Volcano Eruption!
Sunday, August 9th, 2009 running time 20:28
Learn to create an erupting volcano with spewing and falling lava, smoke and highlights!
Segments
Bert Monroy creates an erupting volcano using textures, brushes, filters, masks, alpha channels and lighting. Read below to learn how:
Create a night sky and volcano base
Invert the background then apply a dark blue gradient, which will make a nice, dark sky. In a new layer named Volcano, fill with a brownish color. With black in the foreground color and brown in the background, choose FIlter > Render Fibers. This will give you a nice earthy texture. Distort the shape by pulling in the top corners to create a volcano shape. Apply the filter, Watercolor, and fade the opacity of the filter to about 36% so that the original grooves of the volcano still show through. Create a new layer mask on the Volcano layer, and use black to create a mask around the edges of the volcano. This gives the appearance of rough edges, much like a real mountain.
Make fire and lava
Falling lava: Choose a red color for the foreground color. With various brush sizes, hand draw falling lava that comes from the top of the volcano shape. Apply an outer glow with a red tone, and a bevel & emboss, which will make the lava look hot and shiny. The highlight should be yellow and the shadow should be orange when applying settings to bevel & emboss.
Spewing lava from the top of the volcano
Use a large spatter brush with high spacing in a new layer below the volcano. Use red for the foreground and yellow for the background color, then apply these colors in the brush settings. Warp the layer to create perspective of spewing lava. After you have your desired shape, add additional spatters.
Add smoke
In a new layer above all others, apply the Filter > Render Clouds using black and white. Use Warp to create a shape stemming from the opening of the volcano. Use an eraser to soften the edges.
Create red highlights in the smoke
Copy the smoke into an alpha channel, then duplicate the alpha channel to create a mask that filters can be applied to. Move the second channel up and over a little to create a shift. Choose Image > Calculations, and subtract one mask from the other, and the result will be a new tone that you can lighten with Levels. Load the new channel, and in a new top layer, fill the area with red
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Highlights
layer mask
(
5:33, 6:17
)
screen savers
(
1:16
)
night sky
(
3:03
)
ledge
(
6:00
)
Automatically Generated Transcript(may not be 100% accurate) ( more )
" Wow."
" This episode of pixel perfect is brought to you by Netflix and godaddy.com. So and welcome the pixel -- they're monitoring the show where all kinds of things gone. On today's show we're cripple keynote. Bursting at the scenes with a lot of flowing in all kinds of cool stuff happening. Before we do that let's check out his background they show was sent by rob -- Shar-Pei I don't know shop look at this thing. And back. That's pretty cool if recommends -- my basement somewhere. Kind of -- screen savers days but anyway it. We're gonna do some cool stuff today but before we start we gotta thank our sponsors."
" Godaddy.com. Godaddy.com makes it easy to customize your own virtual dedicated server. -- is one of three popular plans or select your own Linux or windows server with all the plan options that you need. Into the code pixel three when you check out annual get. -- domain name -- seven dollars and 49 cents that's not a misprint 749. Be sure to check out revision3.com. Forward slash GoDaddy what all the pixel perfect godaddy deals and -- there's a whole bunch of them in there. Also let's thank Netflix. Our bank of the sponsoring up it's a perfect and with next fix. You can rent over 90000. Titles online including lots of Blu-ray titles with free shipping both ways to your home. The Netflix plans start from four dollars and 99 cents. And as a new member you can get a no risk two week free trial membership check it out at www. Netflix.com. Forward slash pixel perfect."
