" Pixel perfect is brought to you -- and godaddy.com. I expert Conroy another episode pixel perfect and this time we're. On the road. -- you don't see my usual background back here we have a real backgrounds this is a real place a wall corner of the war. But I'm sitting here at Photoshop world with -- world's most well known photographers -- good friend Jeff she week he's well known for a lot of things things have. Hall of Famer he's part of the Photoshop all the -- actually were inducted asked me some of an older -- it is right. But you are older than. That's true I am more than two well. You gotta remind me multiple gray -- in the industry we gonna get a long time yes longer than me and we both have little pony tail so we're we're kind of a thing that really freaked me out."

" Is that I don't know many times you know drawn up and down in the elevator here Mandalay bay peoples who are uber -- know. I'm not work only. And strangely enough for you get asked a future issue we know I'm not just Shiite do we look like. I don't think so hack at a much better looking -- that would. So this is what I wanted to talk to Jeff about which is up authority dough comes up a lot nest concept of camera raw. And his wanted to leading experts on is in fact he's part of the -- and was -- Then that guys you run around with the that's all print academies of -- intrinsic -- print -- out -- you -- that."

" I am -- will be doing another one and New York that photo expo are good but at that have -- camera raw not -- up. Camera raw which is deployed in the Thomas -- designed for raw processing on digital captures. Although ironically camera raw four and Photoshop CS three you can actually open objective and test -- camera wrong. Which leads to some interest being. Potentials of confusion. You can open up -- camera raw and save as it BMG. Her."

" So what is the advantage all the stuff what. Why do people want to shoot and camera that people as it I think I've seen actually historic go to associate of people -- the same camera raw and sued do you when we went on camera -- I don't know it should be I just hear that that's what I."

" We have about there's an out and the old -- him and myth. In the industry. The thing about wrong purses Jake is that and every camera. Captures and wrong. The only question is whether or not you him the camera across -- set to JPEG. Or you write it as a raw file and do the processing networks. So all camera shoot wrong. But the big question is is do you want the cameras interpretation of the scene forty want to be able to control the scene. Using all it capabilities of the raw processing. The advantage is that. I'm -- not -- him to a raw file it's a Linear capture the white balance hasn't been adjusted the actual capture in the camera. Is actually brisket. And and it's red green green and blue for standard they are -- but it's pretty scale it's not turned in -- power until it's converted from raw to him that he mosaic. And it's at that point that's optimal to do white balance and so he shouldn't JK its already got a gamma adjustment that's already got a white balance. It's limited to only what you can do kind of him him him Photoshop in terms of color correction which. As we know as -- law but the raw processing part you know a lot more control over the white balance than and the tone mapping and it. Okay now this -- that question about these artifacts to get injured parties that the case and in Roy as well. Well the instinct thing is would they are right cameras. It's all in purple. Because you do have the red green green and blue. You make up the color. I don't know -- yeah. Chris -- pixels. But JPEG compression even though the cameras are doing a very strong. Preserves aluminum so these are seen what compressing kind of camera. Compressing that. Power so delegate if you're gonna make stuff small -- so they compressed the power and you can see. Particularly if you're shooting with small object. Sometimes theirs. Reduced gradations there's color are affecting the JPEG and cost and I would much prefer shooting wrong."

" Because then you have the basic information the camera captured at the time -- shoot without it going in there compressing which is as well because your effects that you -- you won't have that kind of problems having. With the raw files that you give them -- to put -- down process as an original clock. Now that and then I get to change my line after the fact. Maybe I didn't get the white balance right you know in the JPEG but this way and I can change it that's the thing."

" Is that about the only settings on the camera that had any impact real impact on the raw power that. ISO and stop -- should respect -- so. Time you can dual sharpening after the fact you dual color correction after the fact. For control freak like me that's much prefer."

" So what about the average person just put discount auto and of the words about all the guys -- There's an advantage to them that saving and one JPEG. Chance that could pick and."

