" I gang completed slots seven need shadows ever -- predated dot com covering everything from clean to music lessons. Springsteen's the teachers -- Just check out a vision for eBay dot com that. Feature sex. War."

" This episode of pixel perfect is brought to you by Netflix and godaddy.com."

" And welcome back to pixel perfect would be group wanted to show where all kinds of things happen. -- last week we talked about how I start to organize things here in the studio to create when my paintings. This week I want search show you the actual techniques that have put into this thing. Some of the different elements showing you how many is -- together and how actually got submitted to maladies that track states. The start working on the stuff that's it. No look at the details that went into parts of the spending -- five times square. Now looking right here we feel we're getting close here's who sees little video boxes that are here. In the corner and the -- Shrek. -- guys are gonna concentrate on right now. Now in looking at the actual paying -- it's getting closer you go to 25%. Did you see what these guys look like. In the photograph. Now here they are so far in the actual painting. That's going here and look at them closer and -- disappear through this. Disconnect. Figures here they are in fact a lot sharper than they are in these photographs there's my little box there is the peace in the air. Getting closer we see that there's a lot of detail involved here going to tremendous amount of detail now. This box is not a skin that I have the I think they've ruled that in my personal things Arnold scans nothing is brought in from the outside it's all created from scratch right here in the comments. Commercial reasons -- that's something else they are you photographed for use and you say that I need to get the job done. But this says no need for -- here it is my personal work. Is where I'm learning along the way so I don't cheat that just pushed programs to them that. So I recreated this box entirely. More fun now it's up. So let's go look at the box the box for these shark's tale. There's the box itself now I have a -- Any video boxes basic right because of the -- if we look back there. All three boxes are exactly same video boxes difference being the pictures inside the instant it Shrek Shrek two and a shark's tale. Each one is a different picture but the boxes themselves are identical in all cases so the file here of the video box space. Israel created the basic elements now looking at the male is form you can -- there are quite a few players involved here. Background nothing that this little. Majestic going on down here. On top banana at the box is the box shape this is where I'm going to cut in thin layer on its own there as you can see right there. Are that I have moved film strips. -- there's gonna cut out and they have a drop shadow tunes and evolution out of going on inside that area there. That we have be that these slide change their Z. Move separated for the actual slide panel right there. Then we have a layer one which doesn't he didn't here anything is is in their their blue oval Spears' little old down here. This little mobile going to have some text. There is the job. Black text. Free headphones and sighed and -- on top but that is a white text. Without line in front of it slightly offset today is that little that's that goes in there and -- top here we have to -- that majestic. Modesto logo right in there. And I cute little bit it's so tiny not really gonna see anybody can look -- see -- movies like -- Monroe it. And when that you can have fun with stuff right so it's just playing around there and I can touch. So then -- got the other black strip."

" On topic has a little. Glow blue out of go to it which has little white glow. And then on top of that we have you gained -- game boy logo for advanced video and all that text goes in the air and then we say movie. This is so. About camera box there is no camera symbol and -- top of that we have these little movie text. But each one -- and its own layer and have. Oh kind of layer styles like -- is the movie the movie itself that right there it has a out of -- BC went away -- black. They simply. Wanted to have been doing its home on both sides of -- is like color. I wanted to to be blacks -- changed to black and I went into the than there's Southport and it's going look at that now I would -- And I changed it to. Go to the out of love for the movie and it changes to normal. And a black. That gave me that that effect that I want is a little inner glow to it into the dark blue which gave me this dual. Dark tone all through the insides of the -- a stroke right there a stroke of -- at 88. Point eight pixels. And that's -- stroke that you see around the entire thing. Could go okay and that's got all are we turn off if taxes it's just the -- very basic shape itself from the camera. Turn on the effects and it comes like with -- all the elements that it needs and there is on top. And we had this unless. The overall shape which -- seasoned red line that was my original guy. So into that I then put in the elements that I want to use these shark tale final box. We have the shark tale. You see these final box which has Z these shape on the sides there. And video box for the shark tale is the front of it. That's just a front before I've I've gone in their distorted by Internet all the other elements of their with the difference being that his -- was that it. There's the blue and the little figures. I also do Dreamworks logo of the shark tale of global and his little Academy Award nominee going on there."