" And yes you do have to type in net WWW. When using this code RSS created out little. -- And I did a lot of steps that have to -- on and it might never have to create a volcano but like I always say it's the steps that are important. Because a little deviation here to change color there and so on so what. You create things that you might need to create so pay attention to the steps at the end result but how I got there. Alright so. And create up. By the volcano so broke the bad I'm gonna go ahead and invert the background make it black as a kind of a dark night sky. Too dark for you won't tell you what that this is going it put a background color we'll throw in little up. Do get some nice deep -- like this and up the background that will create this gradient. -- That little better I'm glad that size and -- another layer here and is where we're going to start to create our volcano. So now the setup and do -- pick a have a brown color. But like that -- good I got those to cause -- we're gonna feel that new layer. Which we'll call the volcano there quote role canto. We know where we are gonna go ahead and -- that would that color. So I did that got a quick that use the keyboard is hit command delete which would be control. -- based on PC to Philip with the background color as Bernard brown my background color and have component there I give it -- filter. The first OW -- gonna give me might basic texture now it needs to have something in that they which is why it wouldn't headed for the with a brown. It needs to have something without it it'll say. The layers empty doesn't work so I'm gonna say render. -- Fire is gonna give me these nice long kind of streets here where I can go in here and more variety to them and click it was put that there is up of the war. Click okay I get this texture there just like that now take that layer and I'm going to distorted. And wanted to say distort. And -- to corners down. That's sequences there. Britney's cars down. Today -- shape like this. They start to become kind of like a volcano out there like that. Click okay there that happens. There are investing and don't go ahead. Had to give it another filter I would go in and give it something like. Watercolor. What color -- in there which is going to then fill those particular -- right now with a whole another texture. And up here it is and click okay. He gave me that which I'm going to think back a little bits and go to fade watercolor the last vote that had to bring it back to some of those nice lines come through. That were on the need to begin with thing to us kind of all of them like this they get these nice of streaks click okay and I got my basic. Texture for marvel volcano which is very clear and clean so with an eraser. Or a layer mask whatever you wanna do. Fact that's doing the -- areas to with a layer mask because that way we can. Fix it if it's not quite right with black and let it go here and that was a nice site."
" Rush so nineteen had two good sides until they're gone they're kind of roughing up besides a little bit. These that they not so even in smooth. And Bonior just have to decide to know portable. Ledge right there and edits in this come into -- here and this rough and -- up a little bit. That's the rough edges in there and a top let's just kinda given a couple who grew up there. There now we got our little volcano shape and which is. Messed it all up by going into a layer mask and roughing up decides a little bit all right Tamara we have that. Let's go in there and add some. Fire coming up. Mr. blue lava first so there on top bit result and a billion got a nice bright hot reds like this. And with that -- make it real small now a -- aspect paint. Little -- that's discuss dripping down through these little areas here and kind of made -- larger in certain areas. And thin and then make it thicker and it -- up over here and then it's going down. And another little. That it's coming down here it. Couple drips. Going down and it's it's. Fill it up like that. System mechanic and thicken then it cools up over here -- got all this nice little lava coming out of the tip of our. Volcano so now Google and there and in my."
" They -- styles. Brian give us a bit of a little out of gloat just a little out of glow a little brighter and make that glow wore it to the red tones. That. Bigger so it's got nice hot stuff going on and a bubble of books. -- bubble and bust gonna really make it look hot so when going to end up highlight. Between houses might wanna change it to -- kind of a yellowish tone. Like that get these yellow those going on there. And put the shadow -- was switched -- area -- orange color like this one here. Which is -- because it's set to multiply that said that sunscreen and we get these these guys who aren't close on the sides which would make this a little bit bigger. And softer so now it starts to look kind hot in there really nice and hot. Well -- a lot of happening through there are so now we need to have the stuff shooting out from the top. Let's go here and you know they're behind the job. The volcano another hold down my command -- for creating new layer behind it does is going to be the the flow from top okay flow from the top. And we can call the phone calls from lava. Right there you go up and out from the folks from the top pick up that red and look switched to brown to a bright yellow. Really bright go. And I'm gonna get my brush. A paintbrush. And get the spattered -- I've -- similar techniques for other things that you did water with this thing ones but what's gonna do here is and make the brush much bigger. In my -- big brush. Like that. -- go to my brush engine. Where I'm going to increase the spacing between these guys. That's so close together. And going to shape dynamics -- of them on pen pressure but and I set -- politicized there. And definite change -- ankle he said not at all. Kind of really spastic looking at doesn't have that look of a pattern anymore have gone to college dynamics -- the -- the foreground and background or -- percent to there. Museum of time and they've got a tip it's gonna be different color. And make sure that these guys are all set to zero. The hue saturation brightness that I want just that red and yellow to work so that have got here and it starts tapping a couple of times. As and that's streaking -- I'm hitting it a couple of times so that did little bunches of reds and and the distinct yellows and sold rather than streaking colors together this is still -- couple more little. Stronger ones along the size it like that that there don't forget all that mess going on. So our mind to do it this is gonna give that -- A little war. Not take descent department kind of pull it down into here and it has pulled these guys in -- so just to get these. Little effects happening in here like so. If -- get this happening and click okay. That's a shrink that down."
