View by:

Tune in an Afternoon: Lusine and Pezzner

Tuesday, October 20th, 2009 – running time 07:31
House and techno alchemists Pezzner and Lusine turn found Seattle sounds into an eerie ambient track in the course of five hours.
For our third installment of our occasional Tune in an Afternoon series, we challenged Seattle producers Dave Pezzner (a.k.a. Pezzner) and Jeff McIlwain (a.k.a. Lusine) to record a track using mainly sounds collected on a light-rail trip to the waterfront. Watch as they talk to birds, use secret microphones, and ponder bpms, and then download the track here!

Highlights

percussion: 3:02

Automatically Generated Transcript

May not be 100% accurate

" War."

" Last -- accelerator -- heading to Seattle for the sixth annual festival festival over the course of four days and nights we -- of missing artists and venues all over the city. And even that -- a few sites around town -- losing it has there as they gathered sounds for this installment of accelerator is due to an afternoon. Make sure to download the track their card to get it at accelerator dot com and after you watch the show them. This episode of accelerator TV is brought you back Bacardi B live is a big party dot com slash -- of -- photos videos in the -- live blog."

" I am games has turned."

" Jeff Mac or."

" We're here at mount bigger station. -- light rail station we have here in Seattle we're gonna record the sound. We're gonna go back to."

" So -- the."

" Where. The screen. You report. I'm proud of -- is -- light rail."

" I can't believe this Lake -- want us to be finished have to be done fast because of what you get tired of it. I don't usually do a song and a day ago. Usually takes a couple of days."

" This is my trusty mini disc. That's very old technology. But it sounds it worked well. That's what I use for my children were. Right now or in the downtown areas figure. We get a lot of cities. A lot of time like and it tactile sounds I hear something -- Toward that. Seattle as you can -- is right behind us as well we're always being down. Right by the public market there everybody hangs out there all the to -- try to get some sounds down by the water. We'll see how well that works out. Yeah I'm I'm ready to head back. The other students."

" is something. Yeah I use a lot of field recordings and my music this last album had maybe a little bit without before that language. A lot of those recordings but there really useful for percussion sound itself the -- Ambient tracks and and sort of like to given environment. So we're back it Dave please. -- Either Koreans -- for me this. And I'm kind of waiting we're gonna probably be programming at the same time and then try to figure we can. Get -- Well I think we're both going to be kind of doing the same thing I think -- going to be more laying out. The long form track. And I'm gonna be doing small program anything because I think you're flop faster than I do more like concentrating on -- and -- might cut out some of these field recordings and and just work on my school. Sequence using the field reporting."

" I think what plan -- I mean. Six. -- we're that's the land use it or. Move doesn't really. I think that."

" Her standing -- were not if you. Whispers yeah. The -- integrating. --"

" Yeah. Okay."

" All we -- it. We've been working on for like last five dollars and better image and sorted out. We can show you some of the sounds that -- from the field recordings that we that means -- Going through it and."

" You hear the bells and after the train."

" I don't know what instrument with kind of instrument that was because I do goes over by the bus stations Hillary's. There's a lot of -- cuts from the ambient noise is peppered him learn. With threats and be tomorrow. And then the core sequence that that just -- So that's basically it. Check check out online and you know -- the."

" Okay."

" War."

" Last -- accelerator -- heading to Seattle for the sixth annual festival festival over the course of four days and nights we -- of missing artists and venues all over the city. And even that -- a few sites around town -- losing it has there as they gathered sounds for this installment of accelerator is due to an afternoon. Make sure to download the track their card to get it at accelerator dot com and after you watch the show them. This episode of accelerator TV is brought you back Bacardi B live is a big party dot com slash -- of -- photos videos in the -- live blog."

" I am games has turned."

" Jeff Mac or."

" We're here at mount bigger station. -- light rail station we have here in Seattle we're gonna record the sound. We're gonna go back to."

" So -- the."

" Where. The screen. You report. I'm proud of -- is -- light rail."

" I can't believe this Lake -- want us to be finished have to be done fast because of what you get tired of it. I don't usually do a song and a day ago. Usually takes a couple of days."

" This is my trusty mini disc. That's very old technology. But it sounds it worked well. That's what I use for my children were. Right now or in the downtown areas figure. We get a lot of cities. A lot of time like and it tactile sounds I hear something -- Toward that. Seattle as you can -- is right behind us as well we're always being down. Right by the public market there everybody hangs out there all the to -- try to get some sounds down by the water. We'll see how well that works out. Yeah I'm I'm ready to head back. The other students."

" is something. Yeah I use a lot of field recordings and my music this last album had maybe a little bit without before that language. A lot of those recordings but there really useful for percussion sound itself the -- Ambient tracks and and sort of like to given environment. So we're back it Dave please. -- Either Koreans -- for me this. And I'm kind of waiting we're gonna probably be programming at the same time and then try to figure we can. Get -- Well I think we're both going to be kind of doing the same thing I think -- going to be more laying out. The long form track. And I'm gonna be doing small program anything because I think you're flop faster than I do more like concentrating on -- and -- might cut out some of these field recordings and and just work on my school. Sequence using the field reporting."

" I think what plan -- I mean. Six. -- we're that's the land use it or. Move doesn't really. I think that."

" Her standing -- were not if you. Whispers yeah. The -- integrating. --"

" Yeah. Okay."

" All we -- it. We've been working on for like last five dollars and better image and sorted out. We can show you some of the sounds that -- from the field recordings that we that means -- Going through it and."

" You hear the bells and after the train."

" I don't know what instrument with kind of instrument that was because I do goes over by the bus stations Hillary's. There's a lot of -- cuts from the ambient noise is peppered him learn. With threats and be tomorrow. And then the core sequence that that just -- So that's basically it. Check check out online and you know -- the."

" Okay."

jackierulesall

Started discussion: October 20, 2009 @ 10:06am GMT

Episode 130 - Tune in an Afternoon: Lusine and Pezzner [Discussion]

House and techno alchemists Pezzner and Lusine turn found Seattle sounds into an eerie ambient track in the course of five hours.

Watch or download now!


Nobody has commented on this episode yet. Be the first!