" To use you know characters there's blue blue fish and we look at the the lady's box you can see it is a whole bunch of stuff going on their resume on the right at her and -- official note on the left. The hero that's I've kind of front and then to shark shark and right shark on left. So don't look at these individual characters and -- like most is a good move all on the -- so it is look at her. This year it's now we open up you see that there are many many layers that make her up. So does does a little bits -- to see her look closer right there there she is so now. Going down here to the very bottom there's the it's good back in here and there we see that we have this little. Back here are great there is this little part in the back we'll see would that is in a minute and then he backed me. And is -- back texture Houston Texans that work. If they can -- that area. And there was a whole area busy. -- texture we're actually created that -- a series of bulletins on that is an argument but I kept that later. Separate they're -- Work into shape and so on and so forth then there gonna do right. Thin right there and his little edge of that and tiny edge here's the body. Which some tones that are inside the tones are. Then augment they would these textures. And the highlights and shadows and little extra little -- is -- to to highlight -- those skills there's ahead basic shape. Now what's going on there are covering more become minute. And bluefin. That disappeared and ended little -- on line right up there here's the lips. Busy eyebrows. Keep coming up here it is a little eyelids. Is the highs and sounds dizzy I balls. Whose shadow on the right side of the face. And zoom left wave coming all the way down left wave had a bunch of things being kept -- you've got a dark edge. Because some shapes in there and we've got to highlight going through it. And get the eyelashes that the masses came up and then the wave on the right side of the head right there. Now -- everything else in place. That although the best -- it's -- so we turn on all these other characters are here and its inaugural hero. There's zero and got to turn on all his -- who can see them. New ago. New -- body coming on. Today you see that now we see the back -- and she's just hidden back there behind. The new hero -- enthusiasm many different things is this is body as a whole bunch of letters told -- the -- is going to making all of the different characters which can get put into the overall video box. And then -- this side of the box also which. Then has all the different elements and it in place. Isn't characters and you -- blue for the background and and hoping to put together. With a side there's little side right there. Okay no."

" I cheated a little bit and the actual box these little hero guys kind of facing in the profile artists decide these are things I recommend it. Front view created this whole side panel pretty much the way to create the front view. Did some distortions and little shadow and then they get put into the overall scene that we see here in the west of facade. Did they -- place -- here I did for the distortion to get it. Who have want it now. We have this little. Shrek. Kind of peering over a wall there let's look at how that was created."