" And candidates give -- one messed up. Little warping. When more of the war."
" And that's what these guys outset that these things just shooting out in different directions like so and those contribute just a little bit more. This history could just the more it's gonna squish it this way. And put it right in there like that a case for married at this stuff happening now if you want you can go in there and is very likely just tap a couple little. Edges and that's going to pass you down to about forty into the top a couple of little excellent touches along the edges here so it starts to have little extra little fire happened. I -- that going on all right so now. They give myself a little more room I'm gonna grab. All three layers here and just move -- down. It myself remorse guy because what I wanna do now is. The smoke coming out of this whole mess here so. They -- way up on top of all this. I'm gonna return Michael is the black and white and would go ahead and fill that there. With clouds. Render plaza and hold down my option key alt on PC so that the contrast between the lights and arts is really strong as you see there can't put that later in screen mode. Only the whites are showing through and it's pull back a little bit. I have room to have to be able to start this could go ahead and distort this -- well from the boat and war. Gonna grab this handle -- rid over there and this does go way over here that point and then I hit play with these guys to get them to. Kind of form this cloud. Coming out. From inside this -- and -- it. If this stuff happening. And I close this up a little bit. It's open that up and that this. Stuff happening to us like that this things that. Little more and bring this over who's got this thing happening to us like that. Make that happen so now I'm going to raise parts of this that I don't wants and take up my racer. Yeah nice big soft edge racer as he was done who's gonna look like. It's gonna 200 that's good and I just gonna kind of soften up these edges here breakthrough here it was some of this stuff so I got. That kind of thing happening there is a smoke is billowing out of the top -- volcano. So now I'm going to select that. And copy. That I would call into my channels. And create a new channel and how to do a -- inside there. Put this up in the corner where it belongs right up there. We're blowing through there there it is and I'm going to duplicate that alpha channel. Now episode nine. Way back in the early days explain alpha channels -- get a general idea what I'm doing it these masks that which I will apply effects. What am I doing this why am I going to this point well right here we've got to smoke coming up. And the smoke is why. We got this hot flames down below right. So we need to have that hot flame reflected. And smoke so that's why I created these two channels down here so I'll do not take the second channel. This one here and move it I'm looking at both of them which is right -- Normally you're looking at this was quick math mode which is -- that we would normally see it to say that the -- that the Bluetooth so let's go there and said that it. Two red. And that's where you normally see enough -- when you have multiple channels on I think this woman back here and I moved to a little move it up a little bit. And over a little bit. A little bit and over. Connect. So. They are they should be totally different. Thing this one. And that he had a shift that. Ever -- slight subtle shift this one a little more. Well and moreover so now they're not in the same position to see that on and that we could see little tiny shift back and forth. So now I'm going to do is I'm gonna go to my calculations. -- really calculations. And I'm gonna take those two channels and this is fact one from the other. This attract so I've got. They see what one appears gonna give me. Those particular -- that's put up the copy appear to put to sharpen down here as going to be those particular -- so I'm gonna click on that. That's gonna be the one that I'm going to use. And I'm gonna go and enlightened a couple of and I want those lights to be a little stronger. Just like those guys up just a little bit like that. Price and now -- come back over here I don't know mode that channel that it has created and that's down to pick up is red. It is -- right here and that's gonna create a layer on top but this whole thing and fill that area with that that they. There we have now all these nice little highlights along the edges of our smoke that are giving. The reflection the sense that reflecting or is hot stuff going on down below now if you like this. This book to be behind the whole thing what we can easily do that let's move these guys that they are behind the volcano. And that get behind a volcano. And should -- vote."
