" It's."

" Hi there and welcome back to pixel perfect beeper on the show where did you happen. Well today amber actually answer a request that came from quite a few people. From actually Joseph. One to do a double helix. Same concept is going on here quite a few people can read and and time they wanted a twisted wire and quite a few people ask this twisted wire concept. So on the show you how to create a twisted wires except. When -- going to do in Photoshop going to do it in those -- If you remember some episodes back when I was doing a bunch of stuff on illustrator there was a class on the pattern brush that's what we're going to create here. -- create a twisted pair of wire with the pattern brush. Here I am in illustrator. Now one thing that's very important about this this apparently is that we have to have its symmetrical. Because have to look like two continuous wires that -- wrapping around themselves and moving in whatever area you want to movement. So when I create definitely keep that symmetry in mind. Thong -- go in here and start to create my first wires and it clicked and -- hold down my shift key to get constrain their talk horizontal. Paula nice big -- like that come up to about here and click. And -- Date I got that shape right there are now saying actually see the line willing to do is I'm going to. -- to put up a little bit as to get that nice angle right about like that. Now but make sure that has no fill. And will even have a black wire. And that's make it much sticker that's to say we want the fitness to be about maybe ten points. They -- will make even that who say you make it twenty points but says there's -- one. Now when we continue this war. I want to be perfectly symmetrical so I take my cursor. And a place directly on. The end point. And bring up to reflect dialogue box here I can say what type a reflection and I want this case I -- vertical. So I think a copy it creates a copy that's. Perfect line with the previous one because that that person right on top of the other. Person the other. And to point to backus liked both points. I use my direct select tool I just don't -- he -- a tool to take that to select both points together. Which tag can now join a hit command day -- had come up here and they path. -- Now does the dialogue box comes comes up. If this dialogue box does not come out that means that -- two points it to anchor points and not directly on top of each other. So if that's the case you might want average -- but keep in mind that then the ending point is a little off on that starts -- once I would say we do that just in case there's little dialogue box. Tells you what kind of a -- you want you want to be corner what we want -- move. Click okay and there's mine why so now but I like to do is -- my a selection tool -- select all the points there. And again with the reflect tool on the pace it right there -- we have the default. Little. -- person right there that's the center top and bottom of our selections on the price to person there and again hold down my option button and click. Which is of course all the pieces. Now we want this to flip it this way so it's on horizontal. Horizontal axes and again I say copy so there's my two wires. So now this one we're gonna change its color that's going there and we cannot double click on our. Icon in the toolbox Al -- up to the color. Choices of color panel while we'll pick a color finesse this to say we want this wired to be. The green wire and K one at in the movies knows that's the one that have to cut because the green why -- to read what what is the green bars. So now. Another one atop the other. So looking mice is a tool. And here my scissors and of the car. Right there right in the center. I just cut that I mean cable Rent -- Center and I'm gonna select. The left side won and want to send that back. Now what I do is cut paste -- back you can go up to object arranged and the back and so wonderfully that way of doing the same thing. Touches like the keyboard that command X for cut. Command. Before pasted back so now. Now I could see that they're intertwined. They are twist it. That becomes the basis for my brush on the select them. It's a little bit right now so go ahead and shrink it down for instance a out of bring it down to about the 50%. There's my wire now I did not. -- do that again -- think you see what happens here. And I. What it down to 50% you know as that I don't have the scale strokes and effects elected. So when I click okay you know is at the white got thicker. I like that want this nice thick wire. That now can become my. Brush I Kamal we here tonight brush panel and in these little drop down menu I think new brush. And here I choose the pattern. Click on new pattern -- Click okay. And and appear right there right click okay. There it is so now. I can take this and not thrown away at this point on the unit. And I can take. Notepad here. And or to grow and create that's a lot kind of shape it -- practice. I've got beautiful. And I click on that brush and the panel. And it would see that we now have a twisted pair wire now you notice that the original -- very even. But now it's not very why because the different turns in our in our path here as I turn it which makes him look a little more realistic. There's a -- as you system is certain spots -- kind of separate little bit the united that I got that nice of separation I care. And so on and any point in going there and does select the point a particular point and play around that. And they -- you can see that all the wires are twisting I'm getting a real. Very realistic looking kind of a twisted pair wire. And that's basically how you do it. It's testing pattern brush in illustrator a place right turn many times. Solve a lot of problems for my. Images are just for retouched photographs which by the way. Very -- episode from now I'm gonna talk about a week ago it got a lot of requests for retouched. Does some episodes on retention and if you happen to have any questions something that's been bugging you -- can't figure out on your -- just want to know how to do it. I mean he -- the bird at revision3.com. And -- answered right here on the show. Hope you learn something from this one number to play. Yet another program this so many cool programs out there suit -- play over the have a good time see what they can do and just let your imagination run while. See you next week."