" So here we see no effect -- photograph there is still didn't replace now. Here you'll see the file where I've actually gone in there and does twist him around. -- here at Princeton ground into place I've got some guides myself but did his big black edge right here and see black kids pets is telling me. Give me had guys as to where he's gonna be twisted the little red circle is -- an episode on blue Black Mountain. -- here are for the the fingers and so on now there's the head by itself. And -- the guy peering through instinct the graduate they would see what it looks like now what's happened is that I actually twisted him. Based on perspective I've gone in there he was create a flat. And then I then twisted them into the perspective wouldn't create -- perspective a lot easier to read and street on then to create a new perspective. Because it's easy to created. If it's straight I can create it to any different perspectives and more importantly -- purpose and isn't going to need didn't. Again for the boxes themselves and other places reflect appears on the overall the -- and then we look at the overall facade. We see right here that. He appears there and here and again. Right there now I am glad to make some changes here and edit make it look right but on these two over here I can pretty much work with the existing head make open up -- little little bit. He'll probably use the exact same head. Secondly purposes. -- not see were actually created him. Right here -- head. And isn't actually start now you don't have the top it says should head comp. That means that's my composite that's right take -- all these individual layers that we see here. All these layers that combine them into a single layer at the top. Where I can then. Bring it into another file somewhere and you defects now. All these different layers are different things going on let's go down -- see the background has nothing and we'll -- his neck. And here's the head itself now it's got out of -- deals going on there would recreate the -- you can see how this works. They received and it's got some things -- into it it is right here we've got this solution ain't been there we got this though. Highlight that you showed up in the air and a little tone here. There's -- nostrils. Dumping that would have been knows itself may scare then we have the around the eyes and my lessons darkness and shadows and appeared. And is he lashes additional actions on the bottom Fella. Lines in the forehead. -- the lines came up here the pier holes I dare you see that they appear and you heard of them they're -- and work also is even lower lip. And -- upper lip. That you have so much she climbs. And eyebrows which is basically to grass brush has this little guy right here. Who grass brush protections mated ground -- applied you do eyelashes until that is right here very simple so. Then I got here we'll go in there and we see we get -- both. They disappeared altogether because the -- are one big folder here so busy eyeballs. It's just as big chip hasn't tones and near as it new inner shadow put that darkness and so on and then absentee irises direct their kids who. Gradient -- gradient. Radio comedians have replied to move circle. And texture which was some noise now what I did the evil lie episode. That's basically what I've done here may have simplify a few things but it's basically beaten -- effect. Are and then we -- these new pupils which if you nominee Eli to a kind of long like -- size we're skewed around with and I haven't who aren't glow which you know who. You know every right across the and you clamped the -- and -- the -- copy and the other side. They're receiving. The -- now part of this hoping -- well let's go back into out to stop background not create layer on top of office. And give it -- paths. That's how it starts I create a whole series of paths which I'm going to be my basic shapes. So what I'm doing -- agreement saying we're gonna create a different kind of between each year and just say that I creatures going to be a golden colored chief. Kind of a creature separate the golden color and I get my overall head -- right here. And then going improve that with that product pick did that -- that's the overall head now. In a layer on top of baldness. On -- is -- create a guide layers let's call this a guide. So going to do is guide layers I'm gonna take all my path all the pass on these -- that we fear and I'm gonna give them it's. They run that so let's select them all."

" And would be select."

" The body when he. Of decent that that we don't want that -- to be affected so unless you're gonna get a nice color that -- really see things that is read here and I'll get a little brush. A little paintbrush exceed his nine year I'm gonna take that and say stroking. Keys and I got some guidance as to where things are going to go. So now back into that -- with all my towns where I'm gonna go there is start giving good missile texture. I don't use the dodge and burn for that the dodge and burn. So my thoughts so right here I got this area of a high key greatness within -- brush -- is not kind of hit that right in here. Give a little highlight right there and there and maybe radio and knows going to go right in there and then you right here. This little due to its own little highlights right in there and you right here. On the edges of its chin just like that then when my burn tool. Mac burn so we're gonna make big burn -- things 300 here I am I going to expect anything shadows along this edge right here. And maybe a little -- frame inside as -- might -- thing that Andalusia I don't aside and make a little smaller brush. I'm just gonna draw little shadow right along this edge of his here and here and here. Then inside the socket to -- going to be the brush. And I'm going to increase the pressure to 50% on this thing and really sparked strong tone right in there and get this. Really dark. Tones inside and his. His eyes near Baghdad may be read on there is no now those are very read some I want to go in there and does. The demands it. Last year and I just kind of go nobody doesn't matter because those -- will be put into another layer ground going to create. The details of votes based on things like -- again. So it knows I'm certain that there all of these little textures all these little tones here so let's go back to a burn tool. If you reduce that special little bit and -- little tone up there but being here maybe a."