" There is and there we see that now we have all this hot. Burning stuff shooting out. The lot of shooting out from there we go now there's really visible. And we got to smoke you'll get the lava flowing down outside the volcanoes all kinds of weird things going on so what happened here we had that we had some text -- we created. Yet -- street Dextre the suitcase that might be enough the that we get over the water color on top that. To add a little more of Iraqi kind of -- which we faded back a little bit to allow the original takes it to come through. As what -- color kind of obliterated the original fibers so by dating back -- watercolor filter. We that the fibers come through again giving us a combination of those two filters those two textures because as a final -- texture of the volcano. Which right now is actually you know one more thing. It's a little dark down there. So. Let's do this that's draw light to the top of the volcano and darken the father edges so you create another layer right on top of it right here. And I'm going to get a black and white and the switch to wife for my for awhile back to my background and that's what radio gradient. -- here like so. Right and there's that I get this black it's good data area of white. Bigger. There we had this white and the put that they -- in screen mode. Or rather multiply modes only the darts are gonna show wave and there and it's been down a bit. And there and -- it with the volcano clip it right there with the volcano. That long ones. That. These two. There you go so now we got that dark tone. Along the bottom of volcano right down there was this top part is nice and light and how -- some more texture to the bottom volcano down there. So that bandwidth a lot of sorting out which it kind of -- the laugh a little bit. But. There's got it's an out. -- That little thing had to deal with this smoke. Keep in mind it's just they were creating clouds and you wanted to have these little homes on the meet the class and dorktones. Same thing you've created duplicate of those clouds in an alpha channel. Duplicated that channel. Shift one slightly up so that you're exposing the area where the two overlap when you do the calculations he can expose that area to an effect. And -- there was some blue and there's a bit whatever is necessary. -- whatever make those cuts include more realistic. So I'll give us from all that remember as a lot of steps there. Take anyone the individual steps changeable little bit -- might solve the problems that the company faced with some particular project. Who you ask them from their best way to learn this stuff is to sit there and play is a full screen of -- the volcano."
" And it's making me hot so rather leave. If there's anything you need to CEO's so some you have been able to figure out on your own sending emails and the -- at revision3.com. And while you're there could take out the form of revision3.com. Forward slash forms a -- join discussions about this show and although the shows that there. Thanks again to bad to rob the show for submitting this incredible background which you can see once again. Kind of slowed down on my way back Theres gonna. You know -- burned my closed list of moves so fast slow down a bit nicer now. You wanna put just about this that is rings game you are or can be seen by the entire world with your name emblazoned on the screen for anybody know you light it. Tell if president look on television. It's really cool. And your images the -- at revision3.com. And those images should be 1280 by 720 pixels and saved as a JPEG. Number that plays that's where this stuff is feature have a good time. I hope to see if it."
" Wow."
" This episode of pixel perfect is brought to you by Netflix and godaddy.com. So and welcome the pixel -- they're monitoring the show where all kinds of things gone. On today's show we're cripple keynote. Bursting at the scenes with a lot of flowing in all kinds of cool stuff happening. Before we do that let's check out his background they show was sent by rob -- Shar-Pei I don't know shop look at this thing. And back. That's pretty cool if recommends -- my basement somewhere. Kind of -- screen savers days but anyway it. We're gonna do some cool stuff today but before we start we gotta thank our sponsors."
