" It's."

" Hello welcome to another edition of pixel perfect -- on the show weren't sure you Photoshop stuff and whatever else comes to mind. Going to go to another request today. Otherwise he's requests of people want to see you at -- time and that is rain. Brain of the pretty simple thing to do with just a couple of filters and and he got rained so I do -- take a step further and really create holes seen. That will fit that -- okay. So right here on my screen. I'm I don't know Wacom and take care I have a -- hardship. Very simple picture -- from. The cruise line once in a pirate ship who are being attacked which is path by okay. So I wanna do right now is separate that's guy. From C. So using my pen tool I'm gonna select my -- kind of semi circular area here just like that. And wave down in this area here. And that here and -- and now if you can't really see you and those who want to be out there. You can always go into this of debated area here to pull that out there so we know that all the way out into that area like that. I think that we have that selected and we're going there and turn that path into a selection. They make selection make sure that no further than its -- net for you gotta make sure everything fit right click okay. And I mean that where the backgrounds -- say give me a new layer. Via cut -- that put the ship in its own -- just like that. All right so now. I'm gonna do now is I'm gonna go in here and and they are behind this. On a command key and click on the new layer icon which create a layer behind the currently selected there. I'm gonna go in there and create stormy sky and I got black from my a foreground color that's going to change it to the great. And for my background color gonna pick a blue kind of like -- blue liked -- like that the American. -- okay. And then it's just turn off the face that we see what happens. Right here I'm gonna give it some clouds I've mentioned this before and I've done it and other shows like going to -- I get that and undo that. This time I hold down my -- if fired he might. My option which is or -- a PC and apply the same thing render clouds and you -- at this time the clouds have more contrast. So those might -- he's always change the way things work and turn our. Who. But back on and that's just going -- that they -- and it's kind of -- and you scale it up a little bit. You know up into the -- like that. I just make it even more ominous with photo. -- tones and he's big rush and they're just a little more blackness and this guy up in their make it really stormy looking. Now my a what area looks. Pretty clean right now so and still kind of -- gonna do that -- turn that into a selection and create. An adjustment layer on top of that of hue saturation. And that I'm gonna go in there and banana saturation little and darken it. That would start to get this nice sense that it's -- stormy there. So. Now comes the rain and click a new layer on top of that and fill them there lived black. Just like that and give it a lot of noise a lot of noise at noise big amount like that. Right now it's just a lot of black and white noise so -- from grace but it's just a little bit of -- more. That's gonna introduce some grays in between those those black -- Not that those days -- can go in there and toned down this noise and then go into my levels command and in levels and a push by -- in. That it starts to lessen the amount noises he was happening back -- and put my wife slider to make the whites really strong and bright. And the blacks of -- once I get less and less noise. And that noise that's left behind is really bright. -- that click okay. Now to turn that into -- another -- is gonna be put into use come up here and give it the motion blur filter. Motion blur effect this now a benefit the Angleton yet but I want to -- to becoming got to bring that distance -- it's not so strong. About -- let's say that looks good. And again that setting right there is not a."

" Formula it's -- the pixels which means is dependent on the resolution of while I'm working. So right click okay that -- softened up some want to want to levels and kind of make it brighter. And those -- a little strong buy back that okay yeah put that -- in screen -- Now we see the rain falling on top of four of our scene here so many little lightning. So and layer. Above. The clouds but below the actual boat and create a -- Create an air raid in there and -- layer and fill out there with white and there we see it. And then without a smaller brush not quite that big -- smaller let's. As it was more about that's that's besides are there with black and so instant hones right here were my lighten ball's gonna be attitude -- and down and okay so everything else in here I'm wanted to fill it up a black this flaring up with black red there. You know my first podcast I did some might mean that's what I'm creating here. In that -- I'm gonna go mansion say give -- little. Render difference clouds. Convert that. And go into my levels. And reduce the amount of actual clouds. In this way down. And intimate tones down. Here's my lightning which and put them there in screen mode so nice guy shows through. -- of -- both hitting back there which means we need some light on the war. So on top of the water here and create another layer. And then there I'm gonna take some white and we've got soft pressure just as road life long shaped like this. Nice long wedge shape you make a little straighter -- that. Now I'm gonna cut -- with -- water so it cuts off right there at the top. Now if you why you could go in there and media. The little. Little pinch on this -- distorted close enough to get through that it towards us how they. That's kind of closing it off I -- it isn't that sense of going off into the distance like that click okay that's looking good I'll put that they -- screen mode. And bring down the capacity just a little bit now it's still his big white blob there so what's gonna do on the go into the latest styles that there. And you might blend if modes down here on a toilet in the underlying layer that's the stuff underneath it I'm gonna tell it to not hide it. These ranges of dark tones that pulled the slider you're gonna see that some of those little homes are you start to show through season coming through. And they come through the war. -- I mean they're like that now. There -- a little work kind of hard edged so wouldn't hold out might modify acumen option open a PC and split the slider. It's -- but that's slider just like that. And there with you all these I feel like tones start the show through again I click okay. And damage to bring got a pass you back up -- and there we see this nice little highlight in the water being caused by the reflection of the lightning. Now one last thing and that is that since we have this bolt of lightning coming down. It should be reflected on built on -- little boat fell. So let's just look at the leader of the boat an option click on ethnicity just that there who go to the channels the red green and the do. The who's given us the most contrast some of the duplicate that layer of -- Create an alpha channel. Remember way back a few shows ago I created a -- an alpha channel that's what I'm doing here. So in this alpha channel I'm gonna go in there. And -- expose. Some things and hide others involved my adjustments and go into curves. And -- with my pencil tool I'm gonna go in here and take all these homes here and -- those -- Of course all that water area to white tennis like that and then the area of the boat and forced to black. And click okay I'm gonna invert this and -- that's of that part is visible right there. Okay from now that I have this. I'd come over here. And on my little boat gonna load that -- And send that to a new layer. New -- via copy. Tonight out of there that has just boat in it that's turned all my stuff back on. And has all these little -- So -- nightmare right deadlier of the boat and I'm gonna go into that layer and give it a layer style and -- there's thousand going to have a little. Just to highlight on one side and the only that gives me a light on one side."