" It's."

" Hi there and welcome back to pixel perfect beeper on the show where did you happen. Well today amber actually answer a request that came from quite a few people. From actually Joseph. One to do a double helix. Same concept is going on here quite a few people can read and and time they wanted a twisted wire and quite a few people ask this twisted wire concept. So on the show you how to create a twisted wires except. When -- going to do in Photoshop going to do it in those -- If you remember some episodes back when I was doing a bunch of stuff on illustrator there was a class on the pattern brush that's what we're going to create here. -- create a twisted pair of wire with the pattern brush. Here I am in illustrator. Now one thing that's very important about this this apparently is that we have to have its symmetrical. Because have to look like two continuous wires that -- wrapping around themselves and moving in whatever area you want to movement. So when I create definitely keep that symmetry in mind. Thong -- go in here and start to create my first wires and it clicked and -- hold down my shift key to get constrain their talk horizontal. Paula nice big -- like that come up to about here and click. And -- Date I got that shape right there are now saying actually see the line willing to do is I'm going to. -- to put up a little bit as to get that nice angle right about like that. Now but make sure that has no fill. And will even have a black wire. And that's make it much sticker that's to say we want the fitness to be about maybe ten points. They -- will make even that who say you make it twenty points but says there's -- one. Now when we continue this war. I want to be perfectly symmetrical so I take my cursor. And a place directly on. The end point. And bring up to reflect dialogue box here I can say what type a reflection and I want this case I -- vertical. So I think a copy it creates a copy that's. Perfect line with the previous one because that that person right on top of the other. Person the other. And to point to backus liked both points. I use my direct select tool I just don't -- he -- a tool to take that to select both points together. Which tag can now join a hit command day -- had come up here and they path. -- Now does the dialogue box comes comes up. If this dialogue box does not come out that means that -- two points it to anchor points and not directly on top of each other. So if that's the case you might want average -- but keep in mind that then the ending point is a little off on that starts -- once I would say we do that just in case there's little dialogue box. Tells you what kind of a -- you want you want to be corner what we want -- move. Click okay and there's mine why so now but I like to do is -- my a selection tool -- select all the points there. And again with the reflect tool on the pace it right there -- we have the default. Little. -- person right there that's the center top and bottom of our selections on the price to person there and again hold down my option button and click. Which is of course all the pieces. Now we want this to flip it this way so it's on horizontal. Horizontal axes and again I say copy so there's my two wires. So now this one we're gonna change its color that's going there and we cannot double click on our. Icon in the toolbox Al -- up to the color. Choices of color panel while we'll pick a color finesse this to say we want this wired to be. The green wire and K one at in the movies knows that's the one that have to cut because the green why -- to read what what is the green bars. So now. Another one atop the other. So looking mice is a tool. And here my scissors and of the car. Right there right in the center. I just cut that I mean cable Rent -- Center and I'm gonna select. The left side won and want to send that back. Now what I do is cut paste -- back you can go up to object arranged and the back and so wonderfully that way of doing the same thing. Touches like the keyboard that command X for cut. Command. Before pasted back so now. Now I could see that they're intertwined. They are twist it. That becomes the basis for my brush on the select them. It's a little bit right now so go ahead and shrink it down for instance a out of bring it down to about the 50%. There's my wire now I did not. -- do that again -- think you see what happens here. And I. What it down to 50% you know as that I don't have the scale strokes and effects elected. So when I click okay you know is at the white got thicker. I like that want this nice thick wire. That now can become my. Brush I Kamal we here tonight brush panel and in these little drop down menu I think new brush. And here I choose the pattern. Click on new pattern -- Click okay. And and appear right there right click okay. There it is so now. I can take this and not thrown away at this point on the unit. And I can take. Notepad here. And or to grow and create that's a lot kind of shape it -- practice. I've got beautiful. And I click on that brush and the panel. And it would see that we now have a twisted pair wire now you notice that the original -- very even. But now it's not very why because the different turns in our in our path here as I turn it which makes him look a little more realistic. There's a -- as you system is certain spots -- kind of separate little bit the united that I got that nice of separation I care. And so on and any point in going there and does select the point a particular point and play around that. And they -- you can see that all the wires are twisting I'm getting a real. Very realistic looking kind of a twisted pair wire. And that's basically how you do it. It's testing pattern brush in illustrator a place right turn many times. Solve a lot of problems for my. Images are just for retouched photographs which by the way. Very -- episode from now I'm gonna talk about a week ago it got a lot of requests for retouched. Does some episodes on retention and if you happen to have any questions something that's been bugging you -- can't figure out on your -- just want to know how to do it. I mean he -- the bird at revision3.com. And -- answered right here on the show. Hope you learn something from this one number to play. Yet another program this so many cool programs out there suit -- play over the have a good time see what they can do and just let your imagination run while. See you next week."