" Godaddy.com. Godaddy.com makes it easy to customize your own virtual dedicated server. -- is one of three popular plans or select your own Linux or windows server with all the plan options that you need. Into the code pixel three when you check out annual get. -- domain name -- seven dollars and 49 cents that's not a misprint 749. Be sure to check out revision3.com. Forward slash GoDaddy what all the pixel perfect godaddy deals and -- there's a whole bunch of them in there. Also let's thank Netflix. Our bank of the sponsoring up it's a perfect and with next fix. You can rent over 90000. Titles online including lots of Blu-ray titles with free shipping both ways to your home. The Netflix plans start from four dollars and 99 cents. And as a new member you can get a no risk two week free trial membership check it out at www. Netflix.com. Forward slash pixel perfect."
" And yes you do have to type in net WWW. When using this code RSS created out little. -- And I did a lot of steps that have to -- on and it might never have to create a volcano but like I always say it's the steps that are important. Because a little deviation here to change color there and so on so what. You create things that you might need to create so pay attention to the steps at the end result but how I got there. Alright so. And create up. By the volcano so broke the bad I'm gonna go ahead and invert the background make it black as a kind of a dark night sky. Too dark for you won't tell you what that this is going it put a background color we'll throw in little up. Do get some nice deep -- like this and up the background that will create this gradient. -- That little better I'm glad that size and -- another layer here and is where we're going to start to create our volcano. So now the setup and do -- pick a have a brown color. But like that -- good I got those to cause -- we're gonna feel that new layer. Which we'll call the volcano there quote role canto. We know where we are gonna go ahead and -- that would that color. So I did that got a quick that use the keyboard is hit command delete which would be control. -- based on PC to Philip with the background color as Bernard brown my background color and have component there I give it -- filter. The first OW -- gonna give me might basic texture now it needs to have something in that they which is why it wouldn't headed for the with a brown. It needs to have something without it it'll say. The layers empty doesn't work so I'm gonna say render. -- Fire is gonna give me these nice long kind of streets here where I can go in here and more variety to them and click it was put that there is up of the war. Click okay I get this texture there just like that now take that layer and I'm going to distorted. And wanted to say distort. And -- to corners down. That's sequences there. Britney's cars down. Today -- shape like this. They start to become kind of like a volcano out there like that. Click okay there that happens. There are investing and don't go ahead. Had to give it another filter I would go in and give it something like. Watercolor. What color -- in there which is going to then fill those particular -- right now with a whole another texture. And up here it is and click okay. He gave me that which I'm going to think back a little bits and go to fade watercolor the last vote that had to bring it back to some of those nice lines come through. That were on the need to begin with thing to us kind of all of them like this they get these nice of streaks click okay and I got my basic. Texture for marvel volcano which is very clear and clean so with an eraser. Or a layer mask whatever you wanna do. Fact that's doing the -- areas to with a layer mask because that way we can. Fix it if it's not quite right with black and let it go here and that was a nice site."
" Rush so nineteen had two good sides until they're gone they're kind of roughing up besides a little bit. These that they not so even in smooth. And Bonior just have to decide to know portable. Ledge right there and edits in this come into -- here and this rough and -- up a little bit. That's the rough edges in there and a top let's just kinda given a couple who grew up there. There now we got our little volcano shape and which is. Messed it all up by going into a layer mask and roughing up decides a little bit all right Tamara we have that. Let's go in there and add some. Fire coming up. Mr. blue lava first so there on top bit result and a billion got a nice bright hot reds like this. And with that -- make it real small now a -- aspect paint. Little -- that's discuss dripping down through these little areas here and kind of made -- larger in certain areas. And thin and then make it thicker and it -- up over here and then it's going down. And another little. That it's coming down here it. Couple drips. Going down and it's it's. Fill it up like that. System mechanic and thicken then it cools up over here -- got all this nice little lava coming out of the tip of our. Volcano so now Google and there and in my."
