" This episode pixel perfect you've brought do you buy and Netflix and godaddy.com. Hello and welcome the pixel -- it would be very Monroe it. On today's show we're going to look at some design uses of the merge functions in Photoshop. But first. And his background. It was sent by Stewart would just check this thing now. Kind of cool president. And you know she's looking -- the content. The man. That's really cool no load that but anyway you can see a -- who were able to hook up there but we're looking at it. So now. Before we start let's thank our sponsors godaddy.com. Where you can get reliable secure web hosting without the long term contract. Godaddy hosting plans are bigger and better than ever with 99%. Up time. Free 24 sevenths support and no annual commitment. And did a -- pixel wanted to see this being right there and when you check out you'll save an additional 10% off your entire order. Get a piece of the Internet at godaddy.com."

" Also want to thank Netflix for sponsoring pixel perfect. With Netflix you can rent over 90000. Titles online including lots of Blu-ray titles with free shipping both ways to your home. They now have over forty shipping centers so almost all deliveries happen in just one business day. The Netflix plans start from four dollars and 99 cents an as a new member you can get a no risk two week free trial membership. Check it out at www. Netflix.com. -- flash. Pixel perfect and remember you do have that type in net WWW. When using this code."

" The map. Onto the shelf. Now you know about photo merge it's been around for awhile right. For emergency lipstick on -- different pictures of put together that are really cool things about the of that photo with the prison right here on the screen isn't. Image -- merger a bunch of though -- infected with. -- vertically and horizontally to create this image. What can you would do this welcome print out this political image we could do some really cool like go in here and take that image and go do something like this -- would take. Human shape from layer and we'll turn into a spherical panorama. And then once just circle panorama. Sit -- real fast. There we go in there and start looking at things that we can travel around and look at ceiling in look at the floor and just travel around this thing. And to see -- from all different angles. And so -- it's like or is that you became. Part of the -- it's travel around the net which is really cool. But. I tell you what. We're gonna do is gonna look at some parts about merging things that the little different. Serve a different purpose now I have said many times in the show is that look at what something does. And understand that is sometimes you'll see that that becomes an answer to some problem you're faced with. Here -- would -- that today by using -- fair for kind of functions that most people might not really think about. Okay I got on the screen right now I got this photograph. Nice at a photograph that I just thought. It's really cool it's just so you might say well big deal tree in the chat but I like things like this is this -- And this cool shadow of itself right there against is great texture. This beautiful brick texture backed Ellison -- bush has done and format here. But there then my problems seed it right there that whole. That little sign right there sought to you what to do the situation like this is is what I did I took the shot is my shot and I can. But I knew that whole we'll have to go so what I did is I shifted my position a few feet over and looking through my lens that I can see that went. The image being hidden by the poll was exposed I knew that -- had what was going to need later. So I took a second shot. And right you'll see. It's just second shot now we look into them together they look pretty much by the same shot however. You know is that the poll here is going right through his area of the shadow and right here that area the shadow is exposed. See that. So what I'm going to do now. Is I'm gonna take this image which is exactly the same size images the other. Now I didn't put designed tripod they aren't exactly -- at the top portion of these think if you have a tripod that would make things easier but I -- tripod I was just. Organized street is shot solid state doesn't dragon did -- don't hold down my shift key is gonna fall right position over the other. Now when I look at my layers palate you see that they're not exactly the same. Right so what I'm going to do now and I'm gonna take that layer. And select the one below it. And it -- here. And I have this little thing on that at a coal auto align layers to see that auto align layers and click on that. And a state auto which means going to distorted. The -- needs to in order to make these two match up click okay you see little movement happen. And here you go it's gonna do a photo aligning layers. And boom there's little shift happen. So now you notice that the background also became a -- became -- zero. Sort of converted the background into a layer so they could take the two layers and line them up so now when we look at this we see that the players -- lineup. To say that but that little sign of the design is moving itself as a trivial little bit but that's okay. Another go in and crop this so I'm going here and that's to their bottom when -- the most -- photos going managers select this area right through here. Like so. And then go ahead and crop the whole image crop. There you go now it can be selected and there we see we have this so what I wanna do get a little closer here. Real close to the receipt that's signed is that objectionable sign which is in the image below up so want to do is I'm gonna take in this later appear. They on top I'm gonna give a layer mask. There's a layer mask and in that layer mask I'm not gonna think black member of black hides. And I want to go India and let's get my size brush just go with a let's say 35 minutes those grew bigger hundred yeah regulates the heart. Nice when it holy card just enough and has such a pain in. In the -- to back up. And that's that the pain in the side. And look at that. There's -- signed gun. No fancy cloning back and forth which would take a lot of time clone he would get the bring me the bricks lineup now. Auto align lined up all the bricks and everything looks nice and even everything's clean but now -- take off my sign. Might have mask to see that they sign is still there. Turn mass spec on the as a sign the sign is in the one underneath. There it is moved over but I would be able to go in there and totally take the sign out by simply taking two shots with a slight movement of out. Four feet or so depending on how far you're looking at this thing how far you have to move before you can see the parts of being obstructed by the image. Now."