" I will admit that you know I've been running around here Photoshop will let my little digital rebel they shoot home. Because you know I don't look through the camera and I'm not paying attention stop and shutter speed -- Obama map that I can adjust them."

" The fact that we had a camera off where you have control afterwards. That's a good thing yeah. So you they're committed ready to start shooting --"

" There may be some particular reasons not to. If time is of the capsule it's like if you're shooting up the -- series were the Super Bowl. And you need to get an image transmitted to a magazine. To appear very quickly. Ross going to be an unpleasant work flow because its parent a lot more data out. You know just that transmission raw file over the JPEG is going to be a lot bigger. If time has not. A major issue then yes absolutely issue wrong so let's -- about the size difference. Well. For example on day. One DS more two. And that. That the camera would make money be. 800 -- megabytes that's bigger. And so if you're trying to transmit a hundred votes then you're talking about thirteen hundred megabytes verses thirteen and it. Also."

" The particular camera that he using as in the patient and stick I don't know maybe it by going to be limited to be about picking your home but -- You know even little tiny sticks with the cards I don't know sixty -- faster sisters get cheaper and bigger -- that's good. I got you've got a -- schedule coming up here to show right."

" In about 45 minutes them and do my real world camera -- and not. That's. Kind of a bittersweet thing. As you know our good friend Bruce Frazier passed away. Before he passed away and I agreed to do. The update for real world camera raw Perseus four and happy to report them on all of them -- and the board should be out in October."

" Great effect will be showing you cover of the second so it should be on October. I'm really happy for that good to hear that and then the other thing for the coming up you."

" Will be up photo expo. AM mom in October. That'll be obscene albeit the first chance they get the -- new one the that's more three point. Two megapixel. Canon camera. Will be given at many -- enemy. At some pretty there. Other now nothing specifically planned until the next Photoshop world."

" good luck to you all right thanks -- let. Is this some time arguing. That I did that puddle of demanded."

" Pixel perfect is brought to you -- and godaddy.com. I expert Conroy another episode pixel perfect and this time we're. On the road. -- you don't see my usual background back here we have a real backgrounds this is a real place a wall corner of the war. But I'm sitting here at Photoshop world with -- world's most well known photographers -- good friend Jeff she week he's well known for a lot of things things have. Hall of Famer he's part of the Photoshop all the -- actually were inducted asked me some of an older -- it is right. But you are older than. That's true I am more than two well. You gotta remind me multiple gray -- in the industry we gonna get a long time yes longer than me and we both have little pony tail so we're we're kind of a thing that really freaked me out."

" Is that I don't know many times you know drawn up and down in the elevator here Mandalay bay peoples who are uber -- know. I'm not work only. And strangely enough for you get asked a future issue we know I'm not just Shiite do we look like. I don't think so hack at a much better looking -- that would. So this is what I wanted to talk to Jeff about which is up authority dough comes up a lot nest concept of camera raw. And his wanted to leading experts on is in fact he's part of the -- and was -- Then that guys you run around with the that's all print academies of -- intrinsic -- print -- out -- you -- that."

" I am -- will be doing another one and New York that photo expo are good but at that have -- camera raw not -- up. Camera raw which is deployed in the Thomas -- designed for raw processing on digital captures. Although ironically camera raw four and Photoshop CS three you can actually open objective and test -- camera wrong. Which leads to some interest being. Potentials of confusion. You can open up -- camera raw and save as it BMG. Her."

" So what is the advantage all the stuff what. Why do people want to shoot and camera that people as it I think I've seen actually historic go to associate of people -- the same camera raw and sued do you when we went on camera -- I don't know it should be I just hear that that's what I."