" They -- styles. Brian give us a bit of a little out of gloat just a little out of glow a little brighter and make that glow wore it to the red tones. That. Bigger so it's got nice hot stuff going on and a bubble of books. -- bubble and bust gonna really make it look hot so when going to end up highlight. Between houses might wanna change it to -- kind of a yellowish tone. Like that get these yellow those going on there. And put the shadow -- was switched -- area -- orange color like this one here. Which is -- because it's set to multiply that said that sunscreen and we get these these guys who aren't close on the sides which would make this a little bit bigger. And softer so now it starts to look kind hot in there really nice and hot. Well -- a lot of happening through there are so now we need to have the stuff shooting out from the top. Let's go here and you know they're behind the job. The volcano another hold down my command -- for creating new layer behind it does is going to be the the flow from top okay flow from the top. And we can call the phone calls from lava. Right there you go up and out from the folks from the top pick up that red and look switched to brown to a bright yellow. Really bright go. And I'm gonna get my brush. A paintbrush. And get the spattered -- I've -- similar techniques for other things that you did water with this thing ones but what's gonna do here is and make the brush much bigger. In my -- big brush. Like that. -- go to my brush engine. Where I'm going to increase the spacing between these guys. That's so close together. And going to shape dynamics -- of them on pen pressure but and I set -- politicized there. And definite change -- ankle he said not at all. Kind of really spastic looking at doesn't have that look of a pattern anymore have gone to college dynamics -- the -- the foreground and background or -- percent to there. Museum of time and they've got a tip it's gonna be different color. And make sure that these guys are all set to zero. The hue saturation brightness that I want just that red and yellow to work so that have got here and it starts tapping a couple of times. As and that's streaking -- I'm hitting it a couple of times so that did little bunches of reds and and the distinct yellows and sold rather than streaking colors together this is still -- couple more little. Stronger ones along the size it like that that there don't forget all that mess going on. So our mind to do it this is gonna give that -- A little war. Not take descent department kind of pull it down into here and it has pulled these guys in -- so just to get these. Little effects happening in here like so. If -- get this happening and click okay. That's a shrink that down."
" And candidates give -- one messed up. Little warping. When more of the war."
" And that's what these guys outset that these things just shooting out in different directions like so and those contribute just a little bit more. This history could just the more it's gonna squish it this way. And put it right in there like that a case for married at this stuff happening now if you want you can go in there and is very likely just tap a couple little. Edges and that's going to pass you down to about forty into the top a couple of little excellent touches along the edges here so it starts to have little extra little fire happened. I -- that going on all right so now. They give myself a little more room I'm gonna grab. All three layers here and just move -- down. It myself remorse guy because what I wanna do now is. The smoke coming out of this whole mess here so. They -- way up on top of all this. I'm gonna return Michael is the black and white and would go ahead and fill that there. With clouds. Render plaza and hold down my option key alt on PC so that the contrast between the lights and arts is really strong as you see there can't put that later in screen mode. Only the whites are showing through and it's pull back a little bit. I have room to have to be able to start this could go ahead and distort this -- well from the boat and war. Gonna grab this handle -- rid over there and this does go way over here that point and then I hit play with these guys to get them to. Kind of form this cloud. Coming out. From inside this -- and -- it. If this stuff happening. And I close this up a little bit. It's open that up and that this. Stuff happening to us like that this things that. Little more and bring this over who's got this thing happening to us like that. Make that happen so now I'm going to raise parts of this that I don't wants and take up my racer. Yeah nice big soft edge racer as he was done who's gonna look like. It's gonna 200 that's good and I just gonna kind of soften up these edges here breakthrough here it was some of this stuff so I got. That kind of thing happening there is a smoke is billowing out of the top -- volcano. So now I'm going to select that. And copy. That I would call into my channels. And create a new channel and how to do a -- inside there. Put this up in the corner where it belongs right up there. We're blowing through there there it is and I'm going to duplicate that alpha channel. Now episode nine. Way back in the early days explain alpha channels -- get a general idea what I'm doing it these masks that which I will apply effects. What am I doing this why am I going to this point well right here we've got to smoke coming up. And the smoke is why. We got this hot flames down below right. So we need to have that hot flame reflected. And smoke so that's why I created these two channels down here so I'll do not take the second channel. This