we're gonna of those little space and more space and make that. That's the space and drop right there Specter who -- it. There's some space. And then go to the shape dynamics where in shape dynamics and mindset set my -- control took off and control of this way to a size -- 100% between stroke between tips the federal minimum diameter so don't get too small about maybe. 31%. And I'm going there and changed angle is set at 200% difference right there. Now every time a dozen different tip it's gonna be a different angle the different sides from its neighbors and then I'm gonna scattered. The Mormon scattered with him both Texas it's gonna go and all kinds -- directions and that's Kennedys like that. That's all I need to do that I can take this and bring him back into my dock here and I start to draw. And going to get this these we're in the shape thickness. Now I switch callers I went in and up. Let's say we go in and add a little gray light. The light grey today its end to the dark color here it will make it a little more of a brownish tone bring it over into this area here. That I got these to call it -- go back into my brush engine. And this. Analysts at up -- dynamics. Says going to have different colors between format backgrounds at -- 100% and add a hue saturation and brightness. That we have that going. In another layer I'll add another base. Of chunks. There -- gonna we've -- different varieties -- happen. I go in there and again changed my collars and into yet another layer. Even more pepper so it has multiple layers going on here so let's go look at these. So right here. Policy that we have all these different layers happen and it's going there and that's just turn everything off. And we have the background which right now is his great that's the area -- pull back -- the area of the thing itself the shaker. That's debris were seen onscreen and -- we have some stuff going on here a start turning things on individually. -- you feel there now. Also in that they -- I've edits and tones of the shadows after I've made on its -- he's a -- fairly light I went in there with -- dodge and burn in had a little. Home tested get your -- war right. And here and there is the body shape. And become the peppers. Utica these highlights some on here we've got pepper. And man all of these hide eggs yeah everything's in -- separate layer and he's coming in and here comes the pepper. There's about. That pepper is made up of many different layers. And an AR. Turn this one on need to see rates are coming in as another one on top of that. -- another one if you start to build up all of these different layers on top of each other. Now some of these. Have the latest styles applied. Like this one here it's got eight drop shadow and a Babylon boss as does the to a problem. Let's turn these all off the agency -- practices and it's their blogs. You see -- flat they really are. Until I had this one. This one has a Babylon balls and has noise -- has little noise and is a -- boss know drop shadow. -- right to know them in this area here. That's veneer on top of that there's another tabloid but it does have the Babylon and boss and a drop shadow like that one. Is one on top of that again the double boss and the drop shadow so ordered these on top of each other started to form. The peppered that we see here but it is still kind of flatten. It's still fairly flat. Once all of these are combined into the single file that's when I went in there and again using brushes. I can see here is an -- textures and so on what I did at that point was to go in here and second individual bunch right here. Got a brush again. And this time I used when it is spatter Russians. Going to hear news like this little fourteen right here fourteen being the size of that particular bunch and it's -- brush which right now. Let's go create later. And I -- to say use white that we can really see it stand out here. It's gonna do this to street to street. -- just click you can see what it looks like that little white shape there so again in my brush engine. I go near and randomized. On going there and juvenile spacing."

" On shape dynamics and my angle and I size dinner there it is sent created this little kind of shape like that. And even the whites -- released CD affect -- wants I had all the tones in there I can make my brush a little smaller and I went in their started adding little. Tones little highlights the little lines that can even reduce -- pass these are essential strong interest and it it'll. -- shapes and angles different callers that would switch colors here and there and thought -- edit all these additional details that when we see the finish piece back here. There we see all these little -- getting closer to see some analysts. And here and then you can see how all these little textures or -- to each individual piece of pepper now. It takes time to do that add stuff I don't rush to it's this is eight deadline situation though was to get it done -- Photoshop world. Which is not really done yet but. It's a labour of love going there and I start amnesty to like take my time enjoyed currently does and thing to substances that they that. Now. The reason this is not finished is if you noticed name on the screen here it's quote luncheon to -- once over. My once so a file is about where I've pretty much flattened everything I've put in all the elements and pretty much flattened so now what's going to happen. In the final stage is I'm going to zoom in. To a specific area. And it even closer and that aspect to study this and I'll start adding additional detail work on it when I get to a certain point such as move it up. And I start adding details here I move it up and it details move it up and so when I get the bottom I move across. Start working here move up and start working so my once so filers as round going into -- looking for any mistakes or anything that when it and so one. And that's what a final detail it's it's added. So hopefully sometime between now and Christmas I get this thing done. But it's just questioned going in there and any final Vito god just show you one thing where I know it needs details coming posted this. Bottle here this bottle think it's brand new. Right here along the edge of an a couple of scares rips the Ayers paper hairs and down so that's gonna make -- More real right now if you look at it looks fairly flat. So when you see to finish piece is gonna have a lot of additional details added later as the fine tuning that I do. When the Goldman once over of files. And -- and so file that he. A couple of hours -- could be couple of days' worth of work I just haven't had time to go back in there advantages but it will very soon. Popular or something from that we went over brushes which we have had episodes about that we've looked at a bunch of different things and so on popular something. -- That's -- it -- to sit there and play with -- stuff don't think of his works -- who's playing. -- in the next show."