" Sides of the knows where and I was going to go and millions into DI. Thought is any all these little tones and making human and little. I think it we're his nose goes and a lighter -- the other side. Which is going to hear more brush and blue light and that says you could -- so. This means that it knows there now on top of the -- to create all of the different elements. That are gonna be the other parts of the face but taking away our guide we see that now we've added some basic tones which is when we look at this. File right down here. I'm just a face you can see what I've done that same effect I've also apply any group on top of that -- a -- And I started only so but everything that you see here it was done with the dot. -- and saturation tool to go in there and bring out the textures bring up the highlights in the shadows and add structure to the space give it shape and give it. -- dimension now only to make it look real. So how you apply these effects is a great way to start -- is now in that pain is. Like 6700 people down in history have you on the -- people will be somebody I know and they will be recognizable. When I start doing of portraits are going to be them pretty much the same way. -- create the basic shapes for the eyes the nose and lips and so on and then the actual structure of space which has been done with them dodging and burning. Very slightly here and there -- just add new dimensions to highlights and shadows and all things that make them the face of three dimensional."

" Concept goes into this and what you'll -- down two years from now understand enough. But I help you learn something more new stuff. This important thing organized to have the right equipment to do what you need to do. And so basically you have fun doing very important to enjoy what you do because like I I live by saying do what you love and in the -- life. And I believe in those words and that's pretty much but I do I see him play all day. Now -- there's something want to see something and I sure for the you've been struggling with. Send an email sent the bird had revision3.com. You can also join forms. See what everybody else is saying about the shows go to revision3.com. Forward slash form and join all the discussions about the show and -- the show us. And remember. Back here right now we're looking in my studio but starting next week we're back in the greater studio so your artwork -- be back here. Your artwork and -- backdrop. Send your. Revision3.com. And -- to be 1280 by seven to white pixels and the JPEG. To send those over to me at third revision3.com. Hope to see you next week number to have fun playing Venezuelan parent."

" before we go. Thank our sponsors. -- Netflix you can rent over 90000 title online including lots of -- times. With free shipping both ways here at home and they now have over forty shipping centers. So only all the movies happen in just one business day. The Netflix plans start -- the -- afford 99. And as a new member. You can get no -- two week free trial membership. Check it out okay www. Netflix dot com forward slash pencil -- and number the type that WWW. When using this -- Also godaddy.com. You want to make an impact online and godaddy.com. Has what you need dot com and -- on May ninth. Posting fast easy way I don't lose and much much more."

" I gang completed slots seven need shadows ever -- predated dot com covering everything from clean to music lessons. Springsteen's the teachers -- Just check out a vision for eBay dot com that. Feature sex. War."

" This episode of pixel perfect is brought to you by Netflix and godaddy.com."

" And welcome back to pixel perfect would be group wanted to show where all kinds of things happen. -- last week we talked about how I start to organize things here in the studio to create when my paintings. This week I want search show you the actual techniques that have put into this thing. Some of the different elements showing you how many is -- together and how actually got submitted to maladies that track states. The start working on the stuff that's it. No look at the details that went into parts of the spending -- five times square. Now looking right here we feel we're getting close here's who sees little video boxes that are here. In the corner and the -- Shrek. -- guys are gonna concentrate on right now. Now in looking at the actual paying -- it's getting closer you go to 25%. Did you see what these guys look like. In the photograph. Now here they are so far in the actual painting. That's going here and look at them closer and -- disappear through this. Disconnect. Figures here they are in fact a lot sharper than they are in these photographs there's my little box there is the peace in the air. Getting closer we see that there's a lot of detail involved here going to tremendous amount of detail now. This box is not a skin that I have the I think they've ruled that in my personal things Arnold scans nothing is brought in from the outside it's all created from scratch right here in the comments. Commercial reasons -- that's something else they are you photographed for use and you say that I need to get the job done. But this says no need for -- here it is my personal work. Is where I'm learning along the way so I don't cheat that just pushed programs to them that. So I recreated this box entirely. More fun now it's up. So let's go look at the box the box for these shark's tale. There's the box itself now I have a -- Any video boxes basic right because of the -- if we look back there. All three boxes are exactly same video boxes difference being the pictures inside the instant it Shrek Shrek two and a shark's tale. Each one is a different picture but the boxes themselves are identical in all cases so the file here of the video box space. Israel created the basic elements now looking at the male is form you can -- there are quite a few players involved here. Background nothing that this little. Majestic going on down here. On top banana at the box is the box shape this is where I'm going to cut in thin layer on its own there as you can see right there. Are that I have moved film strips. -- there's gonna cut out and they have a drop shadow tunes and evolution out of going on inside that area there. That we have be that these slide change their Z. Move separated for the actual slide panel right there. Then we have a layer one which doesn't he didn't here anything is is in their their blue oval Spears' little old down here. This little mobile going to have some text. There is the job. Black text. Free headphones and sighed and -- on top but that is a white text. Without line in front of it slightly offset today is that little that's that goes in there and -- top here we have to -- that majestic. Modesto logo right in there. And I cute little bit it's so tiny not really gonna see anybody can look -- see -- movies like -- Monroe it. And when that you can have fun with stuff right so it's just playing around there and I can touch. So then -- got the other black strip."