one here and move it I'm looking at both of them which is right -- Normally you're looking at this was quick math mode which is -- that we would normally see it to say that the -- that the Bluetooth so let's go there and said that it. Two red. And that's where you normally see enough -- when you have multiple channels on I think this woman back here and I moved to a little move it up a little bit. And over a little bit. A little bit and over. Connect. So. They are they should be totally different. Thing this one. And that he had a shift that. Ever -- slight subtle shift this one a little more. Well and moreover so now they're not in the same position to see that on and that we could see little tiny shift back and forth. So now I'm going to do is I'm gonna go to my calculations. -- really calculations. And I'm gonna take those two channels and this is fact one from the other. This attract so I've got. They see what one appears gonna give me. Those particular -- that's put up the copy appear to put to sharpen down here as going to be those particular -- so I'm gonna click on that. That's gonna be the one that I'm going to use. And I'm gonna go and enlightened a couple of and I want those lights to be a little stronger. Just like those guys up just a little bit like that. Price and now -- come back over here I don't know mode that channel that it has created and that's down to pick up is red. It is -- right here and that's gonna create a layer on top but this whole thing and fill that area with that that they. There we have now all these nice little highlights along the edges of our smoke that are giving. The reflection the sense that reflecting or is hot stuff going on down below now if you like this. This book to be behind the whole thing what we can easily do that let's move these guys that they are behind the volcano. And that get behind a volcano. And should -- vote."
" There is and there we see that now we have all this hot. Burning stuff shooting out. The lot of shooting out from there we go now there's really visible. And we got to smoke you'll get the lava flowing down outside the volcanoes all kinds of weird things going on so what happened here we had that we had some text -- we created. Yet -- street Dextre the suitcase that might be enough the that we get over the water color on top that. To add a little more of Iraqi kind of -- which we faded back a little bit to allow the original takes it to come through. As what -- color kind of obliterated the original fibers so by dating back -- watercolor filter. We that the fibers come through again giving us a combination of those two filters those two textures because as a final -- texture of the volcano. Which right now is actually you know one more thing. It's a little dark down there. So. Let's do this that's draw light to the top of the volcano and darken the father edges so you create another layer right on top of it right here. And I'm going to get a black and white and the switch to wife for my for awhile back to my background and that's what radio gradient. -- here like so. Right and there's that I get this black it's good data area of white. Bigger. There we had this white and the put that they -- in screen mode. Or rather multiply modes only the darts are gonna show wave and there and it's been down a bit. And there and -- it with the volcano clip it right there with the volcano. That long ones. That. These two. There you go so now we got that dark tone. Along the bottom of volcano right down there was this top part is nice and light and how -- some more texture to the bottom volcano down there. So that bandwidth a lot of sorting out which it kind of -- the laugh a little bit. But. There's got it's an out. -- That little thing had to deal with this smoke. Keep in mind it's just they were creating clouds and you wanted to have these little homes on the meet the class and dorktones. Same thing you've created duplicate of those clouds in an alpha channel. Duplicated that channel. Shift one slightly up so that you're exposing the area where the two overlap when you do the calculations he can expose that area to an effect. And -- there was some blue and there's a bit whatever is necessary. -- whatever make those cuts include more realistic. So I'll give us from all that remember as a lot of steps there. Take anyone the individual steps changeable little bit -- might solve the problems that the company faced with some particular project. Who you ask them from their best way to learn this stuff is to sit there and play is a full screen of -- the volcano."
" And it's making me hot so rather leave. If there's anything you need to CEO's so some you have been able to figure out on your own sending emails and the -- at revision3.com. And while you're there could take out the form of revision3.com. Forward slash forms a -- join discussions about this show and although the shows that there. Thanks again to bad to rob the show for submitting this incredible background which you can see once again. Kind of slowed down on my way back Theres gonna. You know -- burned my closed list of moves so fast slow down a bit nicer now. You wanna put just about this that is rings game you are or can be seen by the entire world with your name emblazoned on the screen for anybody know you light it. Tell if president look on television. It's really cool. And your images the -- at revision3.com. And those images should be 1280 by 720 pixels and saved as a JPEG. Number that plays that's where this stuff is feature have a good time. I hope to see if it."
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