" We have about there's an out and the old -- him and myth. In the industry. The thing about wrong purses Jake is that and every camera. Captures and wrong. The only question is whether or not you him the camera across -- set to JPEG. Or you write it as a raw file and do the processing networks. So all camera shoot wrong. But the big question is is do you want the cameras interpretation of the scene forty want to be able to control the scene. Using all it capabilities of the raw processing. The advantage is that. I'm -- not -- him to a raw file it's a Linear capture the white balance hasn't been adjusted the actual capture in the camera. Is actually brisket. And and it's red green green and blue for standard they are -- but it's pretty scale it's not turned in -- power until it's converted from raw to him that he mosaic. And it's at that point that's optimal to do white balance and so he shouldn't JK its already got a gamma adjustment that's already got a white balance. It's limited to only what you can do kind of him him him Photoshop in terms of color correction which. As we know as -- law but the raw processing part you know a lot more control over the white balance than and the tone mapping and it. Okay now this -- that question about these artifacts to get injured parties that the case and in Roy as well. Well the instinct thing is would they are right cameras. It's all in purple. Because you do have the red green green and blue. You make up the color. I don't know -- yeah. Chris -- pixels. But JPEG compression even though the cameras are doing a very strong. Preserves aluminum so these are seen what compressing kind of camera. Compressing that. Power so delegate if you're gonna make stuff small -- so they compressed the power and you can see. Particularly if you're shooting with small object. Sometimes theirs. Reduced gradations there's color are affecting the JPEG and cost and I would much prefer shooting wrong."

" Because then you have the basic information the camera captured at the time -- shoot without it going in there compressing which is as well because your effects that you -- you won't have that kind of problems having. With the raw files that you give them -- to put -- down process as an original clock. Now that and then I get to change my line after the fact. Maybe I didn't get the white balance right you know in the JPEG but this way and I can change it that's the thing."

" Is that about the only settings on the camera that had any impact real impact on the raw power that. ISO and stop -- should respect -- so. Time you can dual sharpening after the fact you dual color correction after the fact. For control freak like me that's much prefer."

" So what about the average person just put discount auto and of the words about all the guys -- There's an advantage to them that saving and one JPEG. Chance that could pick and."

" I will admit that you know I've been running around here Photoshop will let my little digital rebel they shoot home. Because you know I don't look through the camera and I'm not paying attention stop and shutter speed -- Obama map that I can adjust them."

" The fact that we had a camera off where you have control afterwards. That's a good thing yeah. So you they're committed ready to start shooting --"

" There may be some particular reasons not to. If time is of the capsule it's like if you're shooting up the -- series were the Super Bowl. And you need to get an image transmitted to a magazine. To appear very quickly. Ross going to be an unpleasant work flow because its parent a lot more data out. You know just that transmission raw file over the JPEG is going to be a lot bigger. If time has not. A major issue then yes absolutely issue wrong so let's -- about the size difference. Well. For example on day. One DS more two. And that. That the camera would make money be. 800 -- megabytes that's bigger. And so if you're trying to transmit a hundred votes then you're talking about thirteen hundred megabytes verses thirteen and it. Also."

" The particular camera that he using as in the patient and stick I don't know maybe it by going to be limited to be about picking your home but -- You know even little tiny sticks with the cards I don't know sixty -- faster sisters get cheaper and bigger -- that's good. I got you've got a -- schedule coming up here to show right."

" In about 45 minutes them and do my real world camera -- and not. That's. Kind of a bittersweet thing. As you know our good friend Bruce Frazier passed away. Before he passed away and I agreed to do. The update for real world camera raw Perseus four and happy to report them on all of them -- and the board should be out in October."

" Great effect will be showing you cover of the second so it should be on October. I'm really happy for that good to hear that and then the other thing for the coming up you."

" Will be up photo expo. AM mom in October. That'll be obscene albeit the first chance they get the -- new one the that's more three point. Two megapixel. Canon camera. Will be given at many -- enemy. At some pretty there. Other now nothing specifically planned until the next Photoshop world."

" good luck to you all right thanks -- let. Is this some time arguing. That I did that puddle of demanded."