" On topic has a little. Glow blue out of go to it which has little white glow. And then on top of that we have you gained -- game boy logo for advanced video and all that text goes in the air and then we say movie. This is so. About camera box there is no camera symbol and -- top of that we have these little movie text. But each one -- and its own layer and have. Oh kind of layer styles like -- is the movie the movie itself that right there it has a out of -- BC went away -- black. They simply. Wanted to have been doing its home on both sides of -- is like color. I wanted to to be blacks -- changed to black and I went into the than there's Southport and it's going look at that now I would -- And I changed it to. Go to the out of love for the movie and it changes to normal. And a black. That gave me that that effect that I want is a little inner glow to it into the dark blue which gave me this dual. Dark tone all through the insides of the -- a stroke right there a stroke of -- at 88. Point eight pixels. And that's -- stroke that you see around the entire thing. Could go okay and that's got all are we turn off if taxes it's just the -- very basic shape itself from the camera. Turn on the effects and it comes like with -- all the elements that it needs and there is on top. And we had this unless. The overall shape which -- seasoned red line that was my original guy. So into that I then put in the elements that I want to use these shark tale final box. We have the shark tale. You see these final box which has Z these shape on the sides there. And video box for the shark tale is the front of it. That's just a front before I've I've gone in their distorted by Internet all the other elements of their with the difference being that his -- was that it. There's the blue and the little figures. I also do Dreamworks logo of the shark tale of global and his little Academy Award nominee going on there."

" To use you know characters there's blue blue fish and we look at the the lady's box you can see it is a whole bunch of stuff going on their resume on the right at her and -- official note on the left. The hero that's I've kind of front and then to shark shark and right shark on left. So don't look at these individual characters and -- like most is a good move all on the -- so it is look at her. This year it's now we open up you see that there are many many layers that make her up. So does does a little bits -- to see her look closer right there there she is so now. Going down here to the very bottom there's the it's good back in here and there we see that we have this little. Back here are great there is this little part in the back we'll see would that is in a minute and then he backed me. And is -- back texture Houston Texans that work. If they can -- that area. And there was a whole area busy. -- texture we're actually created that -- a series of bulletins on that is an argument but I kept that later. Separate they're -- Work into shape and so on and so forth then there gonna do right. Thin right there and his little edge of that and tiny edge here's the body. Which some tones that are inside the tones are. Then augment they would these textures. And the highlights and shadows and little extra little -- is -- to to highlight -- those skills there's ahead basic shape. Now what's going on there are covering more become minute. And bluefin. That disappeared and ended little -- on line right up there here's the lips. Busy eyebrows. Keep coming up here it is a little eyelids. Is the highs and sounds dizzy I balls. Whose shadow on the right side of the face. And zoom left wave coming all the way down left wave had a bunch of things being kept -- you've got a dark edge. Because some shapes in there and we've got to highlight going through it. And get the eyelashes that the masses came up and then the wave on the right side of the head right there. Now -- everything else in place. That although the best -- it's -- so we turn on all these other characters are here and its inaugural hero. There's zero and got to turn on all his -- who can see them. New ago. New -- body coming on. Today you see that now we see the back -- and she's just hidden back there behind. The new hero -- enthusiasm many different things is this is body as a whole bunch of letters told -- the -- is going to making all of the different characters which can get put into the overall video box. And then -- this side of the box also which. Then has all the different elements and it in place. Isn't characters and you -- blue for the background and and hoping to put together. With a side there's little side right there. Okay no."

