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Rapid Weathering

Wednesday, January 10th, 2007 – running time 08:23
All the steps for creating rusty and corroded type... old, broken-up and degraded.

Highlights
layer mask ( 5:52, 5:55, 7:08, 5:52, 5:55, 7:08 ) stylized ( 2:58, 2:58 ) Attica ( 1:37, 1:37 ) texture ( 3:37, 3:38, 5:28, 3:37, 3:38, 5:28 ) layer mask ( 5:52, 5:55, 7:08, 5:52, 5:55, 7:08 ) stylized ( 2:58, 2:58 ) Attica ( 1:37, 1:37 ) texture ( 3:37, 3:38, 5:28, 3:37, 3:38, 5:28 )

Automatically Generated Transcript(may not be 100% accurate) ( more )

" It's."

" Welcome to another episode -- it would be -- on what kind of Photoshop tricks and the program here and there. They'll do another old V favorite favorite. Take a step further here and show you all of the steps. Creating rusty who wrote it -- yeah the old. Broken up. Degraded and corroded -- Now you've mine it's not the end result that's important it's how I got it the a lot of steps in between a lot of theories and concepts and you. It's very important taken to mine because these things without other problem on the way. So look at each step on -- at the overall and -- Well let's start -- in new file here and I think file. And I'm just gonna type in. Whatever textual -- to type in the word evil. On here and say. Evil now I'm using. They're -- of Attica. I going to have make a little bigger Celeste is culinary duo transform mines scale it. That's kind of like longer matters in the wider like that as long letters. Click okay and that's from position right -- here now. I would pick them further I don't want just the word as it is on the -- around with certain parts of it want to do on carpet layers. But appetite and the the first choice through -- network path. That's going to do is it created a path. They have like a -- to create for those letters. I cannot throw away the letters because look at this happened back in and manipulate. Yeah layer where I'm gonna put my path. Or rather my tax but first I'm going to manipulate it I think the -- pop part of that be right here and pull that up like that. -- like that maybe take this little corner here and pull it straight out. It out sort of long kind of a point there and maybe picked the bottom part I think the whole he. And bring it up a little bit like that and we'll take this whole bottom part of it affect that and dragged his down. In there like that that's not look good and maybe pick this whole section of the -- right there and pull it it won't open that though. Crevice in there and I -- to fix that so quarters its its gonna levels out there but never got a whole new kind of a look. The word evil that we stylized a little bit and had to -- further maybe take it. No end of the hell and just kind of pull it out and make a -- point out of that one there took on a really evil. All right so now. When ought to do in that -- is about the demise color with it is nice. And a brown color here this. And I think that pat go ahead and then it went -- color but for right here on the bill passed I. So now trying to pass off my to do -- that it now is make them all corroded and broken. We're gonna do with them up of both further -- a kind of start Ed that rusty kind of look to it. And half filters -- betting on a texture. And texture Reiser. I have -- Moses and other shows to create stone and and pain and so on his right here we see ya wanna get the scaling down so it's really fine. And push up the relief in this case and I've got this nice camera. Dirty you rustic look to click okay. Over the city who works. Then go into the layer style for -- violators styles. And -- which is -- come up there it is going to drop shadow which could increase the distance bit like that. The drop -- to lighten up ever so slightly. And I'm gonna get little little Babylon the boss. -- boss doesn't increase that make -- a strong -- and -- making it chiseled hard kind of an effect and maybe bring it with a little bit bigger like that. Not like that white and it lets you -- so let's go in there instead of white for the highlight we'll pick a nice kind of a yellowish tone there how we get that yellow on the top. The cocaine and it that much stronger because shadow much stronger and we have that now we need debate that must -- more pronounced Atlantis sat. And satin and regular complex -- like this. Play around the distance and the size until I got these nice little kind of -- than there. That's increase that capacity I know this kind of a dirty thing going on through letters. Click okay now it's not a good. But in this yet is still quickly very -- back. And all that corrosion and age should destroy those letters really messed them up so I'm gonna do here is that a beautiful thing that's gonna give me that if that. And going out to brush strokes and give it a -- courts that. It can come up. And Hewitt tab and click okay and not as good as I would like it let me undo that it that we had a nice texture inside -- ready broke up the edges a little bit -- that. Which -- start to think outside the box outside of the -- Not that -- there is the perfect though the what I want to do but not the way I used. Something a little different and again that mayor -- mask. -- to hide all the disappeared because the layer mask with black remember from previous -- Where the layer mask with black you don't seem content I'm gonna turn in the -- into a selection by command click preview icon. -- On the icon in PC and ever since election and I wiped my program caller in the mask. So when -- fill that. Now my that is show. ID select now that is a visible -- I'm in the mask. I'm not in the later on in the mass for the -- Now -- one apply that filter brush strokes. Spatter. Apply the filter to the mess. -- right there we see the mask. In our preview of the that brought the gallery a strong right now some analysts more than it up just a little bit. And maybe -- sprayed -- ago he what's happening to the mask now the edges get broken up. Now. It's doing it that mask and and the Leyritz stuff electric okay -- effect. Really could order all my Texan now really affect his rusty breaking up at that point -- the -- it's really promoted. Point apart remember it's the end result you don't always have to apply the filter to the layer. Sometimes we get to a layer mask. The fact. -- is that the obvious. Beyond experiment. May best way to learn. -- I want the thank my sponsors that godaddy.com. You guys will host and to build a website and Leo domain name anything you need to do with the web they'll take care of it for you and if you go there and put in this handy little code what you have here -- familiar BER king. They'll give you an additional 10% off any order to go over to godaddy.com and get your business you surprised that would be for your website. I thank you for a bit me again. But the next show at the place that's written in Photoshop that had them play. Prior a couple of different things you would they do that's where it'll -- Have fun. In the next show."