" Inner shadow which is not otherwise wanted to be highlights on it changed a card to a white. I bet and change -- mode to face screen which is going to mean a nice little highlight right in there and we can bring this distance down to about the one. And decides to about two. So it creates this nice little highlight on the edges of the -- and click okay. And they we see we have this stormy scene with rain lightning and all kinds of stuff going on. I hope you learned something from that on and I can remember. It's not the end result it's all the steps I've gotten to that point is sometimes a slight modification that's something we'll -- we've changed -- effect. I think my -- sponsors at GoDaddy dot com. You guys who will host a website though could you domain name and believe in a design thing for you. And you enter my code VE RT. And see it directly on a -- they'll give you an additional 10% of any order that you place with them. I remember this something that in Russia how to do you just want to know how to do something -- some part of Photoshop -- about. Sending an email senator -- at revision3.com. I'll be glad to do for you here on the show. I promise I'll -- having everything that I get but if it's something that its request about a lot of people it's gonna and appear on the show. Hogan or something from this number to play the best way to work to learn it's just sit there and play. The next show. Take care."

" It's."

" Hello welcome to another edition of pixel perfect -- on the show weren't sure you Photoshop stuff and whatever else comes to mind. Going to go to another request today. Otherwise he's requests of people want to see you at -- time and that is rain. Brain of the pretty simple thing to do with just a couple of filters and and he got rained so I do -- take a step further and really create holes seen. That will fit that -- okay. So right here on my screen. I'm I don't know Wacom and take care I have a -- hardship. Very simple picture -- from. The cruise line once in a pirate ship who are being attacked which is path by okay. So I wanna do right now is separate that's guy. From C. So using my pen tool I'm gonna select my -- kind of semi circular area here just like that. And wave down in this area here. And that here and -- and now if you can't really see you and those who want to be out there. You can always go into this of debated area here to pull that out there so we know that all the way out into that area like that. I think that we have that selected and we're going there and turn that path into a selection. They make selection make sure that no further than its -- net for you gotta make sure everything fit right click okay. And I mean that where the backgrounds -- say give me a new layer. Via cut -- that put the ship in its own -- just like that. All right so now. I'm gonna do now is I'm gonna go in here and and they are behind this. On a command key and click on the new layer icon which create a layer behind the currently selected there. I'm gonna go in there and create stormy sky and I got black from my a foreground color that's going to change it to the great. And for my background color gonna pick a blue kind of like -- blue liked -- like that the American. -- okay. And then it's just turn off the face that we see what happens. Right here I'm gonna give it some clouds I've mentioned this before and I've done it and other shows like going to -- I get that and undo that. This time I hold down my -- if fired he might. My option which is or -- a PC and apply the same thing render clouds and you -- at this time the clouds have more contrast. So those might -- he's always change the way things work and turn our. Who. But back on and that's just going -- that they -- and it's kind of -- and you scale it up a little bit. You know up into the -- like that. I just make it even more ominous with photo. -- tones and he's big rush and they're just a little more blackness and this guy up in their make it really stormy looking. Now my a what area looks. Pretty clean right now so and still kind of -- gonna do that -- turn that into a selection and create. An adjustment layer on top of that of hue saturation. And that I'm gonna go in there and banana saturation little and darken it. That would start to get this nice sense that it's -- stormy there. So. Now comes the rain and click a new layer on top of that and fill them there lived black. Just like that and give it a lot of noise a lot of noise at noise big amount like that. Right now it's just a lot of black and white noise so -- from grace but it's just a little bit of -- more. That's gonna introduce some grays in between those those black -- Not that those days -- can go in there and toned down this noise and then go into my levels command and in levels and a push by -- in. That it starts to lessen the amount noises he was happening back -- and put my wife slider to make the whites really strong and bright. And the blacks of -- once I get less and less noise. And that noise that's left behind is really bright. -- that click okay. Now to turn that into -- another -- is gonna be put into use come up here and give it the motion blur filter. Motion blur effect this now a benefit the Angleton yet but I want to -- to becoming got to bring that distance -- it's not so strong. About -- let's say that looks good. And again that setting right there is not a."