" There was taken something out what do I want to put something it doesn't Germany recently and my wife and I were. Going through the town of -- up -- was asleep amateur is taken pictures of things and there was nobody there. Kind of take a picture to tool box and nobody is exhibit -- and so we did is we plan that. From navy use the put us together in Photoshop it's to -- Photoshop so we planned it byte by any particular spot again I'll try -- So you just gotta make sure that you're standing in the same spot when you take the picture and -- Fairly accurate as to how are you getting it and definitely plan your subject where you're standing. So as in front of this hotel. In a little town called Rothenberg in Germany and here we see that we have two shots. As one of me. And one of my wife confronted the same hotel now she's standing here. So I figured that if you stand out to be standing right here and added as you see I am standing right off to the side there. So what's going to happen now. It and they go in here and I'm gonna go in and let's just take. Me. And bring me into this -- going to take. I just held on my shift key dragged it over it -- move tool and one images on top but the other. There and that is slightly off this close of one of the back. And what I'm going to do now is I'm gonna go in there and take this guy and mask right so. I you know what we'll do is I'm gonna turn this -- to -- layer. And put that on -- me. And there. So now. I'm gonna go and actually gets its yet if basket there are some I got this little scene here I'm gonna take both -- And come in here and say auto align layers. Gonna choose auto is gonna go and air figured that out."

" And that."

" There they are so now I can see that they've done quite a bit a little twisting this on the go in there and based on this one. I'm gonna go and is select this area. Right through their like that. And crop the image. As my crop. The select. Coming real close so we can see -- hosting right here and what I'm gonna do now is I'm gonna set up a mask for this one. And with a black. And my brush I'm gonna start to. Mask this area out. There. -- put myself in there and going to get a much smaller brush they get really tight into these areas and to start bringing my foot in that there. Who -- on this edge. And it helps to be careful when you're doing this stuff you wanna make sure you get a fairly accurate. -- in there. The most here and just start -- read along the edge of her jacket there. Get this nice -- curvature. And through here."

" And during my code in. And I am standing directly behind there now Andy who shadow India so I'm gonna do is back into the lair I wanna take my. Burn tool and as and a little darkness back here. Ready to this pant leg of mine -- you back here. Area and that pant leg it's just a little shadow back there so -- Standing behind their right through there and blue shadow made the in my coat. That's where. I'm standing behind in everything that now I am now directly behind -- the two of us -- the same picture. Taken separately we to have anybody who could take the picture for us so we took two shots nature that we planned it ahead of time. Make sure that the positions where were accurate or fairly accurate so that I'm staying warm place and she's standing the other. And then the shot was taken from approximately the same angle. That exact it helps that I'm sitting on has produced an elaborate and so on. When she took -- she sort of these so she's not gonna get the exact same angle and how much she tries -- she was looking into it when I took the picture. But the -- approximate. You're looking at the same shape. At the same angle auto -- is gonna take care of the rest hasn't put the two pictures. Merge into one and only -- the -- you don't want to expose the element underneath. On previous example we took something out that we -- want in this case we put something in that we want it. Right. Hold you up purpose for merger marriage is not just to create these collages know in this case it was to pick some pictures that we wanted to be one -- we merged them together. If there's anything you'd like to see on the show email via -- at revision3.com. Almost you can check out the form that revision3.com. Forward slash fonts they can join on discussions about the show. Thanks again to Stewart would for submitting -- background image to get it one more time."

" Spooky stuff and yeah that they you fill out there that's really cool so anyway."

" Remember you can have your back. I'm really seen here is test green. But you guys have your -- we're back there with the name emblazoned on the screen and you get to fifty minutes of of fame and -- could expand on -- grip. Send your designs to -- revision3.com. And your background should be 1280 by 720 pixels and a JPEG -- Hope you learned something from this remember it's not what I did it's how I did it that's the part of learning sit there and play that's where -- learned that their -- Hope to see you next week."

" And."