" It's."

" Welcome to another episode -- it would be -- on what kind of Photoshop tricks and the program here and there. They'll do another old V favorite favorite. Take a step further here and show you all of the steps. Creating rusty who wrote it -- yeah the old. Broken up. Degraded and corroded -- Now you've mine it's not the end result that's important it's how I got it the a lot of steps in between a lot of theories and concepts and you. It's very important taken to mine because these things without other problem on the way. So look at each step on -- at the overall and -- Well let's start -- in new file here and I think file. And I'm just gonna type in. Whatever textual -- to type in the word evil. On here and say. Evil now I'm using. They're -- of Attica. I going to have make a little bigger Celeste is culinary duo transform mines scale it. That's kind of like longer matters in the wider like that as long letters. Click okay and that's from position right -- here now. I would pick them further I don't want just the word as it is on the -- around with certain parts of it want to do on carpet layers. But appetite and the the first choice through -- network path. That's going to do is it created a path. They have like a -- to create for those letters. I cannot throw away the letters because look at this happened back in and manipulate. Yeah layer where I'm gonna put my path. Or rather my tax but first I'm going to manipulate it I think the -- pop part of that be right here and pull that up like that. -- like that maybe take this little corner here and pull it straight out. It out sort of long kind of a point there and maybe picked the bottom part I think the whole he. And bring it up a little bit like that and we'll take this whole bottom part of it affect that and dragged his down. In there like that that's not look good and maybe pick this whole section of the -- right there and pull it it won't open that though. Crevice in there and I -- to fix that so quarters its its gonna levels out there but never got a whole new kind of a look. The word evil that we stylized a little bit and had to -- further maybe take it. No end of the hell and just kind of pull it out and make a -- point out of that one there took on a really evil. All right so now. When ought to do in that -- is about the demise color with it is nice. And a brown color here this. And I think that pat go ahead and then it went -- color but for right here on the bill passed I. So now trying to pass off my to do -- that it now is make them all corroded and broken. We're gonna do with them up of both further -- a kind of start Ed that rusty kind of look to it. And half filters -- betting on a texture. And texture Reiser. I have -- Moses and other shows to create stone and and pain and so on his right here we see ya wanna get the scaling down so it's really fine. And push up the relief in this case and I've got this nice camera. Dirty you rustic look to click okay. Over the city who works. Then go into the layer style for -- violators styles. And -- which is -- come up there it is going to drop shadow which could increase the distance bit like that. The drop -- to lighten up ever so slightly. And I'm gonna get little little Babylon the boss. -- boss doesn't increase that make -- a strong -- and -- making it chiseled hard kind of an effect and maybe bring it with a little bit bigger like that. Not like that white and it lets you -- so let's go in there instead of white for the highlight we'll pick a nice kind of a yellowish tone there how we get that yellow on the top. The cocaine and it that much stronger because shadow much stronger and we have that now we need debate that must -- more pronounced Atlantis sat. And satin and regular complex -- like this. Play around the distance and the size until I got these nice little kind of -- than there. That's increase that capacity I know this kind of a dirty thing going on through letters. Click okay now it's not a good. But in this yet is still quickly very -- back. And all that corrosion and age should destroy those letters really messed them up so I'm gonna do here is that a beautiful thing that's gonna give me that if that. And going out to brush strokes and give it a -- courts that. It can come up. And Hewitt tab and click okay and not as good as I would like it let me undo that it that we had a nice texture inside -- ready broke up the edges a little bit -- that. Which -- start to think outside the box outside of the -- Not that -- there is the perfect though the what I want to do but not the way I used. Something a little different and again that mayor -- mask. -- to hide all the disappeared because the layer mask with black remember from previous -- Where the layer mask with black you don't seem content I'm gonna turn in the -- into a selection by command click preview icon. -- On the icon in PC and ever since election and I wiped my program caller in the mask. So when -- fill that. Now my that is show. ID select now that is a visible -- I'm in the mask. I'm not in the later on in the mass for the -- Now -- one apply that filter brush strokes. Spatter. Apply the filter to the mess. -- right there we see the mask. In our preview of the that brought the gallery a strong right now some analysts more than it up just a little bit. And maybe -- sprayed -- ago he what's happening to the mask now the edges get broken up. Now. It's doing it that mask and and the Leyritz stuff electric okay -- effect. Really could order all my Texan now really affect his rusty breaking up at that point -- the -- it's really promoted. Point apart remember it's the end result you don't always have to apply the filter to the layer. Sometimes we get to a layer mask. The fact. -- is that the obvious. Beyond experiment. May best way to learn. -- I want the thank my sponsors that godaddy.com. You guys will host and to build a website and Leo domain name anything you need to do with the web they'll take care of it for you and if you go there and put in this handy little code what you have here -- familiar BER king. They'll give you an additional 10% off any order to go over to godaddy.com and get your business you surprised that would be for your website. I thank you for a bit me again. But the next show at the place that's written in Photoshop that had them play. Prior a couple of different things you would they do that's where it'll -- Have fun. In the next show."