" Yeah."

" This over here having. Cuban cigars and here in the -- the patio Zastudil studios. Illicit fund Erica sorry Stephon beefed up its beef just want to correct mr. announced that fight and not human. -- sort of -- circumstances. We've. Toured the building we've seen every remove it. And justified you have you've only basically seen the kitchen and the office I've seen and -- and the -- so what went out to defend that could route holding you for a vote -- Just of the special occasion what it's -- there what do you what do you know so far about it what to what sort of your expectations of what's downstairs."

" The ideas the made it that the communication between music and architecture improvements. Particularly. Unlike the city of -- because of its architecture and it's very important for my music they open spaces that speeds. -- down buildings. Who hold the ball again in that distance -- something coming -- and that is right the explosion from the group and it just. Through them all the mixing board and the bases getting him from opening it needed. Shaking the building so that that that's that's the --"

" It's. It's. It. It's. It's."

" Knowing what you know about pulls music what are you most excited there's just a fun and in the studio well I think -- we -- something. It regards that's. That coming from the roots growing up with this music to raise the mixers in Jamaica. We're just being in the studio and bringing different things yeah and help out an entire front it's -- This installation -- more channels and so we can just take this to you -- to step."

" my music on making music it's pretty. Using the method of which is an anathema to make and I'm not making making music but -- used to mixing board is the same true. Yeah. It's."

" testify guests -- being need to -- officer. Mastery in studios that you are. Yeah. Some heard about -- how -- these two guys. Yeah. The -- objective. It's you can organizer. It's. You -- You want to -- Yeah yeah. Well after she became an endless what this book and hundreds -- its. -- lot of information -- god it's. Yeah."

" Everything I -- 200 grand in cash and just."

" Aussie humor and."

" Moment I mean online I'm not that much Nationalists on. Lord your video. And sound. Had a previous arrangement -- not have much -- the other way around him. All screens and on the hogs and -- is surrounds an online. You rarely are you you're you're you're being you -- he's."

" A come from an audio side -- right so usually it's a very important for me but I can't we -- reasons so the president of the came. To me she was that these. -- And -- I think we're on the ultimate -- it means they give you -- created its -- but nobody. Then -- somebody who's on the trying to transform its. This. -- it's something that I can hear you. He didn't need the picture for instance hasn't tried to bring you haven't noticed possibly this. Producer and."

" Yeah."

" Yeah."

" This over here having. Cuban cigars and here in the -- the patio Zastudil studios. Illicit fund Erica sorry Stephon beefed up its beef just want to correct mr. announced that fight and not human. -- sort of -- circumstances. We've. Toured the building we've seen every remove it. And justified you have you've only basically seen the kitchen and the office I've seen and -- and the -- so what went out to defend that could route holding you for a vote -- Just of the special occasion what it's -- there what do you what do you know so far about it what to what sort of your expectations of what's downstairs."

" The ideas the made it that the communication between music and architecture improvements. Particularly. Unlike the city of -- because of its architecture and it's very important for my music they open spaces that speeds. -- down buildings. Who hold the ball again in that distance -- something coming -- and that is right the explosion from the group and it just. Through them all the mixing board and the bases getting him from opening it needed. Shaking the building so that that that's that's the --"

" It's. It's. It. It's. It's."

" Knowing what you know about pulls music what are you most excited there's just a fun and in the studio well I think -- we -- something. It regards that's. That coming from the roots growing up with this music to raise the mixers in Jamaica. We're just being in the studio and bringing different things yeah and help out an entire front it's -- This installation -- more channels and so we can just take this to you -- to step."

" my music on making music it's pretty. Using the method of which is an anathema to make and I'm not making making music but -- used to mixing board is the same true. Yeah. It's."

" testify guests -- being need to -- officer. Mastery in studios that you are. Yeah. Some heard about -- how -- these two guys. Yeah. The -- objective. It's you can organizer. It's. You -- You want to -- Yeah yeah. Well after she became an endless what this book and hundreds -- its. -- lot of information -- god it's. Yeah."

" Everything I -- 200 grand in cash and just."

" Aussie humor and."

" Moment I mean online I'm not that much Nationalists on. Lord your video. And sound. Had a previous arrangement -- not have much -- the other way around him. All screens and on the hogs and -- is surrounds an online. You rarely are you you're you're you're being you -- he's."

" A come from an audio side -- right so usually it's a very important for me but I can't we -- reasons so the president of the came. To me she was that these. -- And -- I think we're on the ultimate -- it means they give you -- created its -- but nobody. Then -- somebody who's on the trying to transform its. This. -- it's something that I can hear you. He didn't need the picture for instance hasn't tried to bring you haven't noticed possibly this. Producer and."

" Yeah."