" This episode pixel perfect you've brought do you buy and Netflix and godaddy.com. Hello and welcome the pixel -- it would be very Monroe it. On today's show we're going to look at some design uses of the merge functions in Photoshop. But first. And his background. It was sent by Stewart would just check this thing now. Kind of cool president. And you know she's looking -- the content. The man. That's really cool no load that but anyway you can see a -- who were able to hook up there but we're looking at it. So now. Before we start let's thank our sponsors godaddy.com. Where you can get reliable secure web hosting without the long term contract. Godaddy hosting plans are bigger and better than ever with 99%. Up time. Free 24 sevenths support and no annual commitment. And did a -- pixel wanted to see this being right there and when you check out you'll save an additional 10% off your entire order. Get a piece of the Internet at godaddy.com."

" Also want to thank Netflix for sponsoring pixel perfect. With Netflix you can rent over 90000. Titles online including lots of Blu-ray titles with free shipping both ways to your home. They now have over forty shipping centers so almost all deliveries happen in just one business day. The Netflix plans start from four dollars and 99 cents an as a new member you can get a no risk two week free trial membership. Check it out at www. Netflix.com. -- flash. Pixel perfect and remember you do have that type in net WWW. When using this code."

" The map. Onto the shelf. Now you know about photo merge it's been around for awhile right. For emergency lipstick on -- different pictures of put together that are really cool things about the of that photo with the prison right here on the screen isn't. Image -- merger a bunch of though -- infected with. -- vertically and horizontally to create this image. What can you would do this welcome print out this political image we could do some really cool like go in here and take that image and go do something like this -- would take. Human shape from layer and we'll turn into a spherical panorama. And then once just circle panorama. Sit -- real fast. There we go in there and start looking at things that we can travel around and look at ceiling in look at the floor and just travel around this thing. And to see -- from all different angles. And so -- it's like or is that you became. Part of the -- it's travel around the net which is really cool. But. I tell you what. We're gonna do is gonna look at some parts about merging things that the little different. Serve a different purpose now I have said many times in the show is that look at what something does. And understand that is sometimes you'll see that that becomes an answer to some problem you're faced with. Here -- would -- that today by using -- fair for kind of functions that most people might not really think about. Okay I got on the screen right now I got this photograph. Nice at a photograph that I just thought. It's really cool it's just so you might say well big deal tree in the chat but I like things like this is this -- And this cool shadow of itself right there against is great texture. This beautiful brick texture backed Ellison -- bush has done and format here. But there then my problems seed it right there that whole. That little sign right there sought to you what to do the situation like this is is what I did I took the shot is my shot and I can. But I knew that whole we'll have to go so what I did is I shifted my position a few feet over and looking through my lens that I can see that went. The image being hidden by the poll was exposed I knew that -- had what was going to need later. So I took a second shot. And right you'll see. It's just second shot now we look into them together they look pretty much by the same shot however. You know is that the poll here is going right through his area of the shadow and right here that area the shadow is exposed. See that. So what I'm going to do now. Is I'm gonna take this image which is exactly the same size images the other. Now I didn't put designed tripod they aren't exactly -- at the top portion of these think if you have a tripod that would make things easier but I -- tripod I was just. Organized street is shot solid state doesn't dragon did -- don't hold down my shift key is gonna fall right position over the other. Now when I look at my layers palate you see that they're not exactly the same. Right so what I'm going to do now and I'm gonna take that layer. And select the one below it. And it -- here. And I have this little thing on that at a coal auto align layers to see that auto align layers and click on that. And a state auto which means going to distorted. The -- needs to in order to make these two match up click okay you see little movement happen. And here you go it's gonna do a photo aligning layers. And boom there's little shift happen. So now you notice that the background also became a -- became -- zero. Sort of converted the background into a layer so they could take the two layers and line them up so now when we look at this we see that the players -- lineup. To say that but that little sign of the design is moving itself as a trivial little bit but that's okay. Another go in and crop this so I'm going here and that's to their bottom when -- the most -- photos going managers select this area right through here. Like so. And then go ahead and crop the whole image crop. There you go now it can be selected and there we see we have this so what I wanna do get a little closer here. Real close to the receipt that's signed is that objectionable sign which is in the image below up so want to do is I'm gonna take in this later appear. They on top I'm gonna give a layer mask. There's a layer mask and in that layer mask I'm not gonna think black member of black hides. And I want to go India and let's get my size brush just go with a let's say 35 minutes those grew bigger hundred yeah regulates the heart. Nice when it holy card just enough and has such a pain in. In the -- to back up. And that's that the pain in the side. And look at that. There's -- signed gun. No fancy cloning back and forth which would take a lot of time clone he would get the bring me the bricks lineup now. Auto align lined up all the bricks and everything looks nice and even everything's clean but now -- take off my sign. Might have mask to see that they sign is still there. Turn mass spec on the as a sign the sign is in the one underneath. There it is moved over but I would be able to go in there and totally take the sign out by simply taking two shots with a slight movement of out. Four feet or so depending on how far you're looking at this thing how far you have to move before you can see the parts of being obstructed by the image. Now."