" I cheated a little bit and the actual box these little hero guys kind of facing in the profile artists decide these are things I recommend it. Front view created this whole side panel pretty much the way to create the front view. Did some distortions and little shadow and then they get put into the overall scene that we see here in the west of facade. Did they -- place -- here I did for the distortion to get it. Who have want it now. We have this little. Shrek. Kind of peering over a wall there let's look at how that was created."

" So here we see no effect -- photograph there is still didn't replace now. Here you'll see the file where I've actually gone in there and does twist him around. -- here at Princeton ground into place I've got some guides myself but did his big black edge right here and see black kids pets is telling me. Give me had guys as to where he's gonna be twisted the little red circle is -- an episode on blue Black Mountain. -- here are for the the fingers and so on now there's the head by itself. And -- the guy peering through instinct the graduate they would see what it looks like now what's happened is that I actually twisted him. Based on perspective I've gone in there he was create a flat. And then I then twisted them into the perspective wouldn't create -- perspective a lot easier to read and street on then to create a new perspective. Because it's easy to created. If it's straight I can create it to any different perspectives and more importantly -- purpose and isn't going to need didn't. Again for the boxes themselves and other places reflect appears on the overall the -- and then we look at the overall facade. We see right here that. He appears there and here and again. Right there now I am glad to make some changes here and edit make it look right but on these two over here I can pretty much work with the existing head make open up -- little little bit. He'll probably use the exact same head. Secondly purposes. -- not see were actually created him. Right here -- head. And isn't actually start now you don't have the top it says should head comp. That means that's my composite that's right take -- all these individual layers that we see here. All these layers that combine them into a single layer at the top. Where I can then. Bring it into another file somewhere and you defects now. All these different layers are different things going on let's go down -- see the background has nothing and we'll -- his neck. And here's the head itself now it's got out of -- deals going on there would recreate the -- you can see how this works. They received and it's got some things -- into it it is right here we've got this solution ain't been there we got this though. Highlight that you showed up in the air and a little tone here. There's -- nostrils. Dumping that would have been knows itself may scare then we have the around the eyes and my lessons darkness and shadows and appeared. And is he lashes additional actions on the bottom Fella. Lines in the forehead. -- the lines came up here the pier holes I dare you see that they appear and you heard of them they're -- and work also is even lower lip. And -- upper lip. That you have so much she climbs. And eyebrows which is basically to grass brush has this little guy right here. Who grass brush protections mated ground -- applied you do eyelashes until that is right here very simple so. Then I got here we'll go in there and we see we get -- both. They disappeared altogether because the -- are one big folder here so busy eyeballs. It's just as big chip hasn't tones and near as it new inner shadow put that darkness and so on and then absentee irises direct their kids who. Gradient -- gradient. Radio comedians have replied to move circle. And texture which was some noise now what I did the evil lie episode. That's basically what I've done here may have simplify a few things but it's basically beaten -- effect. Are and then we -- these new pupils which if you nominee Eli to a kind of long like -- size we're skewed around with and I haven't who aren't glow which you know who. You know every right across the and you clamped the -- and -- the -- copy and the other side. They're receiving. The -- now part of this hoping -- well let's go back into out to stop background not create layer on top of office. And give it -- paths. That's how it starts I create a whole series of paths which I'm going to be my basic shapes. So what I'm doing -- agreement saying we're gonna create a different kind of between each year and just say that I creatures going to be a golden colored chief. Kind of a creature separate the golden color and I get my overall head -- right here. And then going improve that with that product pick did that -- that's the overall head now. In a layer on top of baldness. On -- is -- create a guide layers let's call this a guide. So going to do is guide layers I'm gonna take all my path all the pass on these -- that we fear and I'm gonna give them it's. They run that so let's select them all."