" Formula it's -- the pixels which means is dependent on the resolution of while I'm working. So right click okay that -- softened up some want to want to levels and kind of make it brighter. And those -- a little strong buy back that okay yeah put that -- in screen -- Now we see the rain falling on top of four of our scene here so many little lightning. So and layer. Above. The clouds but below the actual boat and create a -- Create an air raid in there and -- layer and fill out there with white and there we see it. And then without a smaller brush not quite that big -- smaller let's. As it was more about that's that's besides are there with black and so instant hones right here were my lighten ball's gonna be attitude -- and down and okay so everything else in here I'm wanted to fill it up a black this flaring up with black red there. You know my first podcast I did some might mean that's what I'm creating here. In that -- I'm gonna go mansion say give -- little. Render difference clouds. Convert that. And go into my levels. And reduce the amount of actual clouds. In this way down. And intimate tones down. Here's my lightning which and put them there in screen mode so nice guy shows through. -- of -- both hitting back there which means we need some light on the war. So on top of the water here and create another layer. And then there I'm gonna take some white and we've got soft pressure just as road life long shaped like this. Nice long wedge shape you make a little straighter -- that. Now I'm gonna cut -- with -- water so it cuts off right there at the top. Now if you why you could go in there and media. The little. Little pinch on this -- distorted close enough to get through that it towards us how they. That's kind of closing it off I -- it isn't that sense of going off into the distance like that click okay that's looking good I'll put that they -- screen mode. And bring down the capacity just a little bit now it's still his big white blob there so what's gonna do on the go into the latest styles that there. And you might blend if modes down here on a toilet in the underlying layer that's the stuff underneath it I'm gonna tell it to not hide it. These ranges of dark tones that pulled the slider you're gonna see that some of those little homes are you start to show through season coming through. And they come through the war. -- I mean they're like that now. There -- a little work kind of hard edged so wouldn't hold out might modify acumen option open a PC and split the slider. It's -- but that's slider just like that. And there with you all these I feel like tones start the show through again I click okay. And damage to bring got a pass you back up -- and there we see this nice little highlight in the water being caused by the reflection of the lightning. Now one last thing and that is that since we have this bolt of lightning coming down. It should be reflected on built on -- little boat fell. So let's just look at the leader of the boat an option click on ethnicity just that there who go to the channels the red green and the do. The who's given us the most contrast some of the duplicate that layer of -- Create an alpha channel. Remember way back a few shows ago I created a -- an alpha channel that's what I'm doing here. So in this alpha channel I'm gonna go in there. And -- expose. Some things and hide others involved my adjustments and go into curves. And -- with my pencil tool I'm gonna go in here and take all these homes here and -- those -- Of course all that water area to white tennis like that and then the area of the boat and forced to black. And click okay I'm gonna invert this and -- that's of that part is visible right there. Okay from now that I have this. I'd come over here. And on my little boat gonna load that -- And send that to a new layer. New -- via copy. Tonight out of there that has just boat in it that's turned all my stuff back on. And has all these little -- So -- nightmare right deadlier of the boat and I'm gonna go into that layer and give it a layer style and -- there's thousand going to have a little. Just to highlight on one side and the only that gives me a light on one side."

" Inner shadow which is not otherwise wanted to be highlights on it changed a card to a white. I bet and change -- mode to face screen which is going to mean a nice little highlight right in there and we can bring this distance down to about the one. And decides to about two. So it creates this nice little highlight on the edges of the -- and click okay. And they we see we have this stormy scene with rain lightning and all kinds of stuff going on. I hope you learned something from that on and I can remember. It's not the end result it's all the steps I've gotten to that point is sometimes a slight modification that's something we'll -- we've changed -- effect. I think my -- sponsors at GoDaddy dot com. You guys who will host a website though could you domain name and believe in a design thing for you. And you enter my code VE RT. And see it directly on a -- they'll give you an additional 10% of any order that you place with them. I remember this something that in Russia how to do you just want to know how to do something -- some part of Photoshop -- about. Sending an email senator -- at revision3.com. I'll be glad to do for you here on the show. I promise I'll -- having everything that I get but if it's something that its request about a lot of people it's gonna and appear on the show. Hogan or something from this number to play the best way to work to learn it's just sit there and play. The next show. Take care."