" There was taken something out what do I want to put something it doesn't Germany recently and my wife and I were. Going through the town of -- up -- was asleep amateur is taken pictures of things and there was nobody there. Kind of take a picture to tool box and nobody is exhibit -- and so we did is we plan that. From navy use the put us together in Photoshop it's to -- Photoshop so we planned it byte by any particular spot again I'll try -- So you just gotta make sure that you're standing in the same spot when you take the picture and -- Fairly accurate as to how are you getting it and definitely plan your subject where you're standing. So as in front of this hotel. In a little town called Rothenberg in Germany and here we see that we have two shots. As one of me. And one of my wife confronted the same hotel now she's standing here. So I figured that if you stand out to be standing right here and added as you see I am standing right off to the side there. So what's going to happen now. It and they go in here and I'm gonna go in and let's just take. Me. And bring me into this -- going to take. I just held on my shift key dragged it over it -- move tool and one images on top but the other. There and that is slightly off this close of one of the back. And what I'm going to do now is I'm gonna go in there and take this guy and mask right so. I you know what we'll do is I'm gonna turn this -- to -- layer. And put that on -- me. And there. So now. I'm gonna go and actually gets its yet if basket there are some I got this little scene here I'm gonna take both -- And come in here and say auto align layers. Gonna choose auto is gonna go and air figured that out."

" And that."

" There they are so now I can see that they've done quite a bit a little twisting this on the go in there and based on this one. I'm gonna go and is select this area. Right through their like that. And crop the image. As my crop. The select. Coming real close so we can see -- hosting right here and what I'm gonna do now is I'm gonna set up a mask for this one. And with a black. And my brush I'm gonna start to. Mask this area out. There. -- put myself in there and going to get a much smaller brush they get really tight into these areas and to start bringing my foot in that there. Who -- on this edge. And it helps to be careful when you're doing this stuff you wanna make sure you get a fairly accurate. -- in there. The most here and just start -- read along the edge of her jacket there. Get this nice -- curvature. And through here."

" And during my code in. And I am standing directly behind there now Andy who shadow India so I'm gonna do is back into the lair I wanna take my. Burn tool and as and a little darkness back here. Ready to this pant leg of mine -- you back here. Area and that pant leg it's just a little shadow back there so -- Standing behind their right through there and blue shadow made the in my coat. That's where. I'm standing behind in everything that now I am now directly behind -- the two of us -- the same picture. Taken separately we to have anybody who could take the picture for us so we took two shots nature that we planned it ahead of time. Make sure that the positions where were accurate or fairly accurate so that I'm staying warm place and she's standing the other. And then the shot was taken from approximately the same angle. That exact it helps that I'm sitting on has produced an elaborate and so on. When she took -- she sort of these so she's not gonna get the exact same angle and how much she tries -- she was looking into it when I took the picture. But the -- approximate. You're looking at the same shape. At the same angle auto -- is gonna take care of the rest hasn't put the two pictures. Merge into one and only -- the -- you don't want to expose the element underneath. On previous example we took something out that we -- want in this case we put something in that we want it. Right. Hold you up purpose for merger marriage is not just to create these collages know in this case it was to pick some pictures that we wanted to be one -- we merged them together. If there's anything you'd like to see on the show email via -- at revision3.com. Almost you can check out the form that revision3.com. Forward slash fonts they can join on discussions about the show. Thanks again to Stewart would for submitting -- background image to get it one more time."

" Spooky stuff and yeah that they you fill out there that's really cool so anyway."

" Remember you can have your back. I'm really seen here is test green. But you guys have your -- we're back there with the name emblazoned on the screen and you get to fifty minutes of of fame and -- could expand on -- grip. Send your designs to -- revision3.com. And your background should be 1280 by 720 pixels and a JPEG -- Hope you learned something from this remember it's not what I did it's how I did it that's the part of learning sit there and play that's where -- learned that their -- Hope to see you next week."

" And."