" And would be select."

" The body when he. Of decent that that we don't want that -- to be affected so unless you're gonna get a nice color that -- really see things that is read here and I'll get a little brush. A little paintbrush exceed his nine year I'm gonna take that and say stroking. Keys and I got some guidance as to where things are going to go. So now back into that -- with all my towns where I'm gonna go there is start giving good missile texture. I don't use the dodge and burn for that the dodge and burn. So my thoughts so right here I got this area of a high key greatness within -- brush -- is not kind of hit that right in here. Give a little highlight right there and there and maybe radio and knows going to go right in there and then you right here. This little due to its own little highlights right in there and you right here. On the edges of its chin just like that then when my burn tool. Mac burn so we're gonna make big burn -- things 300 here I am I going to expect anything shadows along this edge right here. And maybe a little -- frame inside as -- might -- thing that Andalusia I don't aside and make a little smaller brush. I'm just gonna draw little shadow right along this edge of his here and here and here. Then inside the socket to -- going to be the brush. And I'm going to increase the pressure to 50% on this thing and really sparked strong tone right in there and get this. Really dark. Tones inside and his. His eyes near Baghdad may be read on there is no now those are very read some I want to go in there and does. The demands it. Last year and I just kind of go nobody doesn't matter because those -- will be put into another layer ground going to create. The details of votes based on things like -- again. So it knows I'm certain that there all of these little textures all these little tones here so let's go back to a burn tool. If you reduce that special little bit and -- little tone up there but being here maybe a."

" Sides of the knows where and I was going to go and millions into DI. Thought is any all these little tones and making human and little. I think it we're his nose goes and a lighter -- the other side. Which is going to hear more brush and blue light and that says you could -- so. This means that it knows there now on top of the -- to create all of the different elements. That are gonna be the other parts of the face but taking away our guide we see that now we've added some basic tones which is when we look at this. File right down here. I'm just a face you can see what I've done that same effect I've also apply any group on top of that -- a -- And I started only so but everything that you see here it was done with the dot. -- and saturation tool to go in there and bring out the textures bring up the highlights in the shadows and add structure to the space give it shape and give it. -- dimension now only to make it look real. So how you apply these effects is a great way to start -- is now in that pain is. Like 6700 people down in history have you on the -- people will be somebody I know and they will be recognizable. When I start doing of portraits are going to be them pretty much the same way. -- create the basic shapes for the eyes the nose and lips and so on and then the actual structure of space which has been done with them dodging and burning. Very slightly here and there -- just add new dimensions to highlights and shadows and all things that make them the face of three dimensional."

" Concept goes into this and what you'll -- down two years from now understand enough. But I help you learn something more new stuff. This important thing organized to have the right equipment to do what you need to do. And so basically you have fun doing very important to enjoy what you do because like I I live by saying do what you love and in the -- life. And I believe in those words and that's pretty much but I do I see him play all day. Now -- there's something want to see something and I sure for the you've been struggling with. Send an email sent the bird had revision3.com. You can also join forms. See what everybody else is saying about the shows go to revision3.com. Forward slash form and join all the discussions about the show and -- the show us. And remember. Back here right now we're looking in my studio but starting next week we're back in the greater studio so your artwork -- be back here. Your artwork and -- backdrop. Send your. Revision3.com. And -- to be 1280 by seven to white pixels and the JPEG. To send those over to me at third revision3.com. Hope to see you next week number to have fun playing Venezuelan parent."

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